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HALLOWEEN MACHINE PRESENTS: ROB ZOMBIE!! Paul Counelis (Rue Morgue, Lords of October) takes a look at of one of HM's favorite Halloween and horror folks, director and musician Rob Zombie! This is the first in a series of profiles about influential people in the Halloween and horror industries, and Rob Zombie is BOTH, with his horror pedigree well earned in music, movies AND Halloween haunts. This book contains reviews of Zombie films, Kurtis Primm's creepy prose, an interview with Walter Phelan (""Dr. Satan"" himself), catching up with Sid Haig, a look at what might be next for Rob Zombie, EFX artist Donnie Drumm's custom Halloween 2"" masks and costumes, and more. With a jaw-dropping creepy-cool cover illustration by David Hanson and a full color back cover illustration by Halloween Machine's Audriana Counelis!
HALLOWEEN MACHINE PRESENTS: JOHN CARPENTER!! Paul Counelis (Rue Morgue, Lords of October) takes a look at of one of HM's favorite Halloween and horror folks, director and musician JOHN CARPENTER! This is in a series of profiles about influential people in the Halloween and horror industries, and JOHN CARPENTER is BOTH, with his horror pedigree well earned in music, movies AND with the contributions of one of the most well known Halloween masks: Michael Myers. This book contains reviews of Carpenter films, Kurtis Primm's creepy prose, Carpenter's most underrated movies, the case for HALLOWEEN as the greatest horror film ever made, review of Carpenter live in concert and more. With a jaw-dropping creepy-cool cover illustration by David Hanson!!
(Book). Sinister Urge is the first in-depth, career-spanning biography of heavy-metal musician and filmmaker Rob Zombie. Born Robert Cummings in 1965, Zombie is now as well known for his movies as he is for his music, which he has released and performed both as a solo artist and as part of his early band White Zombie. In both fields, he imbues his art with the vivid sense of macabre theater that has thrilled his millions of disciples since he and his band first emerged with Soul-Crusher in 1987. Although he has sold millions of albums and generated many more millions of dollars at the box office, Zombie has never taken the easy option or the predictable route. Indeed, while the music industry and many of his peers have fallen to their knees in the last decade or so, Zombie has found a new edge, his work undiluted by success or middle age. Drawing on original research and new interviews with bandmates and associates, Sinister Urge takes a detailed look at Zombie's challenging oeuvre, offering close analysis of his albums and films alongside tales of his life and work on and offstage.
"The book offers a different experience from the film since it can obviously go into much more detail," says Rob Zombie. "The book and the film really complement each other." From the singular mind of horror maestro Rob Zombie comes a chilling plunge into a nightmare world where evil runs in the blood... The Lords of Salem Heidi Hawthorne is a thirty-seven-year-old FM radio DJ and a recovering drug addict. Struggling with her newfound sobriety and creeping depression, Heidi suddenly receives an anonymous gift at the station-a mysteriously shaped wooden box branded with a strange symbol. Inside the box is a promotional record for a band that identifies themselves only as The Lords. There is no other information. She decides to play it on the radio show as a joke, and the moment she does, horrible things begin to happen. The strange music awakens something evil in the town. Soon enough, terrifying murders begin to happen all around Heidi. Who are The Lords? What do they want? As old bloodlines are awakened and the bodies start to pile up, only one thing seems certain: all hell is about to break loose.
