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In the American imagination, no figure is more central to national identity and the nation’s origin story than the cowboy. Yet the Americans and Europeans who settled the U.S. West learned virtually everything they knew about ranching from the indigenous and Mexican horsemen who already inhabited the region. The charro—a skilled, elite, and landowning horseman—was an especially powerful symbol of Mexican masculinity and nationalism. After the 1930s, Mexican Americans in cities across the U.S. West embraced the figure as a way to challenge their segregation, exploitation, and marginalization from core narratives of American identity. In this definitive history, Laura R. Barraclough shows how Mexican Americans have used the charro in the service of civil rights, cultural citizenship, and place-making. Focusing on a range of U.S. cities, Charros traces the evolution of the “original cowboy” through mixed triumphs and hostile backlashes, revealing him to be a crucial agent in the production of U.S., Mexican, and border cultures, as well as a guiding force for Mexican American identity and social movements.
Tom Lacey and Samuel Embers were outlaws who split from the Younger Brothers Gang. Their handles were the Nevada Kid and Smokey. After the robbery of the Kingston-Downey Express, they took honest jobs while seeking refuge at a prominent cattle ranch. Tom had been shot through the left thigh, and taking on honest jobs was the only way Smokey could get his partner back on his feet again without getting captured. When returning to the O'Connor ranch from a cattle drive up north, they had no idea their cover was revealed to the local sheriff. They were arrested, tried, and convicted to prison terms. Smokey was released after five years, but Tom Lacey (the Nevada Kid) had to stay an extra two for misbehavior. What got Nevada the two extra years was his stubbornness and his bad-boy attitude. It was his sour venom that got him in there in the first place--that along with his love, respect, and damned cursed weakness for beautiful women. In book 3 of the Southwest Series, the Nevada Kid and Smokey are released from prison. Nevada heads southwest and joins the Broken Arrow Ranch rodeo circuit to make some fast money, hoping to reach the goal he set for himself of buying a cattle ranch. What kind of trouble does he get into there with his new friend Recordina "Ricki," the barrel racer? Who is cutting cinch straps, trying to cause a planned murder to look like an accident?
The rodeo arena is always treacherous. Now it’s deadly… It’s no accident Deputy Tessa McKade is trapped with an angry bull ready to trample her to death. She quickly realizes that McKade Law is no longer enough to keep her safe—and it’s her rescuer, Braden Hayes, who stands in as her bodyguard. As they seek to stop a would-be killer, Braden will have to use all his professional skills to guard Tessa’s life.
Winner of the Tony Hillerman Prize Winner of the Spur Award for Best Western Contemporary Novel Finalist for the Shamus Award for Best First P.I. Novel Finalist for the Edgar Award for Best First Novel A debut mystery set in the Southwest starring a former rodeo cowboy turned private investigator, told in a transfixingly original style. Rodeo Grace Garnet lives with his old dog in a remote corner of Arizona known to locals as El Hoyo. He doesn't get many visitors in The Hole, but a body found near his home has drawn police attention to his front door. The victim is not one of the many undocumented immigrants who risk their lives to cross the border in Rodeo's harsh and deadly "backyard," but a member of a major Southwestern Indian tribe, whose death is part of a mysterious rompecabeza-a classic crime puzzler-that includes multiple murders, cold-blooded betrayals, and low-down scheming, with Rodeo caught in the middle. Retired from the rodeo circuit and scraping by on piecework as a bounty hunter, warrant server, and divorce snoop, Rodeo doesn't have much choice but to say yes when offered an unusual case. An elderly Indian woman from his own Reservation has hired him to help discover who murdered her grandson, but she seems strangely uninterested in the results. Her attitude seems heartless, but as Rodeo pursues interrelated cases, he learns that the old woman's indifference is nothing compared to true hatred, and aligned against a variety of creative and cruel foes, the hard-pressed PI is about to discover just how far hate can go. CB McKenzie's Bad Country is a noir novel that is as deep and twisty as a desert arroyo. With confident, accomplished prose, McKenzie captures the rough-and-tumble outer reaches of the Southwest in a transfixingly original style that transcends the traditional crime novel.
"As the play begins, an old hobo named Poppy by his avid companion, young Davey Quinn, is telling a tall tale. It is the early 1890s and itinerant story tellers like Poppy are the voices of the prairie. Years later, Davey is discovered by a radio entrepreneur while he is telling stories about Poppy and Frankie, a blind girl he rescued from a cruel father. Quinn becomes famous on radio as the Voice of the Prairie. Frankie reenters his life and the FCC threatens them all for broadcasting without a license."--
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A devil in blue jeans… Cooper McLeod has a job to do—pose as a ranch hand to get close to single ranch owner Delaney Lawson. Working side by side, Cooper can’t help but be drawn to the beautiful spitfire, but spending time with Delaney could prove dangerous—for both of them. Cooper’s rock-hard, denim-clad body is enough to make Delaney Lawson go weak in the knees. But she needs an extra ranch hand, not a man in her life. And when his arrival sparks a series of mysterious “accidents,” she will need to discover if the charming drifter is looking to capture her heart—or her ranch… Previously published.
When your life falls apart, couldn’t you just be someone else? Especially if that someone else was you all along anyway? Seventeen-year-old Chrissy Taylor is orphaned to a stepmama who squandered their sizable inheritance on drinking and drugging. Now, with their ranch lost, they squat in a run-down, rented trailer on the outskirts of small-town-podunkville where Chrissy cares for her nine-year-old half sister, Luce. But landing on the wrong side of the tracks puts them on the radar of the local sheriff and social services. There’s one saving grace to losing everything and moving away. Nobody knows her. Chris can now live who he truly is. As Chris Taylor, he knows he’ll have to cowboy up to make enough money to keep his stepmama out of jail and his half sister out of foster care. There’s only one way a kid growing up in the shadow of a world champion bull rider can earn that kind of cash. But Chris never expected to chase a championship title of his own, even with a lifetime of training on bulls.
When the gun smoke cleared, four men were found dead at the hardware store in a rural East Texas town. But this December 1934 shootout was no anomaly. San Augustine County had seen at least three others in the previous three years, and these murders in broad daylight were only the latest development in the decade-long rule of the criminal McClanahan-Burleson gang. Armed with handguns, Jim Crow regulations, and corrupt special Ranger commissions from infamous governors “Ma” and “Pa” Ferguson, the gang racketeered and bootlegged its way into power in San Augustine County, where it took up robbing and extorting local black sharecroppers as its main activity. After the hardware store shootings, white community leaders, formerly silenced by fear of the gang’s retribution, finally sought state intervention. In 1935, fresh-faced, newly elected governor James V. Allred made good on his promise to reform state law enforcement agencies by sending a team of qualified Texas Rangers to San Augustine County to investigate reports of organized crime. In East Texas Troubles, historian Jody Edward Ginn tells of their year-and-a-half-long cleanup of the county, the inaugural effort in Governor Allred’s transformation of the Texas Rangers into a professional law enforcement agency. Besides foreshadowing the wholesale reform of state law enforcement, the Allred Rangers’ investigative work in San Augustine marked a rare close collaboration between white law enforcement officers and black residents. Drawing on firsthand accounts and the sworn testimony of black and white residents in the resulting trials, Ginn examines the consequences of such cooperation in a region historically entrenched in racial segregation. In this story of a rural Texas community’s resurrection, Ginn reveals a multifaceted history of the reform of the Texas Rangers and of an unexpected alliance between the legendary frontier lawmen and black residents of the Jim Crow South.