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"Assesses points of convergence between Robert Louis Stevenson and Joseph Conrad. Extends arguments about the authors' South Seas literature, offering new critiques on the writers' literary histories, writing styles, romance and adventure modes, fictions of duality, experience in Victorian London, explorations of the human psyche, and fame"--Provided by publisher.
Robert Louis Stevenson: Writer of Boundaries reinstates Stevenson at the center of critical debate and demonstrates the sophistication of his writings and the present relevance of his kaleidoscopic achievements. While most young readers know Robert Louis Stevenson (1850–1894) as the author of Treasure Island, few people outside of academia are aware of the breadth of his literary output. The contributors to Robert Louis Stevenson: Writer of Boundaries look, with varied critical approaches, at the whole range of his literary production and unite to confer scholarly legitimacy on this enormously influential writer who has been neglected by critics. As the editors point out in their Introduction, Stevenson reinvented the “personal essay” and the “walking tour essay,” in texts of ironic stylistic brilliance that broke completely with Victorian moralism. His first full-length work of fiction, Treasure Island, provocatively combined a popular genre (subverting its imperialist ideology) with a self-conscious literary approach. Stevenson, one of Scotland’s most prolific writers, was very effectively excluded from the canon by his twentieth-century successors and rejected by Anglo-American Modernist writers and critics for his play with popular genres and for his non-serious metaliterary brilliance. While Stevenson’s critical recognition has been slowly increasing, there have been far fewer published single-volume studies of his works than those of his contemporaries, Henry James and Joseph Conrad.
Stevenson's fiction is evaluated in the light of the significant Romantic traditions that have influenced the novel and the romance. Stevenson is also considered as a serious writer and compared with Joseph Conrad, Mark Twain, and other major writers of the period. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This book traces the literary friendship between Joseph Conrad and H. G. Wells from their early correspondence through to the differences that caused their estrangement, including their respective responses to the First World War. It thus gives an overview of the literary scene in the late Victorian and early Edwardian period.
“An affectionate homage,” this novel of Stevenson’s evolution into an adventure writer is “a loving reconstruction of an era of storytelling now lost” (New York Times). The young Robert Louis Stevenson, living in a boarding house in San Francisco in the nineteenth century while waiting for his beloved’s divorce from her feckless husband, dreamed of writing a soaring novel about his landlady’s adventurous and globe-trotting husband, John Carson—but he never got around to it. And very soon thereafter he was married, headed home to Scotland, and on his way to becoming the most famous novelist in the world, after writing such classics as Treasure Island, The Strange Case of Dr. Jekyll and Mr. Hyde, and Kidnapped. But now Brian Doyle brings Stevenson’s untold tale to life, braiding the adventures of seaman John Carson with those of a young Stevenson, wandering the streets of San Francisco, gathering material for his fiction, and yearning for his beloved across the bay. An adventure tale, an elegy to one of the greatest writers of our language, a time-traveling plunge into The City by the Bay during its own energetic youth, The Adventures of John Carson in Several Quarters of the World is entertaining, poignant, and sensual. “[A] triumph.” —Washington Post “Rich prose and a unique perspective on one of the world’s most beloved authors.” —Publishers Weekly “A tale of bounding energy with a delicate touch, driving always towards the beautiful and the true.” —Helen Garner, author of The Spare Room “[A] tender, affectionate, and terribly fun homage to the joys of storytelling and storytellers.” —Kirkus Reviews
Nineteenth-century adventure fiction relating to the British empire usually served to promote, celebrate and justify the imperial project, asserting the essential and privileging difference between 'us' and 'them', colonizing and colonized. Andrea White's study opens with an examination of popular exploration literature in relation to later adventure stories, showing how a shared view of the white man in the tropics authorized the European intrusion into other lands. She then sets the fiction of Joseph Conrad in this context, showing how Conrad in fact demythologized and disrupted the imperial subject constructed in earlier writing, by simultaneously - with the modernist's double vision - admiring man's capacity to dream but applauding the desire to condemn many of its consequences. She argues that the very complexity of Conrad's work provided an alternative, and more critical, means of evaluating the experience of empire.
From Longman's Cultural Editions series, edited by Susan Wolfson and Barry Qualls, come three tales of transformation: Mary Shelley's Transformation, Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde and Joseph Conrad's The Secret Sharer. Handsomely produced and affordably priced, the Longman Cultural Editions series presents classic works in provocative and illuminating contexts-cultural, critical, and literary. Each Cultural Edition consists of the complete texts of these important literary works, reliably edited, headed inviting introductions, and supplemented by helpful annotations; a table of dates to track composition, publication, and public reception in relation to biographical, cultural and historical events; and a guide for further inquiry and study.
HEART OF DARKNESS * AN OUTPOST OF PROGRESS * KARAIN * YOUTH The finest of all Conrad's tales, 'Heart of Darkness' is set in an atmosphere of mystery and menace, and tells of Marlow's perilous journey up the Congo River to relieve his employer's agent, the renowned and formidable Mr Kurtz. What he sees on his journey, and his eventual encounter with Kurtz, horrify and perplex him, and call into question the very bases of civilization and human nature. Endlessly reinterpreted by critics and adapted for film, radio, and television, the story shows Conrad at his most intense and sophisticated. The other three tales in this volume depict corruption and obsession, and question racial assumptions. Set in the exotic surroundings of Africa, Malaysia. and the east, they variously appraise the glamour, folly, and rapacity of imperial adventure. This revised edition uses the English first edition texts and has a new chronology and bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.