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The novel begins the journey of self discovery through honesty, feeling, empathy and uses music as a tool of therapy. Eloisa believes it is who we are tuned into on our music resources that act as support and shape who we are as individuals. She sees music as a form of therapy and a way to freely pick each song purposefully as if it were a thought. She wants the reader to feel good so wants them to pick their songs that ultimately make them feel positive. She uses the idea of the reader as a Lioness where the reader and the author begin the magical adventure together as strong, inspirational and natural. She wants the reader to experience the 21 day journey with her. This is done by the author speaking, feeling, and expressing each moment that happens for her, relating to the reader directly so the lovely young Lioness reader can apply it to her life in the most positive way possible. Every experience is the passed onto the Lioness so she can relate it to the people and experiences in her life. The reader will begin the journey seeking some kind of guidance of self belief and will end the journey at the desired location that is desperately waiting for her at the ‘Arrivals’ lounge with so much more, a feeling of self love. The author wrote this novel in 21 days but actually 6 years of work and experience without even realising. The author’s aim of the adventure is to connect directly with the Lioness so she is able to say ‘no’ if she does not want to do something. It is the author’s intention to help young women to feel strong and brave enough to say no to something if they do not want to do it. She wants young women to be able to be true to themselves through out the journey of self discovery so that they can get the absolute most out of it, for themselves. No one else. Every single book is for that unique, inspiring individual seeking self help.
Babble / Swoosh / Roar and WHOOSH! The roar of a waterfall, the chirp of insects, the thump of a heartbeat—sound is all around us! Rhyming text and atmospheric illustrations present four children in different parts of the world who encounter all sorts of sounds.
Longlisted for the BookTrust StoryTime Prize 2020 Most of the time Ravi can control his temper but, one day, he lets out the tiger within ... Being a tiger is great fun at first – tigers can do ANYTHING they want! But who wants to play with a growling, roaring, noisy, wild tiger who won't share or play nicely? Ravi is about to discover something very important about expressing his feelings and making amends. A clever and engaging book about temper tantrums, dealing with emotions and learning to express and understand your feelings. From Tom Percival's bestselling Big Bright Feelings series, this is the perfect book for helping with bad days and noisy outbursts. A special edition where the words and pictures take you on a journey far beyond the page. This audio-enabled eBook comes with a gorgeous reading by Sam Newton, along with music and sound effects.
A practical guide to the Tibetan Buddhist tradition of Dzogchen—or the direct experience of enlightenment—complete with meditation techniques by two Vajrayana teachers In Roaring Silence, Vajrayana teachers Ngakpa Chögyam and Khandro Déchen walk the reader through the meditation techniques that "enable us to side-step the bureaucracy of intellectual processes and experience ourselves directly"—to discover this direct experience of enlightenment that is the mind of Dzogchen. Surprisingly, the approach is very pragmatic. Offering an investigation of the necessary steps, the authors begin with how to prepare for the journey: the lama is essential; as are a sense of humor, inspiration, and determination. They continue by describing the path of Dzogchen from sitting meditation to the direct perception of reality. The chapters include exercises for sharpening the presence of our awareness, for simple visualizations, and for investigating how to "remain uninvolved" with mental activity for a period—with follow-up guidance on how to view our experiences. Both practical and inspirational, the authors' exquisitely precise guidance is all presented with the caveat, "be kind to yourself, don't push yourself beyond your limits."
What happens when we praise God? What are the benefits of praising Him? Do you know what praise actually means? In Holy Roar, Chris Tomlin and Darren Whitehead share a fresh perspective from the worship practices of the ancient world. They take readers on a praise journey that answers questions and provides valuable insight. After reading Holy Roar, you will: Grow an understanding of praise with Darren's unique insights. Gain a deeper understanding of how to worship. Be inspired as Chris shares how those insights take shape in the stories behind some of your favorite worship songs, including "How Great Is Our God," "We Fall Down," and "Good Good Father." Holy Roar is for: Readers of all ages interested in growing their faith Pastors, worship leaders, and small group teachers leading believers In the ancient world, something extraordinary happened when God's people gathered to worship Him. It was more than just singing; it was a declaration, a proclamation, a time to fully embody praise to God for who He is and what He has done. In fact, in the Psalms, seven Hebrew words are translated into the English word praise, each of which represents a different aspect of what it means to truly praise God.
