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The rich photography and narrative in this book presents an overview of approximately 5,000 years of Native American rock art painted and engraved on the canyon walls and boulders within the greater Grand Canyon region, an area stretching south from the Arizona-Utah border to the Mogollon Rim. The authors and their associates have recorded and documented more than 450 rock art sites within the region over the past 25 years in cooperation with the Kaibab National Forest, Grand Canyon National Park, Bureau of Land Management/Arizona Strip, and the Grand Canyon-Parashant National Monument. Their work presents a preliminary classification of this rock art within a chronological framework and associated cultural affiliations. These enigmatic images are placed within their environmental and archaeological context, essential in deriving potential clues as to their function and significance. Several interpretation theories exist in the literature and these are carefully examined in light of this current research. Importantly, rock art is an endangered cultural heritage and the question of its protection, preservation, and conservation also receives attention. While rock art offers a view into one aspect of the prehistoric cultural landscape, the religious and social importance of these images continues to have relevance to contemporary Native American peoples as well as representing an engaging cultural legacy for all humanity.
"Native American cultures have flourished in the Four Corners region for thousands of years, from the early shamans, to the Anasazi, to historic tribes of today. Rock art images created by these cultures are diverse, mysterious, and haunting. Utah may contain more world-class, prehistoric rock art than any other region in North America. Rock overhangs with ghostly, painted, shamanistic figures have become synonymous with Utah." "Dennis Slifer has done extensive field work to identify those sites suitable for public visitation. Complete with maps and directions, this book describes more than fifty sites with public access in Utah, the Arizona strip, southern Nevada, and the western edge of Colorado. Richly illustrated with photographs and drawings, Guide to Rock Art of the Utah Region is a must for all rock art enthusiasts."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This fourth edition of David Grant Noble's indispensable guide to archaeological ruins of the American Southwest includes updated text and many newly opened archaeological sites. From Alibates Flint Quarries in Texas to the Zuni-Acoma Trail in New Mexico, readers are provided with such favorites as Chaco Canyon and new treasures such as Sears Kay Ruin. In addition to descriptions of each site, Noble provides time-saving tips for the traveler, citing major highways, nearby towns and the facilities they offer, campgrounds, and other helpful information. Filled with photos of ruins, petroglyphs, and artifacts, as well as maps, this is a guide every traveler needs when exploring the Southwest.
The ancient rock paintings and carvings found in abundance in the southwestern United States are astonishing in their beauty and mystery.
High above the noise and traffic of metropolitan Phoenix, Native American rock art offers mute testimony that another civilization once thrived in the Arizona desert. In the city's South Mountains, prehispanic peoples pecked thousands of images into the mountains' boulders and outcroppings—images that today's hikers can encounter with every bend in the trail. Todd Bostwick, an archaeologist who has studied the Hohokam for more than twenty years, and Peter Krocek, a professional photographer with a passion for archaeology, have combed the South Mountains to locate nearly all of the ancient petroglyphs found in the canyons and ridges. Their years of learning the landscape and investigating the ancient designs have resulted in a book that explores this wealth of prehistoric rock art within its natural and cultural contexts, revealing what these carvings might mean, how they got there, and when they were made. Landscape of the Spirits is the first book to cover these ancient images and is one of the most comprehensive treatments of a rock art location ever published. It conveys the range of different rock art elements and compositions found in the South Mountains—animals, humans, and geometric shapes, as well as celestial and calendrical markings at key sites—through accurate descriptions, drawings, and photographs. Interpretations of the petroglyphs are based on Native American ethnographic accounts and consider the most recent theories concerning shamanism and archaeoastronomy. Written in a simple and accessible style, Landscape of the Spirits is an indispensable volume for anyone exploring the South Mountains, and for rock art enthusiasts everywhere who wish to broaden their understanding of the prehistoric world. It is both an authoritative overview of these ancient wonders and an unprecedented benchmark in southwestern rock art research at a single geographic location.
