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The five-time Bram Stoker Award-winning author introduces the world to the latest chapter of the zombie epic in this over-the-top wild-ride prequel to ROAD OF THE DEAD! The dead rose and are feasting on the living and a young scientist may hold the secret to a cure. Meanwhile, zombies and biker gangs want her dead, so it's up to a bunch of losers in muscle cars and a hijacked tank to risk everything to save her.
An over-the-top wild ride prequel to ROAD OF THE DEAD! Written by Jonathan Maberry, New York Times bestselling author and creator of V-Wars. With everyone around her dying and turning into zombies, and new threats rolling her way from every direction, Harriet knows she is running out of time and options. She has a possible cure to the zombie plague. Well... maybe. How many of her friends have to die to help her find out if she can save the world?
An over-the-top wild ride prequel to ROAD OF THE DEAD! Written by Jonathan Maberry, New York Times bestselling author and creator of V-WARS. Scientist Harriet, tank crewman Skelly, and their crew of losers leave a trail of bodies--living and dead--behind them as they race for sanctuary through the zombie wasteland of North America. The road to hell is paved with bad decisions, heavy drinking, and a lot of blood on the asphalt.
You've probably read your fair share of zombie stories. But this time it's different. In a horrific cross-country road trip (or rather, suicide mission), you must overcome obstacles of every kind to save zombified America from utter collapse.
In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity
When British journalist Matt Roper and Canadian country singer Dean Brody turn onto a remote Brazilian highway, they have no idea that their lives are about to change forever. A chance encounter with a young girl, selling her body beside the road in the early morning, alerts them to an untold tragedy - thousands of girls, some as young as ten, trapped in prostitution. Travelling over 1,500 miles along the BR-116, they find entire communities living from child sexual exploitation, where parents sell their own daughters and those in authority turn a blind eye. Their shock leads to action - to bring hope, healing and justice to traumatised young lives.
Maggie Quinn was expecting to find plenty of trouble with Lisa over Spring Break. Destination: South Padre Island! Give a girl a bikini, a beachfront hotel, and an absent boyfriend, and it’s as good as a road map to the dark side. And Maggie and Lisa plan to enjoy every bit of it--just like nice, normal college freshmen. Fire, brimstone, and demonic sorority girls: these ladies are officially off the clock. But Maggie doesn’t have to go looking for trouble. Trouble has started looking for her. One dead cow and a punctured gas tank later, she and Lisa are stuck in Dulcina, Texas—a town so small that it has an owner. And--you guessed it--lately life in this small town hasn’t been all that peaceful. An eerie predator is stalking the ranchland. Cattle are dying mysteriously, with strange bite marks on their hides. And judging by the rising body count, whatever's doing the killing is getting bolder by the day. Everyone in town has a theory, but not even Maggie’s psychic mojo can provide any answers. And the longer the girls are stranded, the more obvious it becomes that something is seriously wrong. Only no one—not even Maggie’s closest ally—wants to admit that they could have been forced on a detour down the highway to hell. It looks like fighting evil isn'at a job with vacation time. "A first-rate mystery."--School Library Journal
Geddes, a private military contractor, delivers a frontline report on life asa hired gun in Iraq.
The complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist—a must-have chronicle for all Dead Heads, and for students of rock and the 1960s’ counterculture. From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron “Pigpen” McKernan exploded out of the artistic ferment of the early sixties’ roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. To those in the know, the Dead was an ongoing tour de force: a band whose constant commitment to exploring new realms lay at the center of a thirty-year journey through an ever-shifting array of musical, cultural, and mental landscapes. Dennis McNally, the band’s historian and publicist for more than twenty years, takes readers back through the Dead’s history in A Long Strange Trip. In a kaleidoscopic narrative, McNally not only chronicles their experiences in a fascinatingly detailed fashion, but veers off into side trips on the band’s intricate stage setup, the magic of the Grateful Dead concert experience, or metaphysical musings excerpted from a conversation among band members. He brings to vivid life the Dead’s early days in late-sixties San Francisco—an era of astounding creativity and change that reverberates to this day. Here we see the group at its most raw and powerful, playing as the house band at Ken Kesey’s acid tests, mingling with such legendary psychonauts as Neal Cassady and Owsley “Bear” Stanley, and performing the alchemical experiments, both live and in the studio, that produced some of their most searing and evocative music. But McNally carries the Dead’s saga through the seventies and into the more recent years of constant touring and incessant musical exploration, which have cemented a unique bond between performers and audience, and created the business enterprise that is much more a family than a corporation. Written with the same zeal and spirit that the Grateful Dead brought to its music for more than thirty years, the book takes readers on a personal tour through the band’s inner circle, highlighting its frenetic and very human faces. A Long Strange Trip is not only a wide-ranging cultural history, it is a definitive musical biography.
Starting in the 1950s, Americans eagerly built the planet’s largest public work: the 42,795-mile National System of Interstate and Defense Highways. Before the concrete was dry on the new roads, however, a specter began haunting them—the highway killer. He went by many names: the “Hitcher,” the “Freeway Killer,” the “Killer on the Road,” the “I-5 Strangler,” and the “Beltway Sniper.” Some of these criminals were imagined, but many were real. The nation’s murder rate shot up as its expressways were built. America became more violent and more mobile at the same time. Killer on the Road tells the entwined stories of America’s highways and its highway killers. There’s the hot-rodding juvenile delinquent who led the National Guard on a multistate manhunt; the wannabe highway patrolman who murdered hitchhiking coeds; the record promoter who preyed on “ghetto kids” in a city reshaped by freeways; the nondescript married man who stalked the interstates seeking women with car trouble; and the trucker who delivered death with his cargo. Thudding away behind these grisly crime sprees is the story of the interstates—how they were sold, how they were built, how they reshaped the nation, and how we came to equate them with violence. Through the stories of highway killers, we see how the “killer on the road,” like the train robber, the gangster, and the mobster, entered the cast of American outlaws, and how the freeway—conceived as a road to utopia—came to be feared as a highway to hell.