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“Horror author Chet Williamson ably succeeds in the tough task of creating a sequel to Robert Bloch’s masterpiece, Psycho; a prequel to the less effective Psycho II; and a solid story in its own right...The novel shines. Whenever Norman gets the spotlight, the novel feels like a lost Bloch work.” —Publishers Weekly The original Psycho novel by Robert Bloch was published in 1959 and became an instant hit, leading to the smash movie only a year later, which brought Norman Bates's terrifying story into the public consciousness, where it still remains (proven by the success of the tv series, Bates Motel). It took Bloch 23 years to write another Psycho novel, revealing that Norman had been in a mental institution the entire time. In that sequel, Norman quickly escapes the sanitarium and goes on a killing spree in Hollywood. But what happened in that asylum during those two decades? Until now, no one has known. It's 1960. Norman Bates is in the State Hospital for the Criminally Insane and it's up to Dr. Felix Reed to bring him out of his catatonic state. But Norman and Dr. Reed have obstacles in twisted fellow patients and staff members who think of the institution as a prison rather than a place of healing. And the greatest obstacle is the building itself, once a private sanitarium, rumored to be haunted. A wild card appears in the persona of Robert Newman, Norman's twin brother, taken away at birth after the attending doctor pronounced him brain damaged. As Robert and Norman grow to know each other, Norman senses a darkness in Robert, even deeper than that which has lurked in Norman himself. Soon, murders begin to occur and a shocking chain of events plunge us even deeper into the deranged madness inside the walls of Psycho: Sanitarium.
Marion is lost on a dark and lonely road; she's tired and hungry and afraid. She thinks she's dreaming when she sees a motel sign shining in the darkness: Bates Motel. But for Marion the nightmare is just beginning ... To most people Psycho needs no introduction, but although Alfred Hitchcock's film was largely faithful to the book, in the novel itself you will find a story more nuanced and - if possible - even darker.
The first original Psycho novel in 25 years!
Out of print for more than ten years, Bloch's conclusion to his terrifying Psycho Trilogy takes readers back to the Bates Motel, which has been turned into a tourist attraction--and the site of a whole new series of murders.
The creator of Psycho takes readers into the inner recesses of the mind of a madman. From the moment Karen Raymond enters the sanitarium, she knows something is wrong. The doctors have been brutally murdered, and the patients have escaped. Is she to be the next victim?
Welcome to Dreamthorp A sleepy little Pennsylvania resort town where city folks can get away from it all… A town where a woman who saw her best friend mutilated by a crazed sex killer can hide – and forget… …until haunted relics of another age awaken an ancient evil and unleash a human horror that has no place outside of Hell…
The author of "Psycho" presents a glimpse of his writing career, from his correspondence with H.P. Lovecraft to his screenwriting triumphs, offering anecdotes about such talents as Ray Bradbury and Boris Karloff
Tired of the political machinations of his egotistical fellow wizards, Benelaius retires from the College of War Wizards to take up residency in Cormyr, where he lives peacefully until he and his legman, Jasper, are forced to investigate the murder of a messenger from King Azoun.
We all go a little mad sometimes ... Included among these twisted tales - of psychos, schizoids and serial killers, many with a supernatural twist - is Reggie Oliver's revival of Edgar Allan Poe's wily French detective, C. Auguste Dupin, a new 'Bryant & May' London mystery from Christopher Fowler, child-actor-turnedprivate-eye Marty Burns investigating a quirky Hollywood case by Jay Russell and internationally bestselling Michael Marshall revisiting The Straw Men conspiracy. Alongside one of Robert Bloch's most iconic stories, there's an original wraparound sequence in the style of the author by John Llewellyn Probert. With classic reprints by R. Chetwynd-Hayes, Basil Copper and Dennis Etchison, original fiction by Peter Crowther, Brian Hodge, Richard Christian Matheson, Paul McAuley, Lisa Morton, Robert Shearman, Steve Rasnic Tem and others, you'd have to be out of your mind not to take a stab at these stories!
Upon its release in 1960, Alfred Hitchcock's Psycho divided critical opinion, with several leading film critics condemning Hitchcock's apparent encouragement of the audience's identification with the gruesome murder that lies at the heart of the film. Such antipathy did little to harm Psycho's box-office returns, and it would go on to be acknowledged as one of the greatest film thrillers, with scenes and characters that are among the most iconic in all cinema. In his illuminating study of Psycho, Raymond Durgnat provides a minute analysis of its unfolding narrative, enabling us to consider what happens to the viewer as he or she watches the film, and to think afresh about questions of spectatorship, Hollywood narrative codes, psycho-analysis, editing and shot composition. In his introduction to the new edition, Henry K. Miller presents A Long Hard Look at 'Psycho' as the culmination of Durgnat's decades-long campaign to correct what he called film studies' 'Grand Error'. In the course of expounding Durgnat's root-and-branch challenge to our inherited shibboleths about Hollywood cinema in general and Hitchcock in particular, Miller also describes the eclectic intellectual tradition to which Durgnat claimed allegiance. This band of amis inconnus, among them William Empson, Edgar Morin and Manny Farber, had at its head Durgnat's mentor Thorold Dickinson. The book's story begins in the early 1960s, when Dickinson made the long hard look the basis of his pioneering film course at the Slade School of Fine Art, and Psycho became one of its first objects.