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On the launch day of Earth’s Super-Dimension Fortress, Earth was attacked by mysterious aliens and SDF-1 was eventually forced to space-fold into space – taking a chunk of Macross City with them. The SDF-1 is now in the midst of a long journey back to Earth. As the journey proceeded, Captain Henry Gloval died during the ship’s modular transformation. Heading to Mars base to fetch supplies, Captain Lisa Hayes encountered an attack from aliens – led by the arrogant Khyron. Lisa also met up with a ghostly image of her former lover, Karl…
Based on the cult classic animated series, ROBOTECH: THE MACROSS SAGA VOL. 4 is a sci-fi extravaganza of fast-paced action, high-tech battles, and burgeoning romance. Years ago when the SDF-1 crashed on Earth, the world knew that the alien spacecraft was the harbinger of an extraterrestrial invasion. Using the technology from the galactic warship, humans quickly began to develop biomechanical weapons to prepare for the upcoming onslaught. Now as the war reaches a fateful critical stage and another hero falls in battle, the alien Zentraedi enact an aggressive campaign to destroy the Earth's only hope of victory, the lost SDF-1 spaceship.
Alien technology known as Robotech, gained from a crashed alien vessel, allows mankind to defend itself when aliens called the Zentraedi bring an age-old war to Earth. Ray Fokker is a pilot in this Great War and a test pilot in the top secret Veritech program.
ROBOTECH v Second Generation DEL REY BOOKS CLASSIC VALUE THREE NOVELS FOR THE PRICE OF ONE #7 SOUTHERN CROSS The Robotech Masters had come to Earth to finish the conquest their Zentraedi warrior-slaves had begun...and a battle-ravaged planet had to defend itself once more. That was when Dana Sterling, half-Human, half-Zentraedi commander of an elite Hovertank unit, stepped into the spotlight of interstellar history! #8 METAL FIRE An alien fortress had crashlanded on Earth--brought down in the struggle between the Robotech Masters and Earth's Human inhabitants. Now the fortress dared someone to penetrate its dark mysteries. And who better to brave that ship than Dana Sterling's 15th Squadron ATACs--after all, they had brought the thing down to begin with! #9 THE FINAL NIGHTMARE The Robotech Masters' Protoculture Matrix was degenerating, transforming into the Flower of Life--which was sure to draw the savage, merciless Invid across the galaxy to Earth. But the Army of the Southern Cross vowed to fight to the bitter end. And Dana Sterling raged a desperate war of her own to decipher her strange visions and the secret of her alien heritage...
Ten years ago, a mysterious ship crashed on Macross Island in the South Pacific. In the intervening years, the people of Earth have used the ‘Robotechnology’ from the ship to significantly advance their own technology. On the launch day of Earth’s Super-Dimension Fortress (the SDF-1), Earth is attacked by mysterious aliens. The SDF-1 is eventually forced to space-fold into space – but takes a chunk of Macross City with them (the city and its citizens are now inside the massive SDF-1). The SDF-1 is now in the midst of a long journey back to Earth. During a fierce space battle, the SDF-1 was forced to execute a modular transformation – causing considerable damage to the city within it. The humans won – but Captain Gloval’s body was found buried und the SDF-1’s internal wreckage…
Titan Comics’ unique take on the Robotech saga continues – with even more action, shocks and twists. The crew of the SDF-1 are lost in space and under constant attack by alien forces. After the crew lose one of their own, secrets and mysteries begin to emerge – and there may be traitors on board… Plotted by Brian Wood (Star Wars, Briggs Land, X-Men) and scripted by Simon Furman (Transformers, Dr Who) with stunning art by Marco Turini (Heavy Metal, Assassin’s Creed, Dark Souls). “This series hits all the right notes for longtime fans and newcomers to the greatness that is Robotech.” – 411 Mania “Welcome to one of the greatest series of all time. 5 out of 5.” – Comic Crusaders
A Warp In The Space-Time Continuum... The SDF-3 has remanifested from spacefold, but no one aboard has the faintest idea where they are. The ship appears to be grounded in some glowing fog, ensnared by light itself. Lang and Rem dub the phenomenon "newspace" -- but are at a loss to explain what it really is and who, or what, is keeping them there. For Lang, it seems like old times: The ship's Protoculture drives have disappeared. But other events are transpiring, unbeknownst to the stranded crew of the SDF-3. In Earthspace, the Ark Angel has been spared the fate suffered by the REF main fleet after the Invid transubstantiation. Vince and Jean Grant decide that the only logical course of action is to try and locate the SDF-3... On Haydon IV, something has awakened the Awareness -- and a mysterious change comes over the Haydonites. Exedore and the four Sterlings suddenly find themselves imprisoned beneath the surface -- as the planet leaves orbit, destination unknown... All of the pieces of this strange cosmic puzzle are about to come together...and the ultimate conflict is imminent. The question is: Will The Universe Survive?
This alien technology was known as ROBOTECH...
Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop's dress was lengthened so that her garter didn't show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios' efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce's Thank You Mask Man and Ralph Bakshi's Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party.
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