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This essay is a game. And like all games it sets some rules. In this book, I'm not going to distinguish between Dr Gregory House's line of thought and that of the series creator David Shore, just as students of Socrates are obliged to ignore the distinction between Socrates' and Plato's ideas. In both cases one is dealing with virtual characters. In House's case, it's obvious that as a fictional character he doesn't exist as such; rather he's a person through which a team of screenwriters voice their ideas. In each episode these reflections are re-worked around a single plotline, a mix of character and physical being, in line with a narrative project. In Socrates' case, it's more or less the same thing, with Plato constructing a fiction as a vehicle for his ideas on important philosophical questions. The fiction - meant here as a performance of characters, some fictional, others based on real people, representing divergent and often contradictory opinions - relies on the well-known 'Manzonian' criterion of 'plausibility'. Would Socrates plausibly have said this, thought that? Would he have inferred that? But who is this Socrates? What do we know about him? We currently know two things for sure: firstly, as far as we know there are established historical witnesses to the existence of Socrates; and secondly, the task of establishing whether there is total convergence between the thoughts and philosophies of Socrates and Plato lies beyond this author's remit and the scope of this work. The second reference I intend to make is to a philosopher who in many ways shares House's outlook, namely Nietzsche. This analogy essentially rests on a central claim - that both have, as Ernst Nolte said in a famous and controversial essay, turned their bodies into battlefields. Both have gained an intimate knowledge of their body through its darkest and most horrendous aspect - pain. For both, philosophising has had to painfully make its way in a jungle of suffering. In these conditions no thought is taken for granted, no inference is ever banal; everything is earned at high price. Consequently, every element in this context should occasionally be re-considered as a non-given element. When normal gestures that are easy for everyone to make become complicated and reliant on the actor's inexhaustible will, there's no longer a place you can call home, a communal place. You have to continuously invent your way. There is no better condition for the researcher, indeed for anyone who refuses the comfortable banality of everyday life, whether detested or longed for. From a methodological point of view, this is a privileged situation as it allows us to examine everything, to take nothing for granted and to see things where others no longer see anything. The other analogy, strictly linked to the first, is the tendency to behave in a politically incorrect way - taking drugs, sex, gambling and so on. These are forms of behaviour which depend totally on the rejection of the ordinary as the sole rule of life and on the use of the self as a testing ground for the out-of-the-ordinary. The cynical behaviour that results is, at this point, obvious. Another analogy is in the rational method. Even if both Nietzsche and House successfully use a rational method (the former a philosophical method, the latter a logical-scientific method) this does not mean that both are absolute rationalists. As Nietzsche sustains, the dialectic method of the Greek philosophers refuses emotions and rewards rational analysis. However, it retains an element of feeling in its roots. And this is the pleasure in using the dialectic method itself. The real passion is to philosophise, meaning here exercising one's capacity to resolve philosophical problems, dilemmas, or, as we'd say nowadays, brainteasers; in a word, puzzles.
Are you struggling to control behaviors like overeating, substance abuse, viewing pornography, or some other form of obsession? "Be Transformed" reveals how you can overcome these out-of-control behaviors and live a more fulfilling life. Through stories, personal testimony, and Scripture, Murphy demonstrates the transformation process that freed him from obesity, alchol abuse, and more. "Be Transformed" is more that an inspiring and engaging read. It will show you how to transform your life.
“[A] witty, heartfelt debut novel about a belated coming-of-age.”—The New York Times Book Review (Editors’ Choice) Old friends discover how much has changed (and how much has stayed the same) when they reunite in their seaside hometown for one unforgettable summer—from the New York Times bestselling author of From the Corner of the Oval When Kate Campbell’s life in Manhattan suddenly implodes, she is forced to return to Sea Point, the small town full of quirky locals, quaint bungalows, and beautiful beaches where she grew up. She knows she won’t be home for long; she’s got every intention (and a three-point plan) to win back everything she thinks she’s lost. Meanwhile, Miles Hoffman—aka “The Prince of Sea Point”—has also returned home to prove to his mother that he’s capable of taking over the family business, and he’s promised to help his childhood best friend, Ziggy Miller, with his own financial struggles at the same time. Kate, Miles, and Ziggy converge in Sea Point as the town faces an identity crisis when a local developer tries to cash in on its potential. The summer swells, and white lies and long-buried secrets prove as corrosive as the salt air, threatening to forever erode not only the bonds between the three friends but also the landscape of the beachside community they call home. Full of heart and humor—and laced with biting wit—Rock the Boat proves that even when you know all the back roads, there aren’t any shortcuts to growing up.