Imagine seeing the varied landscapes of the earth as they used to look throughout hundreds of millions of years of earth history. Tropical seas lap on the shores of an Arizona beach. Immense sand dunes shift and swirl in Sahara-like deserts in Utah and New Mexico. Ancient rivers spill from a mountain range in Colorado that was a precursor to the modern Rockies. Such flights of geologic fancy are now tangible through the thought-provoking and beautiful paleogeographic maps, reminiscent of the maps in world atlases we all paged through as children, of Ancient Landscapes of the Colorado Plateau.Ron Blakey of Northern Arizona University is one of the world's foremost authorities on the geologic history of the Colorado Plateau. For more than fifteen years, he has meticulously created maps that show how numerous past landscapes gave rise to the region's stunning geologic formations. Ancient Landscapes of the Colorado Plateau is the first book to showcase Blakey's remarkable work. His maps are accompanied by text by Wayne Ranney, geologist and award-winning author of Carving Grand Canyon. Ranney takes readers on a fascinating tour of the many landscapes depicted in the maps, and Blakey and Ranney's fruitful collaboration brings the past alive like never before.Features: More than 70 state-of-the-art paleogeographic maps of the region and of the world, developed over many years of geologic research Detailed yet accessible text that covers the geology of the plateau in a way nongeologists can appreciate More than 100 full-color photographs, diagrams, and illustrations A detailed guide of where to go to see the spectacular rocks of the region
A photographic and professional archaeologic survey of the La Rumorosa rock art style. Nearly all of the half, full page and double page photographs have never been published previously. The text is contributed by regional archaeologists who add context to the images.
A mouse couple, in search of the mightiest husband for their daughter, approach the sun, the clouds, the wind, and a butte, before the unexpected victor finally appears.
With the exception of the Grand Canyon itself, none of the great gorges of the American Southwest is more uniquely beautiful than Canyon de Chelly, with its sheer red cliffs and innumerable prehistoric Indian dwellings. Of all the important centers of prehistoric Anasazi culture, only this magnificent canyon shows an unbroken record of settlement for more than 1,000 years. In this liberally illustrated book, rock art authority Campbell Grant examines four aspects of the spectacular canyon: its physical characteristics, its history of human habitation, its explorers and archaeologists, and its countless rock paintings and petroglyphs. Grant surveys 96 sites in the two main canyons and offers an interpretation of the rock art found there.
From the high plains of Canada to caves in the southeastern United States, images etched into and painted on stone by ancient Native Americans have aroused in observers the desire to understand their origins and meanings. Rock paintings and engravings can be found in nearly every state and province, and each region has its own distinctive story of discovery and evolving investigation of the rock art record. Rock art in the twenty-first century enjoys a large and growing popularity fueled by scholarly research and public interest alike. This book explores the history of rock art research in North America and is the only volume in the past twenty-five years to provide coverage of the subject on a continental scale. Written by contributors active in rock art research, it examines sites that provide a cross-section of regions and topics and complements existing books on rock art by offering new information, insights, and approaches to research. The first part of the volume explores different regional approaches to the study of rock art, including a set of varied responses to a single site as well as an overview of broader regional research investigations. It tells how Writing-on-Stone in southern Alberta, Canada, reflects changing thought about rock art from the 1870s to today; it describes the role of avocational archaeologists in the Mississippi Valley, where rock art styles differ on each side of the river; it explores discoveries in southwestern mountains and southeastern caves; and it integrates the investigation of cupules along Georgia’s Yellow River into a full study of a site and its context. The book also compares the differences between rock art research in the United States and France: from the outset, rock art was of only marginal interest to most U.S. archaeologists, while French prehistorians considered cave art an integral part of archaeological research. The book’s second part is concerned with working with the images today and includes coverage of gender interests, government sponsorship, the role of amateurs in research, and chronometric studies. Much has changed in our understanding of rock art since Cotton Mather first wrote in 1714 of a strange inscription on a Massachusetts boulder, and the cutting-edge contributions in this volume tell us much about both the ancient place of these enduring images and their modern meanings. Discovering North American Rock Art distills today’s most authoritative knowledge of the field and is an essential volume for both specialists and hobbyists.