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Thirteen-year-old Tig Ripley has plenty of good reasons for starting an all-girl rock band. Never mind she doesn't play an instrument--she'll figure that out. Fronting a band is sure to propel her out of the background and into the spotlight at her middle school. So after a few weeks' worth of drumming lessons under her belt, she starts assembling her band. With her cousin Kyra agreeing to play bass, soon Tig has her piano-playing friend Olivia down for the keyboard. And then she convinces tough girl Robbie Chan to sign on as lead guitarist. With a cool name--Pandora's Box--all the band needs now is a killer lead singer. How hard can that be? But when Kyra invites obnoxious diva Haley Thornton to join the band, Tig realizes snagging a lead singer--the right lead singer--is not going to be easy. Everyone says the drummer is the heartbeat of a band--does Tig have what it takes to lead Pandora's Box?
Exmodel's ride through the rock scene during the 1970s and 1980s.
(Guitar Play-Along). The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the audio to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in case you want to sing, or to simply help you follow along. 8 songs, including: Bark at the Moon * Crazy Train * Flying High Again * Miracle Man * Mr. Crowley * No More Tears * Rock 'N Roll Rebel * Shot in the Dark.
Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.
Prague Soundscapes is the first book focusing on music in Prague from other than musical-historical perspectives. It approaches musical events in present-day Prague from an ethno-musicological position, sometimes called musical anthropology. We take in, for instance, the Refufest festival, a punk concert at the Modrá vopice club,a performance of Dvořák’s Rusalka at the National Theatre or accompany followers of the Hare Krishna and their procession through Prague – not just to see and "hear" their music, but also to learn who makes and listens to it and why. An abundance of photographs accompany the book‘s text, helping the reader become one of the participants. Prague Soundscapes is a wonderful book whose content is presented in an original and convincing manner... I feel that this will contribute significantly to the development of a new field of musical anthropology – a field that has up to this point been the home, especially in the USA, of urban ethnomusicology. Speranţa Rădulescu, National University of Music Bucharest
Gaar's critically acclaimed, breakthrough book became an instant classic upon its publication in 1992. Arranged chronologically and told with impassioned detail, "She's A Rebel" charts a half century of women performers. 75 photos.
Real-life, behind-the-scenes stories of rock's most heavy hitters.
Arguably, the 1980’s was defined by its unique music, exemplified by ex-Beatle George Harrison, the trendsetters of Motley Crüe, the bad boys of Metallica, and the perennial heavy metal icon, Ozzy Osbourne. Icons of Rock #3 explores the origins of those who helped defined the decade where style mattered and everyone’s life had a soundtrack.