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The Nightshade Guild: Chapter Three - The year the Guild was lost in time. After the destruction of the time scythe that sent the Nightshade Guild back in time, mages Arion and Jemma find themselves wandering Hollywood in the year 1977. Joined by Jemma's partner, Niam, and her familiar Prim, this magical foursome must find a way to travel through time once more to return to the present day. When the elfin princess Ameria visits the group via astral projection, the thirteen-year-old has a message that simply cannot wait. No longer the adorable toddler they once protected from certain death, her highness has reached out from the year 2033 with a critical mission for the mages. Now Jemma, Arion, Prim and Niam must find two shards of the time scythe, a ley, and a magical object that will boost their power enough to propel them into the future all while ensuring that they do not change the course of that future while they are stuck in the past. Rocking Time is Book 1 of The Nightshade Guild Chapter Three. The reading order for this chapter is: Rocking Time by Lia Davis and Kerry Adrienne Defying Time by Mandy Rosko Illuminating Time by Renee Hewett Dueling Time by Sheri Lyn Darkest Time by Cherron Riser Losing Time by Jennifer Wedmore Time After Time by Louisa Bacio Swing Time by Cassidy K. O'Connor Time Maverick by Gracen Miller Crucible Time by Landra Graf Restoring Time by Lia Davis and Kerry Adrienne The Mages of the Guild encourage you to read Chapter One and Two which should be read in this order: Chapter One Mated to a Mage by Cassidy K. O'Connor Mage you Blink by Gracen Miller Mage you Look by Abigail Kade Shadow Mage by Lia Davis Mage Crafted by Cherron Riser Mage of Misfortune by Lily Winter Mage in Hell by Sheri Lyn Sunny Mage by Jessica Ripley Half-Blood Mage by Landra Graf Sea Mage by Louisa Bacio You Mage Me by Jennifer Wedmore Midwinter Mage by Kerry Adrienne Mage to Disobey by Mandy Rosko Chapter Two Magic Mishap by Lily Winter Magic Confined by Mandy Rosko Magic Clouded by Renee Hewett Magic Mayhem by Louisa Bacio Magic Mourning by Cherron Riser Magic Flawed by Jennifer Wedmore Magic Deadfall by Gracen Miller Magic Exposed by Lia Davis Magic Reflected by Sheri Lyn Magic Masque by Kerry Adrienne Magic Malfunction by Abigail Kade Magic Burned by Cassidy K. O'Connor
New York Times Bestseller! 5 Starred Reviews! "Will have listeners in stitches." —Kirkus Reviews (starred review) "Purely absurd, sidesplitting humor." —Booklist (starred review) "Demands bombastic, full-volume performances." —Publishers Weekly (starred review) "Perfect for a guffawing share with younger sibs or buddy read." —BCCB (starred review) "The sort of story that makes children love to read." —School Library Journal (starred review) From acclaimed, bestselling creators Drew Daywalt, author of The Day the Crayons Quit and The Day the Crayons Came Home, and Adam Rex, author-illustrator of Frankenstein Makes a Sandwich, comes a laugh-out-loud hilarious picture book about the epic tale of the classic game Rock, Paper, Scissors. "I couldn’t stop laughing while reading this aloud to a group of kids," commented the founder of Bookopolis.com, Kari Ness Riedel.
From Ashima Shiraishi, one of the world's youngest and most skilled climbers, comes a true story of strength and perseverance--in rock climbing and in life. To a rock climber, a boulder is called a "problem," and you solve it by climbing to the top. There are twists and turns, falls and scrapes, and obstacles that seem insurmountable until you learn to see the possibilities within them. And then there is the moment of triumph, when there's nothing above you but sky and nothing below but a goal achieved. Ashima Shiraishi draws on her experience as a world-class climber in this story that challenges readers to tackle the problems in their own lives and rise to greater heights than they would have ever thought possible.
A concise yet comprehensive account of the origins and evolution of rock music, emphasizing its interaction with social change and cultural trends. The narrative begins with ``the birth of the blues'' and proceeds to discuss the major (and mention the minor) performers and to identify the significant styles. These include Fifties rockabilly, folk/protest, the British Invasion, acid rock, punk/New Wave, and Eighties revivalism. Using a lively, anecdotal approach and pertinent quotes, the author examines the appropriate political, economic, technological, or psychological context of each topic, e.g., the relationship between Dylan's music and JFK's New Frontier. A primary focus throughout is on the contributions of blacks and the role of racism. Paul Feehan, Univ. of Miami Lib., Coral Gables, Fla. - Library Journal.
"Everything you need to know to turn your love of music--and desire to play it--into something real"--P. [4] of cover.
This book goes beneath the surface of what it means to be the Female Breadwinner and drags women kicking and screaming out of the closet. Why? Because, being the Female Breadwinner can fundamentally challenge women's identity. It is the trigger, catalyst and cause for many complex issues that women have to manage. For a successful family life and career, women must address and examine these internal challenges for their physical, mental and spiritual well-being. Find out: where your guilt button is and who is pressing it, what you love about being breadwinner that you were afraid to admit, how you tackle the thorny subject of money, how to cure yourself of Superwoman Syndrome
Few styles of popular music have generated as much controversy as progressive rock, a musical genre best remembered today for its gargantuan stage shows, its fascination with epic subject matter drawn from science fiction, mythology, and fantasy literature, and above all for its attempts to combine classical music's sense of space and monumental scope with rock's raw power and energy. Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock's classical/rock fusion attempts as elitist, a betrayal of rock's populist origins. In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progressive rock's development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson's album In the Court of the Crimson King. This "golden age" reached its artistic and commercial zenith between 1970 and 1975 in the music of bands such as Jethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air. In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself. An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.