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This beautifully illustrated volume comprehensively explores the art and life of artist Robert Kipness. His work echoes his emphasis on the journey, not the destination, and his paintings allow the viewer a window into that journey. 156 colour illustrations
A stunning monograph covering nearly 55 years of work by this internationally collected artist. His paintings are evocative of the intense contemplation and extraordinary technical facility so much admired in his prints.
A successful working artist relates his passion for life and art
A successful working artist relates his passion for life and art
- This gorgeously illustrated monograph encompasses never-before-published poems from 1950 to 1964 by critically acclaimed artist Robert Kipniss - The intensely personal poems mark a pivotal point in the artist's life and provide insight to an influential corollary of his work - Early paintings and drawings are presented to illuminate the two-fold creative endeavors Kipniss explored during these particular early years of his career This intriguing monograph of painter and printmaker Robert Kipniss is an intimate look at a memorable period in his life and career. Robert Kipniss: Paintings and Poetry, 1950-1964 is the result of many arduous months of revisiting his more-than-half-a-century-ago writing, poems that were stashed away and essentially forgotten. -Some of the poems are straightforward, some are infused with surreal irony, and some are angry, - says Kipniss in his candid and honest Preface. Thoughtful and articulate from conception to completion, his never-before published poems are choreographed with his early paintings in this contemplation of the influential and foundational years from 1950 to 1964. -When I stopped writing [in 1961] my vision was no longer divided between word-thinking and picture-thinking: these approaches had merged and in expressing myself I was more whole, - reflects Kipniss in his retrospective musings. Readers of this elegant volume are all the richer for catching a glimpse of an intensely personal segment of this accomplished artist's private history. In an unambiguous assessment, Kipniss elaborates, -The most significant insight that arose in this undertaking... came when I began to collate reproductions of my paintings of the 1950s. I could clearly see that my work in the two mediums were from very differing parts of my psyche, and that while they were both in themselves completely engaged, they were not in any way together.- This written and visual account of previously unpublished poems and early paintings, which were critically acclaimed, are accompanied by two astute and illustrative essays that further enlighten.
Alison Armstrong’s involvement with Anglo-Irish literature has resulted in a literary cooking, The Joyce of Cooking (Station Hill Press, 1986) and a volume of textual scholarship, “The Herne’s Egg” by W.B. Yeats: the Manuscript Materials (Cornell University Press, 1993). Her essays, stories, poetry, and reviews have appeared in various publications, including American Arts Quarterly, BOMB, Exquisite Corpse, Sea Kayaker, Notre Dame Review, PN Review. Recent titles published with Xlibris are Gazelle: 9 Monologues (2017; 2018), Pentimenti: Selected Memoirs (2018), Healing Fictions: Assorted Essays on Literature & Art (2018), and Two Fables (2020). She teaches in the Humanities Department at School of Visual Arts in Manhattan.
A Wall Street Journal Best Book of 2017 From a highly regarded feminist cultural critic and professor comes a polemic arguing that the stifling sense of sexual danger sweeping American campuses doesn’t empower women, it impedes the fight for gender equality. Feminism is broken, argues Laura Kipnis, if anyone thinks the sexual hysteria overtaking American campuses is a sign of gender progress. A committed feminist, Kipnis was surprised to find herself the object of a protest march by student activists at her university for writing an essay about sexual paranoia on campus. Next she was brought up on Title IX complaints for creating a "hostile environment." Defying confidentiality strictures, she wrote a whistleblowing essay about the ensuing seventy-two-day investigation, which propelled her to the center of national debates over free speech, "safe spaces," and the vast federal overreach of Title IX. In the process she uncovered an astonishing netherworld of accused professors and students, campus witch hunts, rigged investigations, and Title IX officers run amuck. Drawing on interviews and internal documents, Unwanted Advances demonstrates the chilling effect of this new sexual McCarthyism on intellectual freedom. Without minimizing the seriousness of campus assault, Kipnis argues for more honesty about the sexual realities and ambivalences hidden behind the notion of "rape culture." Instead, regulation is replacing education, and women’s hard-won right to be treated as consenting adults is being repealed by well-meaning bureaucrats. Unwanted Advances is a risk-taking, often darkly funny interrogation of feminist paternalism, the covert sexual conservatism of hook-up culture, and the institutionalized backlash of holding men alone responsible for mutually drunken sex. It’s not just compulsively readable, it will change the national conversation.
Whatever happened to America's small, private, residential, undergraduate, Liberal Arts Colleges? Will they survive the present contest with pragmatic publicly supported community colleges and the secular mega universities? The story of Wittenberg, one of the best of Ohio's many good Liberal Arts Colleges, provides answers to such questions. It looks at this critical period in their history giving hope that the very best of them will prosper. They are an endangered national resource that should be preserved and no more of them are being started. The book is written both for the casual reader and for historians and professional educators.