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When Scooby-Doo and the gang attend a rock concert, the band's lead singer vanishes in a puff of smoke and is replaced by a zombie, so the gang must capture the zombie and find the real singer. Spotlight editions are printed on high-quality paper and with reinforced library bindings specifically printed for the library market. Grades PreK-4.
Val Rhymin transforms all of the people in L.A. who have had plastic surgery into zombies and it is up to the Runaways to stop them.
Zombies are cautionary forms of humankind's most universally cherished ideal--life after death. Ragged, ill-spoken, rotting zombies (or the post-dead) seem socially awkward beside the more popular and aristocratic undead, like Count Dracula. The humble zombie remains, for the most part, unappreciated and unacknowledged--until now. The first exhaustive historical overview of zombie films, this book's lengthy entries evaluate more than 200 movies from 16 countries over a 65-year period from the early 1930s to the late 1990s. It covers everything from large studio films to backyard videography, and touches on memorable television episodes and miscellaneous shorts. An introduction traces the evolution of the genre and interprets the broader significance of the zombie in contemporary Western mythology.
Sex, Death, and Heavy Metal! If you're a teenage metal head The Southern Illinois Music Reeducation Center is not the place you want to go. The center specializes in "de-metaling" - a treatment to cure teens of their metal loving, devil worshiping ways. A program that subjects its prisoners to sexual abuse, torture, and brain-washing. But tonight things get much worse. Tonight the flesh-eating zombies come . . . Rock and Roll Reform School Zombies is Bryan Smith's tribute to Return of the Living Dead and The Decline of Western Civilization Part 2: the Metal Years
Rock and roll's death has been forecast nearly since its birth; the country song "The Death of Rock and Roll" appeared in September 1956, showing that the music had already outraged a more conservative listening audience. Is Rock Dead? sets out to explore the varied and sometimes conflicting ways in which the death of rock has been discussed both within the discourse of popular music and American culture. If rock is dead, when did it die? Who killed it? Why do rock journalists lament its passing? Has its academic acceptance stabbed it in the back or resuscitated an otherwise lifeless corpse? Why is rock music the music that conservatives love to hate? On the other side of the coin, how have rock's biggest fans helped nail shut the coffin? Does rock feed on its own death-and-rebirth? Finally, what signs of life are there showing that rock, in fact, is surviving? Is Rock Dead? will appeal to all those who take seriously the notion that rock is a serious musical form. It will appeal to students of popular music and culture, and all those who have ever spun a 45, cranked up the radio, or strummed an air guitar.
Why have zombies resonated so pervasively in the popular imagination and in media, especially films? Why have they proved to be one of the most versatile and popular monster types in the growing video game industry? What makes zombies such widespread symbols of horror and dread, and how have portrayals of zombies in movies changed and evolved to fit contemporary fears, anxieties, and social issues? Zombies have held a unique place in film and popular culture throughout most of the 20th century. Rare in that this enduring monster type originated in non-European folk culture rather than the Gothic tradition from which monsters like vampires and werewolves have emerged, zombies have in many ways superseded these Gothic monsters in popular entertainment and the public imagination and have increasingly been used in discussions ranging from the philosophy of mind to computer lingo to the business press. Zombie Culture brings together scholars from a variety of fields, including cinema studies, popular culture, and video game studies, who have examined the living dead through a variety of lenses. By looking at how portrayals of zombies have evolved from their folkloric roots and entered popular culture, readers will gain deeper insights into what zombies mean in terms of the public psyche, how they represent societal fears, and how their evolving portrayals continue to reflect underlying beliefs of The Other, contagion, and death.
A hilarious and gory tongue-in-cheek story, Toe Tag Riot is a punk rock band cursed to become zombies who make the best of their situation by adhering to a strict diet of racists' and misogynists' brains! Starring Andy Hurley of Fall Out Boy and The Westboro Baptist Church (as dinner!), this horror-comedy in the vein of Return of the Living Dead and Deathgasm was released to rave reviews from both the comics media and LGBTQ new outlets who couldn't get enough of the ultra-violent, politically-minded fun and gore. Coming to book form for the first time, this collection includes the four-issue mini-series plus the super-limited #0 prequel issue and the short comic originally published in Alternative Press Magazine! "Super fun read!" -Gerard Way
Featuring chronological reviews of more than 300 zombie films-from 1932's White Zombie to George A. Romero's 2008 release Diary of the Dead-this thorough, uproarious guide traces the evolution of one of horror cinema's most popular and terrifying creations. Fans will learn exactly what makes a zombie a zombie, go behind the scenes with a chilling production diary from Land of the Dead, peruse a bizarre list of the oddest things ever seen in undead cinema, and immerse themselves in a detailed rundown of the 25 greatest zombie films ever made. Containing an illustrated zombie rating system, ranging from "Highly Recommended" to "Avoid at All Costs" and "So Bad It's Good," the book also features lengthy interviews with numerous talents from in front of and behind the camera.
The origin of the zombie outbreak is revealed! Alliances are tested! Roads are traveled! KISS and crew make their way to the source of the signal in search of hope, but what they encounter could be their biggest threat yet. And that is saying a lot…what with the zombies and all.
Examining one of the most popular and enduring genres of American music, this encyclopedia of classic rock from 1965 to 1975 provides an indispensable resource for cultural historians and music fans. More than movies, literature, television, or theater, rock music set the stage for the cultural shifts that occurred from 1965 to 1975. Led by The Beatles and Bob Dylan, rock became a self-conscious art form during these years, daring to go places unimaginable to earlier rock and roll musicians. The music and outspokenness of classic rock artists inspired and moved the era's social, cultural, and political developments with a power once possessed by authors and playwrights—and influenced many artists in younger generations of rock musicians. This single-volume work tracks the careers of well-known as well as many lesser-known but influential rock artists from the period, providing readers with a handy reference to the music from a critical, groundbreaking period in popular culture and its enduring importance. The book covers rock artists who emerged or came to prominence in the period ranging 1965–1975 and follows their careers through the present. It also specifically defines the term "classic rock" and identifies the criteria that a song must meet in order to be considered as within the genre. While the coverage naturally includes the cultural importance and legacy of most well-known American and British bands of the era, it also addresses the influence of artists from Western and Eastern Europe, Africa, Asia, and Latin America. Readers will grasp how the music of the classic rock era was notably more sophisticated than what preceded it—an artistic peak from which most of contemporary rock has descended.