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In the summer of 2002, Timothy K. Beal loaded his family into a twenty-nine-foot-long motor home and hit the rural highways of America in search of roadside religious attractions-sites like the World's Largest Ten Commandments and Precious Moments Chapel. Roadside Religion tells of his attempts to understand the meaning of these places as expressions of religious imagination and experience, and to encounter faith in all its awesome absurdity.
This work is a study of roadside crosses in which the author presents the history of these unique commemoratives and their relationship to contemporary memorial culture.
“Written with a style and humor that haven’t been seen since Mark Twain.”—Los Angeles Times What if the Second Coming didn’t quite come off as advertised? What if “the Corpse” on display in that funky roadside zoo is really who they say it is—what does that portend for the future of western civilization? And what if a young clairvoyant named Amanda reestablishes the flea circus as popular entertainment and fertility worship as the principal religious form of our high-tech age? Another Roadside Attraction answers those questions and a lot more. It tell us, for example, what the sixties were truly all about, not by reporting on the psychedelic decade but by recreating it, from the inside out. In the process, this stunningly original seriocomic thriller is fully capable of simultaneously eating a literary hot dog and eroding the borders of the mind. “Hard to put down because of the sheer brilliance and fun of the writing. The sentiments of Brautigan and the joyously compassionate omniscience of Fielding dance through the pages garbed colorfully in the language of Joyce.”—Rolling Stone
Emily Curtis is used to dealing with her problems while under the hood of an old Chevy, but when her mom dies, Emily’s world seems shaken beyond repair. Driven from home by hospital bills they can’t pay, Emily and her dad move in with his wealthy sister, who intends to make her niece more feminine—in other words, just like Whitney, Emily’s perfect cousin. But when Emily hears the engine of a 1970 Dodge Challenger, and sees the cute gearhead, Zander, next door, things seem to be looking up. But even working alongside Zander can’t completely fix the hole in Emily’s life. Ever since her mom died, Emily hasn’t been able to pray, and no one—not even Zander—seems to understand. But sometimes the help you need can come from the person you least expect.
This volume considers the mediation of religion in the context of global relations of power, culture, and communication. It takes a nuanced, historical view of emergent religions and their mediation in various forms. The wide range of chapters provides valuable insight into particular contexts while also offering connections to other cases and contexts. Together, they form a snapshot of religious evolution in the media age.
From hand-rendered folk signs to high-dollar church marquees, religious messages and imagery saturate the landscape of the American South. In With Signs Following, photographer and southern studies scholar Joe York introduces readers to the role of artistic, witty advertising in southern churches. In seventy black-and-white images of religious signs and other ephemera, he simultaneously presents the factual while encouraging reflection and introspection. Though York's pictures speak volumes, With Signs Following features an equally compelling essay by York. This piece seeks the stories of the sign makers through informal interviews. The combination of images and text offers an insightful, humorous, historically grounded perspective on one of the South's most familiar scenes. In collecting images of religious roadside signs from across the region and interviews with the evangelicals who put them there, Joe York shows us the "Christ-haunted" South as it has never before been considered. Joe York is a freelance photographer and a producer and director of documentary films for the Center for Documentary Projects and the Southern Foodways Alliance at the University of Mississippi. Charles Reagan Wilson is director of the Center for the Study of Southern Culture at the University of Mississippi.
This volume provides practical, but provocative, case studies of exemplary projects that apply digital technology or methods to the study of religion. An introduction and 16 essays are organized by the kinds of sources digital humanities scholars use – texts, images, and places – with a final section on the professional and pedagogical issues digital scholarship raises for the study of religion.
In Sensational Devotion, Jill Stevenson examines a range of evangelical performances, including contemporary Passion plays, biblical theme parks, Holy Land re-creations, creationist museums, and megachurches, to understand how they serve their evangelical audiences while shaping larger cultural and national dialogues. Such performative media support specific theologies and core beliefs by creating sensual, live experiences for believers, but the accessible, familiar forms they take and the pop culture motifs they employ also attract nonbelievers willing to “try out” these genres, even if only for curiosity’s sake. This familiarity not only helps these performances achieve their goals, but it also enables them to contribute to public dialogue about the role of religious faith in America. Stevenson shows how these genres are significant and influential cultural products that utilize sophisticated tactics in order to reach large audiences comprised of firm believers, extreme skeptics, and those in between. Using historical research coupled with personal visits to these various venues, the author not only critically examines these spaces and events within their specific religious, cultural, and national contexts, but also places them within a longer devotional tradition in order to suggest how they cultivate religious belief by generating vivid, sensual, affectively oriented, and individualized experiences.
Christian Tourist Attractions, Mythmaking, and Identity Formation examines a sampling of contemporary Christian tourist attractions that position visitors as the inheritors of ancient, sacred traditions and make claims about the truth of the historical narratives that they promote. Rather than approaching these attractions as sacred expressions of religious experience or as uncontested accounts of history, the book applies recent work on mythmaking and identity formation to argue that these presentations of the past function as strategic discourses that serve material concerns in the present. From an approach informed by social and materialist theories of religion, the volume draws upon a variety of methodological approaches that enable readers to understand the often-bewildering array of objects, claims, demands, and activities (not to mention the seemingly endless array of gifts and personal items available for purchase) that appear at attractions including Ark Encounter, the Creation Museum, the Holy Land Experience, Bible Walk Museum, Christian Zionist tours of Israel, and the recently opened Museum of the Bible. Discourse analysis, practice theory, rhetorical criticism, and embodied theories of cognition help make sense not only of the Christian tourist attractions under examination but also of the ways that “religion” is entangled with contemporary social, political, and economic interests more broadly.
Religion has always been shaped by the media of its time, and today we live in a media culture that informs much of what we think and how we behave. Religious believers, communities and institutions use media as tools to communicate, but also as locations where they construct and express identity, practice religion, and build community. This lively book offers a comprehensive introduction to the contemporary field of religion, media, and culture. It explores: the religious content of media texts and the reception of those texts by religious consumers who appropriate and reuse them in their own religious work; how new forms of media provide fresh locations within which new religious voices emerge, people reimagine the "task" of religion, and develop and perform religious identity. Jeffrey H. Mahan includes case study examples from both established and new religions and each chapter is followed by insightful reflections from leading scholars in the field. Illustrated throughout, the book also contains a glossary of key terms, discussion questions, and suggestions for further reading.