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In her familiar style, Pamela Des Barres shines light on the people whose art remains the background music to our popular culture.
Once, the Blood Orphans had it all: a million-dollar recording contract from Warner Brothers, killer hooks, and cheekbones that could cut glass. Four pretty boys from Los Angeles, they were supposed to be the next big thing, future kings of rock and roll. But something happened on the way to glory, and now, two years later, along with their coke-fueled, mohawked female manager, they have washed up in Amsterdam for the final show of their doomed and dismal European tour. The singer has become a born-again Buddhist who preaches from the stage, the bass player's raging eczema has turned his hands into a pulpy mess, the drummer is a sex-fiend tormented by the misdeeds of his porn-king father, and the guitar player -- the only talented one -- is thoroughly cowed by the constant abuse of his bandmates. As they stumble through their final day together, the Blood Orphans find themselves on a comic tour of frustration, danger, excitement, and just possibly, redemption.
The 1993 "road trip" of rock'n'roll made by fifteen popular writers, including Dave Barry, Tad Bartimus, Roy Blount, Jr., Michael Dorris, Robert Fulghum, Kathi Goldmark, Matt Groening, Stephen King, Barbara Kingsolver, Al Kooper, Greil Marcus, Dave Marsh, Ridley Pearson, Joel Selvin, and Amy Tan.
Now in paperback from the Pulitzer Prize winner, the hilarious New York Times–bestselling exploration of what generations can teach one another—or not. During the course of his life, Dave Barry has learned much of wisdom, and he is eager to pass it on. Among other brilliant, brand-new pieces, Dave shares home truths with his new grandson and his daughter Sophie; explores the hometown of his youth, where all the parents seemed to be having un-Mad Men–like fun; and dives into firsthand accounts of the soccer craziness of Brazil and the just plain crazy craziness of Vladimir Putin’s Russia.
The Greatest Rock Band Ever (of Authors) Tells All is a collective book by Stephen King, Scott Turow, Mitch Albom, Amy Tan, Matt Groening, Dave Barry, Roy Blount Jr., James McBride, Ridley Pearson, Greg Iles, Ted Habte-Gabr, Sam Barry, and Roger McGuinn.
When Michael Cooley returned to his childhood home in St. Louis, many of his old friends offered him this greeting: 'Cooley, I thought you were dead.' And by many accounts, he should have been dead. Michael Cooley was a member of two dysfunctional families. His mother in St. Louis was an alcoholic. His stepmother and stepbrothers in Gainesville, Texas, abused him relentlessly—both physically and verbally. As a child, Mike bounced from school to school and from city to city. As a teenager, he turned to gangs and drugs for a sense of acceptance. Eventually, he ended up homeless, sleeping on rooftops and in alleys, and living out of his car. But after living as an abused child, a homeless and drug-addicted teenager, and a completely lost young adult, Mike decided to start over as a different person. Rock Bottom—From the Streets to Success tells Mike's story from his childhood in the 1960s until today. Mike escapes the darkness of his past and eventually puts his life back together to become a success in business and in his personal life. Follow Mike as he overcomes the hardships of his childhood and shares his experiences in hopes of helping others who may be facing their own challenges.
October 21, 1982. Three singers stand on the steps of the High Court with large cheques and broken dreams. The women are Annie (Annabel Leventon, the book's author), GB (Gaye Brown), and Di-Di (Diane Langton). Their dream was of a British three-woman rock band, unique and different from anything that had gone before. They called themselves Rock Bottom. They were raunchy, rude and hilarious - the contemporary media described them as 'a cross between the female Rolling Stones and the female Marx Brothers' - and they nearly made it. Until Thames Television stole everything and made a major award-winning series called Rock Follies, about them, based on them, but without them. It made stars of the three lookalikes playing them. And they lost everything. A common enough tale of showbiz betrayal. Except that they fought back. At the offset of the Court trial, the Head of Drama at Thames TV sarcastically quipped, 'three little actresses against the might of EMI?' Forget it, the three ladies were told. Move on. They didn't. They took the case to the High Court and won. Breach of Confidence is now on the Statute Books and it has become one of the defining cases in Intellectual Property. The Real Rock Follies is a real-life story of youthful trust betrayed, dreams of stardom dashed and cruel lessons learnt. The three girls, then in their late twenties, learned too late that in the harsh showbiz world you can hardly trust anyone, not even your friends. However, despite everything, they got the last laugh. Their promising career couldn't be returned to them but they enjoyed the huge satisfaction (both emotional and financial) that the ruling confirmed that the creative concept behind Rock Follies was fully theirs.
Today's musical theatre world rocks. Now that rock 'n' roll music and its offshoots, including pop, hard rock, rap, r&b, funk, folk, and world-pop music, are the standard language of musical theatre, theatre singers need a source of information on these styles, their origins, and their performance practices. Rock in the Musical Theatre: A Guide for Singers fills this need. Today's musical theatre training programs are now including rock music in their coursework and rock songs and musicals in their repertoires. This is a text for those trainees, courses, and productions. It will also be of great value to working professionals, teachers, music directors, and coaches less familiar with rock styles, or who want to improve their rock-related skills. The author, an experienced music director, vocal coach, and university professor, and an acknowledged expert on rock music in the theatre, examines the many aspects of performing rock music in the theatre and offers practical advice through a combination of aesthetic and theoretical study, extensive discussions of musical, vocal, and acting techniques, and chronicles of coaching sessions. The book also includes advice from working actors, casting directors, and music directors who specialize in rock music for the stage.