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THE STORY: A young English couple on their honeymoon, a German scientist, a French munitions magnate, the inscrutable Irene, and the vulgar but lovable American Harry Van are thrown together in a small winter resort in the Alps. For a short time th
Theatre program.
As a soldier with the 42nd (Rainbow) Division in France in World War I, Elmer Sherwood was an observer with uncommonly good judgment. If his descriptions lacked perfection they partook of an attractive innocence that brought out the truth of such battles as the horrendous Meuse-Argonne offensive that took 26,000 lives.
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Speaking very roughly, countries with advanced economies tend to be those displaying intellectual property protection systems in which the public has a basic degree of confidence. Those systems, when they are thought about at all rather than taken for granted, are thought of as reasonably effective in safeguarding innovation and creative expression
This volume explores the reception of the classical past in the works of twentieth-century American dramatist Robert E. Sherwood and his use of the ancient world to critique key events and trends in American history. It explores his comedies and the influence of both Greek Old and New Comedy, as well as his mediation of his experiences in World War I through Livy’s account of the war with Carthage. During the 1930s, Sherwood used the Peloponnesian War as a template for bringing to the attention of an unaware public the danger of an impending war between the forces of democracy and the totalitarianism represented by Nazi Germany, and post-war he raised awareness of the dangers of nuclear war through the lens of the Greek gods. As well as looking at his use of the classical past in his work, since Sherwood wrote drama deeply concerned with the major social and political events of his day, his plays open windows onto the major social and political challenges facing the United States and the world from the outbreak of World War I until the beginning of the nuclear age. This volume will be of interest to anyone working on the Classical Tradition and Classical Reception, as well as to students of twentieth-century American literature, drama, history, and politics.
"Ty Seidule scorches us with the truth and rivets us with his fierce sense of moral urgency." --Ron Chernow In a forceful but humane narrative, former soldier and head of the West Point history department Ty Seidule's Robert E. Lee and Me challenges the myths and lies of the Confederate legacy—and explores why some of this country’s oldest wounds have never healed. Ty Seidule grew up revering Robert E. Lee. From his southern childhood to his service in the U.S. Army, every part of his life reinforced the Lost Cause myth: that Lee was the greatest man who ever lived, and that the Confederates were underdogs who lost the Civil War with honor. Now, as a retired brigadier general and Professor Emeritus of History at West Point, his view has radically changed. From a soldier, a scholar, and a southerner, Ty Seidule believes that American history demands a reckoning. In a unique blend of history and reflection, Seidule deconstructs the truth about the Confederacy—that its undisputed primary goal was the subjugation and enslavement of Black Americans—and directly challenges the idea of honoring those who labored to preserve that system and committed treason in their failed attempt to achieve it. Through the arc of Seidule’s own life, as well as the culture that formed him, he seeks a path to understanding why the facts of the Civil War have remained buried beneath layers of myth and even outright lies—and how they embody a cultural gulf that separates millions of Americans to this day. Part history lecture, part meditation on the Civil War and its fallout, and part memoir, Robert E. Lee and Me challenges the deeply-held legends and myths of the Confederacy—and provides a surprising interpretation of essential truths that our country still has a difficult time articulating and accepting.
A son's portrait of his father.
In My System, he expounded his theories of prophylaxis, blockade and much more, while providing ground-breaking insights in pawn structures. In the sequel Chess Praxis, Nimzowitsch demonstrated how he had successfully tested his theories in his games. Without reading Nimzowitsch your chess education cannot be complete. Perhaps not all of his convictions have stood the test of time, but even today, any chess student will deepen his understanding while enjoying the author’s insights and witticisms. Part of the charm of Nimzowitsch’s prose was his idiosyncratic use of the German language, which has been very carefully preserved in Robert Sherwood’s new translation. Added in this edition are the influential essays The Blockade and On the History of the Chess Revolution 1911-1914.
A Study Guide for Robert E. Sherwood's "Abe Lincoln in Illinois," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.