Freaks Monsters Girls The art of illustrator David Hartman. Now back in print. David Hartman is a director and producer of cartoons for film and television, however, his real passion is monsters. Dark, twisted and humorous works of the macabre. 96 pages in full color with a forward written by Rob Zombie. Dave Hartman's artwork is like a school of Japanese piranha blasted from a photon canon into a blood red sky...he is kick ass. Jack black (Tenacious D, King Kong)
Now reissued – William March's 1954 classic thriller that's as chilling, intelligent and timely as ever before. This paperback reissue includes a new P.S. section with author interviews, insights, features, suggested reading and more. What happens to ordinary families into whose midst a child serial killer is born? This is the question at the center of William march's classic thriller. After its initial publication in 1954, the book went on to become a million–copy bestseller, a wildly successful Broadway show, and a Warner Brothers film. The spine–tingling tale of little Rhoda Penmark had a tremendous impact on the thriller genre and generated a whole perdurable crop of creepy kids. Today, The Bad Seed remains a masterpiece of suspense that's as chilling, intelligent, and timely as ever before.
Published by Skybound & produced by AMC Networks Publishing, discover the behind-the-scenes pre-production & production art for AMC's THE WALKING DEAD shows: The Walking Dead, Fear the Walking Dead, and The Walking Dead: World Beyond, all in one incredible collection! Includes never-before-seen original sketches, concept art, storyboards, previs art, set concept and engineering art, promotional concept to completion key art, special product illustrations, in-world product art, and much more. Also includes a brand-new wraparound cover featuring over 50 characters from across all the shows. Features an introduction by Chief Content Officer, SCOTT M. GIMPLE, as well as other compelling anecdotes and fun facts from The Walking Dead creators and crew. A must-have for anyone who has ever shouted, "We are the Walking Dead!"
FEATURING A FOREWORD BY COREY TAYLOR OF SLIPKNOT For lack of a better term, Lou Brutus is a "Professional Music Fan." He lives the dream of millions by traveling the Earth attending concerts and interviewing rock stars. He's spent his life blasting tunes on the radio, becoming the first to play all of your favorite bands, and gaining access to literally thousands of music events. There is no one in the media who has seen more shows or conducted more on-site interviews than Lou. Sonic Warrior is a collection of insane-but-true stories from the career of Rock Radio legend Lou Brutus. Each chapter is a separate tale that careens around his 40+ years of covering concerts, interviewing music's biggest stars, and influencing generations of radio listeners. Starting with the first show he attended (Black Sabbath at New York City's Madison Square Garden in December 1976, where he threw up Boone's Farm Strawberry Wine all over his older sister's boyfriend) and continuing to the present day (where he doesn't puke as much). Stops along the way include Live Aid in Philadelphia (where he threw up on the entire crowd from a helicopter), the Arctic (where he didn't throw up on anyone but did get in a mosh pit with the native Inuit villagers as Metallica performed a song about sodomizing a goat), Live Earth in London (where he chugged ale with Spinal Tap's "Stonehenge" dwarfs and almost threw up), and the New Jersey Turnpike (where the tour bus he was traveling in ran over a guy, which is much worse than throwing up). Whether having his life energy drained through the palm of his hand by Keith Richards of The Rolling Stones, watching cocaine get snorted off a stripper's ass in Pantera's dressing room, or drooling in his own lap after smoking some kind of mutant mind warp demon weed with Snoop Dogg, Brutus gives a hilariously unvarnished look at the realities of the music industry from his fly-on-the-wall, "I'm just the guy here to interview the band" vantage point. The book also features a Foreword by his friend Corey Taylor, Grammy Award winning singer for Slipknot and Stone Sour, as well as an original illustration for each chapter by artist Alan MacBain.
This book chronicles the American horror film genre in its development of remakes from the 1930s into the 21st century. Gus Van Sant's 1998 remake of Alfred Hitchcock's Psycho (1960) is investigated as the watershed moment when the genre opened its doors to the possibility that any horror movie--classic, modern, B-movie, and more--might be remade for contemporary audiences. Staple horror franchises--Halloween (1978), Friday the 13th (1980), and A Nightmare on Elm Street (1984)--are highlighted along with their remake counterparts in order to illustrate how the genre has embraced a phenomenon of remake productions and what the future of horror holds for American cinema. More than 25 original films, their remakes, and the movies they influenced are presented in detailed discussions throughout the text.