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Forty essays from influential scholars and poets offer a fresh, multifaceted assessment of the life and works of Robert Frost.
Forty essays from influential scholars and poets offer a fresh, multifaceted assessment of the life and works of Robert Frost.
This new critical volume offers a fresh, multifaceted assessment of Robert Frost's life and works. Nearly every aspect of the poet's career is treated: his interest in poetics and style; his role as a public figure; his deep fascination with science, psychology, and education; his peculiar and difficult relation to religion; his investments, as thinker and writer, in politics and war; the way he dealt with problems of mental illness that beset his sister and two of his children; and, finally, the complex geo-political contexts that inform some of his best poetry. Contributors include a number of influential scholars of Frost, but also such distinguished poets as Paul Muldoon, Dana Gioia, Mark Scott, and Jay Parini. Essays eschew jargon and employ highly readable prose, offering scholars, students, and general readers of Frost a broadly accessible reference and guide.
Based on the arrangement of The Poetry of Robert Frost(1969), Part One of this work attempts to identify Frost's intentions by placing each poem in the biographical, historical and geographical context of his life. It further examines conscious and unconscious points of association, annotates words and phrases, and provides, when possible, a date of composition along with the place of publication. Part Two consists of an annotated bibliography of poems published during Frost's life but uncollected at the time of his death and those published posthumously or yet collected.
This fascinating reassessment of America's most popular and famous poet reveals a more complex and enigmatic man than many readers might expect. Jay Parini spent over twenty years interviewing friends of Robert Frost and working in the poet's archives at Dartmouth, Amherst, and elsewhere to produce this definitive and insightful biography of both the public and private man. While he depicts the various stages of Frost's colorful life, Parini also sensitively explores the poet's psyche, showing how he dealt with adversity, family tragedy, and depression. By taking the reader into the poetry itself, which he reads closely and brilliantly, Parini offers an insightful road map to Frost's remarkable world.
Offers detailed accounts of sixty-five poems that span Frost's writing career and assesses the particular nature of the poet's style, discussing how it changes over time and relates to the works of contemporary poets and movements.
A cultural “biography” of Robert Frost’s beloved poem, arguably the most popular piece of literature written by an American “Two roads diverged in a yellow wood . . .” One hundred years after its first publication in August 1915, Robert Frost’s poem “The Road Not Taken” is so ubiquitous that it’s easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost’s immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr’s The Road Not Taken dives directly into the controversy, illuminating the poem’s enduring greatness while revealing its mystifying contradictions. Widely admired as the poetry columnist for The New York Times Book Review, Orr is the perfect guide for lay readers and experts alike. Orr offers a lively look at the poem’s cultural influence, its artistic complexity, and its historical journey from the margins of the First World War all the way to its canonical place today as a true masterpiece of American literature. “The Road Not Taken” seems straightforward: a nameless traveler is faced with a choice: two paths forward, with only one to walk. And everyone remembers the traveler taking “the one less traveled by, / And that has made all the difference.” But for a century readers and critics have fought bitterly over what the poem really says. Is it a paean to triumphant self-assertion, where an individual boldly chooses to live outside conformity? Or a biting commentary on human self-deception, where a person chooses between identical roads and yet later romanticizes the decision as life altering? What Orr artfully reveals is that the poem speaks to both of these impulses, and all the possibilities that lie between them. The poem gives us a portrait of choice without making a decision itself. And in this, “The Road Not Taken” is distinctively American, for the United States is the country of choice in all its ambiguous splendor. Published for the poem’s centennial—along with a new Penguin Classics Deluxe Edition of Frost’s poems, edited and introduced by Orr himself—The Road Not Taken is a treasure for all readers, a triumph of artistic exploration and cultural investigation that sings with its own unforgettably poetic voice.
Celebrate Robert Frost's 150th birthday with a deluxe keepsake edition featuring 16 of his greatest poems—with brilliant essays highlighting his special genius and the power of memorization to unlock the magic of his language During a public reading Robert Frost was once asked why he so frequently recited his poems from memory. With typical wit, he replied: “If they won’t stick to me, I won’t stick to them.” Remarkably among the modern poets, his poems “stick” to the reader: "Mending Wall," with its famous invocation of the rural maxim "Good fences make good neighbors" "The Road Not Taken," about the beguiling possibilities of life "Birches," which reminds us that "One could do worse than be a swinger of birches "Stopping by Woods on a Snowy Evening," with its unforgettable final line: "And miles to go before I sleep." Here, poet and Frost biographer Jay Parini presents these and 12 other Frost poems to learn by heart. In short accompanying commentaries, Parini illuminates the stylistic and imaginative features of each of the poems, drawing in biographical material from Frost’s life to provide further context. “The goal of this little book is to encourage readers to slow down—to listen to Frost’s words and phrases, to locate their deepest rhythms, and hear the tune of each poem as it unfolds. . . . Memorizing a poem can teach us much about a poem’s structure and argument, and about the resonance of particular words. And best of all, memorization makes a poem part of our inner lives. Once committed to memory, a poem is available to us for recall at any time—and the occasions for remembering it will make themselves known to us. It isn’t something we have to work at.” Anyone who has read and loved Frost’s poetry will want to own and treasure this little gift edition. Those reading Frost for the first time or those wishing to become better acquainted with one of America’s greatest poets will not find a better, more insightful guide than Jay Parini.
The early works of beloved poet Robert Frost, collected in one volume. The poetry of Robert Frost is praised for its realistic depiction of rural life in New England during the early twentieth century, as well as for its examination of social and philosophical issues. Through the use of American idiom and free verse, Frost produced many enduring poems that remain popular with modern readers. A Collection of Poems by Robert Frost contains all the poems from his first four published collections: A Boy’s Will (1913), North of Boston (1914), Mountain Interval (1916), and New Hampshire (1923), including classics such as “The Road Not Taken,” “Fire and Ice,” and “Stopping by Woods on a Snowy Evening.”
This text examines a key topic in modern literary studies. Contextual factors shape our perception of how literary texts are made, and how they are read. The understanding of conceptual factors is becoming increasingly more fundamental to the study of English at undergraduate and A level standard. The book contains essays by scholars on the contextual understanding of works of literature from Chaucer to the modern day. The text and authors chosen are central to a level and undergraduate syllabuses, and the book is endorsed by the QCA and the CCUE.