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Essays examining the compiler and contents of two of the most important and significant extant late medieval manuscript collections.
British Library MS Additional 31042 (the London Thornton manuscript) is one of two miscellaneous collections copied in the middle years of the fifteenth century by Robert Thornton of East Newton in North Yorkshire. It has secured its place in the history of late medieval book production as "Thornton's other book, since it is always seen as smaller, less varied in content, less well organised, and therefore less important than its sister volume at Lincoln. This study re-examines these assumptions and draws attention to the many bibligraphical problems presented by the manuscript in order to assess the evidence the book can provide concerning Thornton's general book-producing effects. JOHN J. THOMPSON is Lecturer in English at The Queen's University of Belfast.
First recent full-length analysis of a major medieval poem.
This catalogue describes MSS 1-247 and 298 in the Chapter Library of Lincoln Cathedral, plus ten former Lincoln MSS now elsewhere. About half of the MSS were part of the cathedral's medieval Library; nearly all the rest came therebefore the late seventeenth century. Among the MSS, which date from the eighth to the early sixteenth century, are biblical commentaries and sermons, works of pastoral theology and an important corpus of Middle English texts, including the famous Thornton Romances. A group of MSS written at the Cathedral c.1100 is notable for its distinctive decoration. The Catalogue is preceded by a history of the Cathedral Library, based on the rich documentaryevidence, which includes two medieval catalogues. The plates illustrate bindings, ownership marks, important decoration and noteworthy script, including samples from all signed and dated books.
This edition contains four Middle English Charlemagne romances from the Otuel cycle: Roland and Vernagu, Otuel a Knight, Otuel and Roland, and Duke Roland and Sir Otuel of Spain. A translation of the romances' source, the Anglo-French Otinel, is also included. The romances center on conflicts between Frankish Christians and various Saracen groups, and deal with issues of racial and religious difference, conversion, and faith-based violence.
The book surveys medieval literature from both a critical and an historical standpoint. Medieval literature is increasingly seen as an area of intense specialism which is to be treated differently from other areas of English Studies. The essays collected here try to overturn this perception in two ways. Firstly, there is a demonstration of the ways in which modern critical approaches and perspectives work with the medieval text. Secondly, the idea of the medieval is shown, historically, to be a discourse which has been given different symbolic values and served different social purposes.
The Middle English Book analyzes 202 literary manuscripts from late medieval England (1350-1500) and argues that most readers looked to scribes in their immediate vicinity to acquire copies of literature. It examines various forms of writing practiced by scribes throughout the late medieval English countryside and shows that the production of documents underscored the wide availability of literary copying. As a result, when a reader acquired a manuscript,they were most often tapping into local networks of document production.
Romance and the Gentry in Late Medieval England offers a new history of Middle English romance, the most popular genre of secular literature in the English Middle Ages. Michael Johnston argues that many of the romances composed in England from 1350-1500 arose in response to the specific socio-economic concerns of the gentry, the class of English landowners who lacked titles of nobility and hence occupied the lower rungs of the aristocracy. The end of the fourteenth century in England witnessed power devolving to the gentry, who became one of the dominant political and economic forces in provincial society. As Johnston demonstrates, this social change also affected England's literary culture, particularly the composition and readership of romance. Romance and the Gentry in Late Medieval England identifies a series of new topoi in Middle English that responded to the gentry's economic interests. But beyond social history and literary criticism, it also speaks to manuscript studies, showing that most of the codices of the "gentry romances" were produced by those in the immediate employ of the gentry. By bringing together literary criticism and manuscript studies, this book speaks to two scholarly communities often insulated from one another: it invites manuscript scholars to pay closer attention to the cultural resonances of the texts within medieval codices; simultaneously, it encourages literary scholars to be more attentive to the cultural resonances of surviving medieval codices.
The Encyclopedia of Medieval Literature in Britain vereint erstmals wissenschaftliche Erkenntnisse zu Multilingualität und Interkulturalität im mittelalterlichen Britannien und bietet mehr als 600 fundierte Einträge zu Schlüsselpersonen, Zusammenhängen und Einflüssen in der Literatur vom fünften bis sechzehnten Jahrhundert. - Einzigartiger multilingualer, interkultureller Ansatz und die neuesten wissenschaftlichen Erkenntnisse. Das gesamte Mittelalter und die Bandbreite literarischer Sprachen werden abgedeckt. - Über 600 fundierte, verständliche Einträge zu Schlüsselpersonen, Texten, kritischen Debatten, Methoden, kulturellen Zusammenhängen sowie verwandte Terminologie. - Repräsentiert die gesamte Literatur der Britischen Inseln, einschließlich Alt- und Mittelenglisch, das frühe Schottland, die Anglonormannen, Nordisch, Latein und Französisch in Britannien, die keltische Literatur in Wales, Irland, Schottland und Cornwall. - Beeindruckende chronologische Darstellung, von der Invasion der Sachsen bis zum 5. Jahrhundert und weiter bis zum Übergang zur frühen Moderne im 16. Jahrhundert. - Beleuchtet die Überbleibsel mittelalterlicher britischer Literatur, darunter auch Manuskripte und frühe Drucke, literarische Stätten und Zusammenhänge in puncto Herstellung, Leistung und Rezeption sowie erzählerische Transformation und intertextuelle Verbindungen in dieser Zeit.
11 studies of different types of late-medieval religious literature, in English, French and Latin.