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The authors present 200 photos of the greatest rock T-shirts from three decades. The socio-fashion phenomenon, the creativity, and artistic freedom on display is matched only by the music behind the names.
I thought it'd be an easy job when my friend asked me to "babysit" her out-of-control brother — her playboy, arrogant, sinfully sexy older brother. As the bassist in the rock band Cherry Lips, Gael's had more than his fair share of women. But his dirty, sexy words ignite my body, just as his promises of forever ignite my heart. Is Gael promising a fun time, or promising a lifetime?
Rock and roll is more than just music. Rock is a culture and an ideology, which carries its own ethos. It is forcefully countercultural and exists as a bane in the sight of dominant Western culture. As rock engages and critiques culture, it invariably encounters issues of meaning that are existential and theological. A transformational theology of rock begins with those existential and theological issues raised by and within rock music. With God On Our Side attempts to respond to these queries in a way that is faithful to the work of the kingdom of God on earth by mining our long theological tradition and seeing what cohesive responses can be made to the issues raised by rock music. At its best, rock acknowledges there is something wrong with the world, raises awareness of marginalized voices, and offers an alternative mode of existence within our present reality. By teasing out the theological issues found in rock music, this book synthesizes the findings to create a distinctive cultural theology that is sensitive to the plight of the marginalized in the West. In this way, the book offers a way forward towards a transformational theology of rock and roll.
"There is only one pleasure, that of being alive. All the rest is misery," wrote Cesare Pavese, whose short, intense life spanned the ordeals of fascism and World War II to witness the beginnings of Italy's postwar prosperity. Searchingly alert to nuances of speech, feeling, and atmosphere, and remarkably varied, his novels offer a panoramic vision, at once sensual and finely considered, of a time of tumultuous change. This volume presents readers with Pavese's major works. The Beach is a wry summertime comedy of sexual and romantic misunderstandings, while The House on the Hill is an extraordinary novel of war in which a teacher flees through a countryside that is both beautiful and convulsed with terror. Among Women Only tells of a fashion designer who enters the affluent world she has always dreamed of, only to find herself caught up in an eerie dance of destruction, and The Devil in the Hills is an engaging road novel about three young men roaming the hills in high summer who stumble on mysteries of love and death.
In 1993, a group of five Kingston women–T. Anne Archer, Mary Cavanagh, Elizabeth Greene, Tara Kainer, Janice Kirk–began to compile ananthology about Canada at the point where one millennium becomes another. As the newly-formed Foxglove Collective, they solicited manuscripts that reflected origins (how the past shapes the present), life at the end of this century, and projections past the year 2000. They envisioned a book that wove together established, emerging, and previously unpublished voices from the Yukon to the Maritimes: that book is On the Threshold: Writing Toward the Year 2000. No millennium library would be complete without a copy of this timely and unique collection of literary musings by some of the nation’s best. A wonderful weave of poetry and prose, this anthology reflects on moments both private and public, personal and political, which have formed the crucible for life in the twenty-first century as we know it. Tasked with commenting both on the century that lay behind and the century that beckons, each author fashioned a piece exemplary of the crises, successes and transformations inherent in an arc spanning more than a hundred years of nation-building and social upheaval. Whether unabashedly optimistic or unapologetically critical, these writers make their peace with the past while invoking the future.
This book is the only guide available that covers all the major climbing areas in the state with routes ranging from 5.0 to 5.14.
Amerindian Rock Carper meets conniving attorneys during the probate of an estate in a small San Juan Island fishing village in Washington state. The big question is why? Multilayered with romance, suspense, comedy and other human frailties.
Hearing Harmony offers a listener-based, philosophical-psychological theory of harmonic effects for Anglophone popular music since the 1950s. It begins with chords, their functions and characteristic hierarchies, then identifies the most common and salient harmonic-progression classes, or harmonic schemas. The identification of these schemas, as well as the historical contextualization of many of them, allows for systematic exploration of the repertory’s typical harmonic transformations (such as chord substitution) and harmonic ambiguities. Doll provides readers with a novel explanation of the assorted aural qualities of chords, and how certain harmonic effects result from the interaction of various melodic, rhythmic, textural, timbral, and extra-musical contexts, and how these interactions can determine whether a chordal riff is tonally centered or tonally ambiguous, whether it sounds aggressive or playful or sad, whether it seems to evoke an earlier song using a similar series of chords, whether it sounds conventional or unfamiliar.
A tabloid photographer gets up-close and sexy with her latest rock star subject in this romance novel by the author of Some Kind of Magic. Celebrities hold zero interest for photographer Jo Wilder. That's a problem, since snapping pics of the stars is how the pretty paparazza pays the rent. So when Jo attempts to catch a money shot atop the broad shoulders of a helpful bystander, the only thing she notices about the stranger she straddles is that he's seriously hot. Only later does Jo learn that he's also Micah Sinclair—one of rock n' roll's most notorious bad boys... Soon Jo is on the verge of getting fired for missing a Micah Sinclair exclusive. Until she's suddenly being pursued by the heartthrob himself. But how can she be sure the musician's mind-blowing kisses are the real deal? Her colleagues claim he's a media whore, gambling on some free PR. But Jo can't help hoping Micah's feeling the same powerful pull she's feeling—a pull so strong, she might get sucked into the media circus herself.