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The fascinating personal story of one of the most celebrated talents in today’s music scene The star of the Metropolitan Opera's recent revival of Dvorak's Rusalka, soprano Renée Fleming brings a consummately beautiful voice, striking interpretive talents, and compelling artistry to bear on performances that have captivated audiences in opera houses and recital halls throughout the world. In The Inner Voice—a book that is the story of her own artistic development and the “autobiography” of her voice—this great performer presents a unique and privileged look at the making of a singer and offers hard-won, practical advice to aspiring performance artists everywhere. From her youth as the child of two singing teachers through her years at Juilliard, from her struggles to establish her career to her international success, The Inner Voice is a luminous, articulate, and candid self-portrait of a contemporary artist—and the most revelatory examination yet of the performing life.
When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
Chronicle covers the years 852-1116 of Russian history.
This book provides an introduction to the concept of cultural memory, offering a comprehensive overview of its history, forms and functions.
In this key textbook, Andres Kasekamp masterfully traces the development of Estonia, Latvia and Lithuania, from the northern crusades against Europe's last pagans and Lithuania's rise to become one of medieval Europe's largest states, to their incorporation into the Russian Empire and the creation of their modern national identities. Employing a comparative approach, a particular emphasis is placed upon the last one hundred years, during which the Baltic states achieved independence, endured occupation by the Soviet Union and Nazi Germany, and transformed themselves into members of the European Union. This is an essential textbook for undergraduate students taking modules on Eastern or Central European History, Communism and Post-Communism, the Soviet Union, or Baltic Culture and Politics. Engaging and accessible, this is also an ideal introduction to the Baltic States for general readers.