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Presents scholarly papers examining Indian rock art found in western Texas, southern New Mexico, and northeastern Mexico.
This unique volume demonstrates that there are archaeological and anthropological ways of accessing the past in order to investigate and explain the significance of rock art motifs, and highlights the importance of regional rock art studies and regional variations.
Focusing on stunning paintings and engravings from around the world, 16 papers interrogate the driving forces behind global rock art research. Many of the motifs featured were created by indigenous hunter-gatherer groups; this book sheds new light on non-Western rituals and worldviews, many of which are threatened or on the point of extinction.
While there has always been a large public interest in ancient pictures painted or carved on stone, the archaeological study of rock art is in its infancy. But intensive amounts of research has revolutionized this field in the past decade. New methods of dating and analysis help to pinpoint the makers of these beautiful images, new interpretive models help us understand this art in relation to culture. Identification, conservation and management of rock art sites have become major issues in historical preservation worldwide. And the number of archaeologically attested sites has mushroomed. In this handbook, the leading researchers in the rock art area provide cogent, state-of-the-art summaries of the technical, interpretive, and regional advances in rock art research. The book offers a comprehensive, basic reference of current information on key topics over six continents for archaeologists, anthropologists, art historians, and rock art enthusiasts.
From the high plains of Canada to caves in the southeastern United States, images etched into and painted on stone by ancient Native Americans have aroused in observers the desire to understand their origins and meanings. Rock paintings and engravings can be found in nearly every state and province, and each region has its own distinctive story of discovery and evolving investigation of the rock art record. Rock art in the twenty-first century enjoys a large and growing popularity fueled by scholarly research and public interest alike. This book explores the history of rock art research in North America and is the only volume in the past twenty-five years to provide coverage of the subject on a continental scale. Written by contributors active in rock art research, it examines sites that provide a cross-section of regions and topics and complements existing books on rock art by offering new information, insights, and approaches to research. The first part of the volume explores different regional approaches to the study of rock art, including a set of varied responses to a single site as well as an overview of broader regional research investigations. It tells how Writing-on-Stone in southern Alberta, Canada, reflects changing thought about rock art from the 1870s to today; it describes the role of avocational archaeologists in the Mississippi Valley, where rock art styles differ on each side of the river; it explores discoveries in southwestern mountains and southeastern caves; and it integrates the investigation of cupules along Georgia’s Yellow River into a full study of a site and its context. The book also compares the differences between rock art research in the United States and France: from the outset, rock art was of only marginal interest to most U.S. archaeologists, while French prehistorians considered cave art an integral part of archaeological research. The book’s second part is concerned with working with the images today and includes coverage of gender interests, government sponsorship, the role of amateurs in research, and chronometric studies. Much has changed in our understanding of rock art since Cotton Mather first wrote in 1714 of a strange inscription on a Massachusetts boulder, and the cutting-edge contributions in this volume tell us much about both the ancient place of these enduring images and their modern meanings. Discovering North American Rock Art distills today’s most authoritative knowledge of the field and is an essential volume for both specialists and hobbyists.
A fascinating exploration of the rich artistic heritage and beauty of Casas Grandes ceramics
Devoted to providing a wide-ranging survey of new developments in rock art studies from all over the world.
Social and behavioral scientists study religion or spirituality in various ways and have defined and approached the subject from different perspectives. In cultural anthropology and archaeology the understanding of what constitutes religion involves beliefs, oral traditions, practices and rituals, as well as the related material culture including artifacts, landscapes, structural features and visual representations like rock art. Researchers work to understand religious thoughts and actions that prompted their creation distinct from those created for economic, political, or social purposes. Rock art landscapes convey knowledge about sacred and spiritual ecology from generation to generation. Contributors to this global view detail how rock art can be employed to address issues regarding past dynamic interplays of religions and spiritual elements. Studies from a number of different cultural areas and time periods explore how rock art engages the emotions, materializes thoughts and actions and reflects religious organization as it intersects with sociopolitical cultural systems.
Often seen as geographically marginal and of limited research interest to archaeologists, the Jornada Mogollon region of the southwestern United States and northern Mexico deserves broader attention. Late Prehistoric Hunter-Gatherers and Farmers of the Jornada Mogollon presents the major issues being addressed in Jornada research and reveals the complex, dynamic nature of Jornada prehistory. The Jornada branch of the Mogollon culture and its inhabitants played a significant economic, political, and social role at multiple scales. This volume draws together results from recent large-scale CRM work that has amassed among the largest data sets in the Southwest with up-to-date chronological, architectural, faunal, ceramic, obsidian sourcing, and other specialized studies. Chapters by some of the most active researchers in the area address topics that reach beyond the American Southwest, such as mobility, forager adaptations, the transition to farming, responses to environmental challenges, and patterns of social interaction. Late Prehistoric Hunter-Gatherers and Farmers of the Jornada Mogollon is an up-to-date summary of the major developments in the region and their implications for Southwest archaeology in particular and anthropological archaeological research more generally. The publication of this book is supported in part by the Arizona Archaeological and Historical Society and the Center for Material Culture Studies at the University of Delaware. Contributors: Rafael Cruz Antillón, Douglas H. M. Boggess, Peter C. Condon, Linda Scott Cummings, Moira Ernst, Tim Graves, David V. Hill, Nancy A. Kenmotsu, Shaun M. Lynch, Arthur C. MacWilliams, Mary Malainey, Timothy D. Maxwell, Myles R. Miller, John Montgomery, Jim A. Railey, Thomas R. Rocek, Matt Swanson, Christopher A. Turnbow, Javier Vasquez, Regge N. Wiseman, Chad L. Yost
This book showcases the theories, methods, and accomplishments of archaeologists who investigate the human mind through material forms. It encompasses the wide spectrum of cognitive archeology, showcasing contributions from scholars globally. It delivers analysis of material culture, from stone tools to ceramic and rock art of the past millennium.