Fahrenheit 451 meets The Giver in an award winning dystopian story about the dangers of censorship and how far we will go in the pursuit of freedom. What if you were only allowed to speak 500 words? The city of Ark is the last safe place on Earth: the polar ice caps have melted and flooded everything, leaving few survivors. To make sure humans do not make the same mistakes, Ark's leader John Noa decrees everyone in Ark must speak List, a language of only 500 words. Language is to blame for mankind's destruction, John Noa says, as politicians and governments hid the disastrous effects of global warming and environmental damage until it was too late. Everyone must speak List ... except Letta. As apprentice to the Wordsmith, Letta can read all the words that have ever existed. Forbidden words like freedom, music, and even pineapple tell her about a world she's never known. One day her master disappears. John Noa tells Letta she is the new Wordsmith, and must shorten List to fewer and fewer words. Then Letta meets a teenage boy who somehow knows all the words that have been banned. Letta's faced with a dangerous choice: sit idly by and watch language slowly slip away or follow a stranger on a path to freedom . . . or banishment. Letta chooses to fight for the very thing that keeps us human: language itself. The List: The perfect tool to discuss censorship and freedom of speech with young readers A gripping, fast-moving story that will appeal to 5th grade readers and above, especially 10 year old girls that will love the strong character of Letta A discussion starter on the importance of language and the power of expression, and what it means for society A 2018 Notable Children's Books Selection A 2018-19 Maine Student Book Award Winner A 2018 Bank Street College of Education Best Children's Book of the Year (Ages 12-14) A Junior Library Guild Selection
Have you ever wondered who hummed the first tune? Was it the flowers? The waves or the moon? Dove Award-winning recording artist Ellie Holcomb answers with a lovely lyrical tale, one that reveals that God our Maker sang the first song, and He created us all with a song to sing. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.
"ROAR is for everyone who is thinking about where they are in life-and those who want more out of life. From author Michael Clinton, former president and publishing director of Hearst Magazines, ROAR helps both those considering retirement and those who have no wish to retire get on with fulfilling their dreams-before it's too late. We are living in a time when everyone is constantly reassessing what is next for them. In the mid-career group, people who have spent years working in a business are now seeing their industry changing dramatically and are facing the question: "What does that mean for me in the next twenty years?" At the same time, the post-career group is also going through massive change. Many in this group are still not prepared financially, logistically, or emotionally to make the decisions necessary to face the next phase of their lives. While they may be thinking about retiring, they don't necessarily want to do nothing. ROAR will help both groups think about what is really important to them, and how to plan and take meaningful action so that the second half of their lives can be happy and productive. The book offers a unique and dynamic 4-part process called ROAR: Reimagine yourself, Own who you are, Act on what's next, and Reassess your relationships. This is the method Michael uses himself to pursue a purposeful life-and now he shares his technique and approach so you can expand your own life too. Prescriptive and inspiring, with personal anecdotes from his life as well as from others he interviewed for the book, ROAR is highly accessible, entertaining, and transformative"--
The beginning of the English drama dates from a late period in the history of this country. Until the reign of Elizabeth, dramatic literature was really non-existent. During the Middle Ages, the religious drama held complete sway over the populace, producing such an abiding effect that no other kind of performance was tolerated. In England the first germs of a dramatic nature emanated from the church, chiefly in connection with the festival at Eastertide. At this time of the year the ritual was solemnized in a highly theatrical fashion. Processions marched round the sacred edifice, various scenes from the Gospels were introduced, accompanied by music and song. The festivals of Christmas and Corpus Christi were observed with great enthusiasm, sacred episodes taken from church history were acted with such fervour and ecstasy that the congregation remained spellbound during the service.The next development in the evolution of the drama is the representation of the liturgical play, written in Latin, gradually being superseded by the religious play written in the vernacular; the scenes depicted consisted chiefly of episodes in connection with the Birth of the Saviour, also of events narrating the Lives of the Saints, together with other legendary characters.All these scenes were called Miracle Plays, a name by which in this country all religious dramas were known, regardless of the origin of their source. In course of time these first offshoots of the ordinary service had grown to such dimensions that it was found impracticable that these spectacles should be presented inside the church, consequently, a larger space outside was deemed more convenient, but still remaining within the precincts. Even this innovation was not entirely successful, as the ground allotted for the performance was not extensive enough for the numerous throng that assembled on these occasions. Then a further step was taken by transferring the scene of action from the sacred precincts to the open spaces within the town. The development of the drama was greatly accelerated by this innovation. During the period that these plays formed part of the religious service, the clergy only were allowed the privilege of assuming the different characters, but when spectacular episodes were added to the ordinary ritual they became secularized by calling in the aid of the various guilds, assisted by professional entertainers. By these means the plays gradually lost their religious significance, finally being regarded as a popular form of amusement. By an act of Pope Gregory in 1210, the priests were forbidden to officiate in these interludes in any capacity, even if held inside the church. After the act had been confirmed by the Council of Trent in 1227, the clergy were strictly prohibited from joining the open-air performance.