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Election Day has arrived and Robyn's world is turned upside down as she finds herself between a rock and a hard place, defending the life of someone she barely knows in the hopes of being lead to a cure that will save the life of Gengrich. Don’t miss this final issue of Robyn Hood: Outlaw as the decisions, the friends, and enemies she makes will impact Robyn’s life from this point forward!
After the events of Death Metal, Diana finally makes it back from her unforgettable odyssey through the Sphere of the Gods! Has the world moved on without her? This special oversize story paves the way to an exciting new future for the greatest hero of them all!
Returning from her last adventure, Robyn is back in New York, and looking for some sort of normalcy. But not everyone feels she deserves any, the universe included. After a close friend is attacked, Robyn must take it upon herself to get to the bottom of this mystery as she is pitted against her greatest adversary yet, when she becomes public enemy number one, to the city she calls home.
After a daring and dangerous escape from a sadistic super-max prison, Robyn is finally back home where she belongs. But as she re-acclimates to her “normal” life in New York City, Robyn gets a long distance call from her best friend, Marian Quin. A new evil has been released and Marian needs Robyn’s help to send it back from where it came… But this battle is about to get more personal than either of these friends could have imagined, and nothing will ever be the same!
After their first mission in the field, all the Outlaws want is to head back to the Block for some R&R. Unfortunately, no sooner do they get home than they find themselves under assault from Shay Veritas’ clones! It’s like Night of the Living Duplicates in there, and Red Hood is nowhere to be found. Is he teaching them a dangerous (but hopefully valuable) lesson with his absence, or is he dealing with something even bigger and more terrifying?
It's Robin Hood like you've never seen him before, based on scholarly and historical speculation about what's really behind the outlaw's legend. 13th century England. Robert Godwinson, former lover of King Richard, lives with his band of Merry Men in Sherwood Forest, away from the watchful eye of Prince John, who has outlawed homosexuality. Though isolated, the men live in peace—that is, until a stranger enters their camp seeking aid for a nearby town besieged by the Sheriff of Nottingham. Robert—nicknamed Robin—is reluctant to help, but equally eager to get rid of this perplexing stranger... and to put his formidable bow-and-arrow to use. It's Robin Hood like you've never seen him before, based on scholarly speculation about what's really behind the outlaw's legend.
"From legendary writer/artist Neal Adams comes a threat so epic it will take more than one Man of Steel to handle it in this new 6-issue miniseries! Superman is facing his worst enemies as terror is taking hold of Apokolips. There's also another planet that has been deemed as the New Krypton which is facing some of this evil"--
Last time he was in Gotham City, Jason Todd pretended to be a master criminal in the underworld. This time itÕs for real! With Suzie Su scared of what her new boss at the Iceberg Lounge might be capable of and Bunker questioning his own loyalty to Jason, the Red HoodÕs house of cards could be headed for a collapse. And if that isnÕt bad enough, Jason comes face to face with the teacher who taught him everything he knows about death and life, and Ducra isnÕt at all happy about this latest twist in JasonÕs storyÉ
Following in the tradition of recent work by cultural geographers and historians of maps, this collection examines the apparently familiar figure of Robin Hood as he can be located within spaces that are geographical, cultural, and temporal. The volume is divided into two sections: the first features an interrogation of the literary and other textually transmitted spaces to uncover the critical grounds in which the Robin Hood ’legend’ has traditionally operated. The essays in Part Two take up issues related to performative and experiential space, demonstrating the reciprocal relationship between page, stage, and lived experience. Throughout the volume, the contributors contend with, among other things, modern theories of gender, literary detective work, and the ways in which the settings that once advanced court performances now include digital gaming and the enactment of ’real’ lives.
Offers a comprehensive thematic introduction to a wide range of medieval writings about the outlaw-hero from a series of different historical perspectives. By the fifteenth century, churchmen were complaining that laypeople preferred to hear stories about Robin Hood rather than to listen to the word of God. But what was the attraction of this outlaw for contemporary audiences? The essays collected here seek to examine the outlaw's legend in relation to late medieval society, politics and piety. They set out the different types of evidence which give us access to representations of Robin and his men in the pre-Reformation period, ask whether stories about the outlaw had any basis in reality and explore the many different purposes for which his legend was adapted. The volume is divided into six parts: the sources for the medieval legend of Robin Hood and its origins; social structure; social conflict; kingship, law and warfare; piety and the church; and the outlaw's legend in Wales and Scotland. Key issues addressed by its essays include the dating of the surviving tales, attitudes to social hierarchy, representations of gender and masculinity, the extent to which the tales drew upon or shaped contemporary attitudes towards law and justice, the development of Robin Hood plays and games, and whether the legend emerged from or appealed to particular social groups. It not only sheds new light on a character who, whether "real" or not, is one of the most important and memorable figures in the history of medieval England but also explores the extent to which the outlaw became popular in Scotland and Wales.