A new edition of the landmark, worldwide bestseller on the life of the famed medical clairvoyant and founding father of the New Age: Edgar Cayce. Edgar Cayce (1877-1945) is known to millions today as the grandfather of the New Age. A medical clairvoyant, psychic, and Christian mystic, Cayce provided medical, psychological, and spiritual advice to thousands of people who swore by the effectiveness of his trance-based readings. But Cayce was not always a household name. When a young, skeptical journalist named Thomas Sugrue first met Cayce in 1927 the world had not yet heard of the "sleeping prophet.” During years of unique access, Sugrue completed his landmark biography, which on its publication in 1942 brought national attention to Cayce and stands as the sole record written during the seer’s lifetime. This edition includes a new introduction by historian Mitch Horowitz that highlights the enduring significance of Cayce’s message and the role this book played in its dissemination.
Named for the great expanse of rock where the Cherokee Indians used to spend their summers, Flat Rock, North Carolina, is beautifully situated near the Continental Divide in the Blue Ridge Mountains. Flat Rock is known as "the Little Charleston of the Mountains," thanks to the pioneering Lowcountry settlers who flocked to the area after the Revolutionary War. These prominent South Carolina families, drawn to the refreshing cool mountain air that offered relief from the steamy Charleston summers, purchased vast quantities of land and built grand estates for their residences or summer getaways. The photographs in Images of America: Flat Rock illustrate the gorgeous homes and attractions of this National Historic Site, including the Flat Rock Playhouse and St. John in the Wilderness Church, the oldest Episcopal Church in western North Carolina.
When James is hired by the Duke of Dorchester to deliver a young Arab stallion to the colony of Newfoundland in the year 1800, he and the duke’s daughter, Alicia, realize this is a perfect opportunity for them to escape together to the New World. They would cross the sea, James would deliver the young horse to a Mr. Penney who lived on Bell Island, and then, they would be free to live their lives as husband and wife. Nothing could stop them, they thought. But their ship, the Hindsight cannot withstand the unrelenting waves of an Atlantic storm near the Newfoundland coastline. It slips beneath the surface. James and Alicia are tied to each other and to the leads they had secured around their Arab stallion. Bred to meet any challenge, he surges onward to an unknown shore. Alicia however, gives in to the ice-cold sea. James catches sight of a single light, flickering in the distance. The young black stallion senses shore and is able to scramble up on a rocky beach. Out of the darkness come two Newfoundlanders. Knowing the secrets to outsmart Poseidon’s deadly hand, Ted and Marion Martin get to work. Equally important and pivotal to the entire saga is the lonely Mr. Robert Penney. Overwhelmed with joy when James delivers the young stallion to his doorstep, Mr. Penney offers James, Alicia and their two Newfoundland friends an opportunity that sweeps Rock Solid through the next fifty years of true-to-life Newfoundland history. Helfenstein’s tale has been taken from the research she absorbed while in search of her own Newfoundland identity.
In this exceptional cultural history, Atlantic Senior Editor Ronald Brownstein—“one of America's best political journalists (The Economist)—tells the kaleidoscopic story of one monumental year that marked the city of Los Angeles’ creative peak, a glittering moment when popular culture was ahead of politics in predicting what America would become. Los Angeles in 1974 exerted more influence over popular culture than any other city in America. Los Angeles that year, in fact, dominated popular culture more than it ever had before, or would again. Working in film, recording, and television studios around Sunset Boulevard, living in Brentwood and Beverly Hills or amid the flickering lights of the Hollywood Hills, a cluster of transformative talents produced an explosion in popular culture which reflected the demographic, social, and cultural realities of a changing America. At a time when Richard Nixon won two presidential elections with a message of backlash against the social changes unleashed by the sixties, popular culture was ahead of politics in predicting what America would become. The early 1970s in Los Angeles was the time and the place where conservatives definitively lost the battle to control popular culture. Rock Me on the Water traces the confluence of movies, music, television, and politics in Los Angeles month by month through that transformative, magical year. Ronald Brownstein reveals how 1974 represented a confrontation between a massive younger generation intent on change, and a political order rooted in the status quo. Today, we are again witnessing a generational cultural divide. Brownstein shows how the voices resistant to change may win the political battle for a time, but they cannot hold back the future.
This book is about the first fear of AIDS case tried in America. It tells the untold story of the trial that the general public heard nothing about. By telling the true story from the perspective of the lawyer who actually represented the Estate of Rock Hudson it is hoped the reader, acting as the 13th juror, will see the gross injustice done to the late actor by Christian and Rocks alleged friend, Mark Miller, as well as the court, the jury, and the press, all of which were blinded from the truth by this newly discovered disease called AIDS. Marc Christian claimed he was given a death sentence because Rock didnt tell him of his AIDS diagnosis and continued to have high risk sex with him. 25 years later Christian died not from HIV or AIDS. He was never HIV positive. How could this be if he was telling the truth that he continued having anal sex with Hudson 3 to 5 times a week for 8 months after Rock was first told he had full blown AIDS? Christian was either superhuman and they should clone his blood as a cure for AIDS, or he simply didnt tell the truth at trial, where Rock Hudson could not defend himself because Christian waited until Rock died, and found out he wasnt in his Will, before bringing his lawsuit.
Reprint of the original, first published in 1880.
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