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Essays examining the compiler and contents of two of the most important and significant extant late medieval manuscript collections.
This new edition presents three odes to saints in alliterative and stanzaic form, composed in the north and east Midlands around 1400. The hymns address St. Katherine of Alexandria (from Bodley Rolls 22), St. John the Evangelist (Lincoln Cathedral Library MS91), and St. John the Baptist (British Library, MS Additional 39574). The edition contains a full account of extensive recent scholarship on the Middle English alliterative verse tradition, as well as the hymns' hagiographical and historical context.
Romance and the Gentry in Late Medieval England offers a new history of Middle English romance, the most popular genre of secular literature in the English Middle Ages. Michael Johnston argues that many of the romances composed in England from 1350-1500 arose in response to the specific socio-economic concerns of the gentry, the class of English landowners who lacked titles of nobility and hence occupied the lower rungs of the aristocracy. The end of the fourteenth century in England witnessed power devolving to the gentry, who became one of the dominant political and economic forces in provincial society. As Johnston demonstrates, this social change also affected England's literary culture, particularly the composition and readership of romance. Romance and the Gentry in Late Medieval England identifies a series of new topoi in Middle English that responded to the gentry's economic interests. But beyond social history and literary criticism, it also speaks to manuscript studies, showing that most of the codices of the "gentry romances" were produced by those in the immediate employ of the gentry. By bringing together literary criticism and manuscript studies, this book speaks to two scholarly communities often insulated from one another: it invites manuscript scholars to pay closer attention to the cultural resonances of the texts within medieval codices; simultaneously, it encourages literary scholars to be more attentive to the cultural resonances of surviving medieval codices.
Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Caxton's printed books reached their first English consumers. This book gathers the best work on manuscript books in England made during this crucial but neglected period. Its authors survey existing research, gather intensive new evidence and develop new approaches to key topics. The chapters cover the material conditions and economy of the book trade; amateur production both lay and religious; the effects of censorship; and the impact on English book production of manuscripts and artisans from elsewhere in the British Isles and Europe. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book in medieval England.
The nature of political prophecy in the middle ages analysed, confirming its importance in the discussion of public affairs.
"The unique Middle English prose life of Alexander the Great (the prose Alexander) is the first item in Lincoln Cathedral Library MS. 91 (Lincoln Thornton)"--P. [1].
The focus of this book is medieval vernacular literature in Western Europe. Chapters are written by experts in the area and present the current scholarship at the time this book was originally published in 1996. Each chapter has a bibliography of important works in that area as well. This is a thorough and reliable guide to trends in research on medieval Arthuriana.
Ten papers illuminating the relationship between certain physical properties of the books examined and their intended readers. The chronological spread of essays - from the late fourteenth to the early sixteenth centuries - also directs attention to bibliographical and wider issues, arising from the change from manuscript to print.