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A debut that Neil Gaiman calls “Glorious. . . . So sharp, so focused and so human.” The Girl in the Road describes a future that is culturally lush and emotionally wrenching. Monica Byrne bursts on to the literary scene with an extraordinary vision of the future. In a world where global power has shifted east and revolution is brewing, two women embark on vastly different journeys—each harrowing and urgent and wholly unexpected. When Meena finds snakebites on her chest, her worst fears are realized: someone is after her and she must flee India. As she plots her exit, she learns of the Trail, an energy-harvesting bridge spanning the Arabian Sea that has become a refuge for itinerant vagabonds and loners on the run. This is her salvation. Slipping out in the cover of night, with a knapsack full of supplies including a pozit GPS, a scroll reader, and a sealable waterproof pod, she sets off for Ethiopia, the place of her birth. Meanwhile, Mariama, a young girl in Africa, is forced to flee her home. She joins up with a caravan of misfits heading across the Sahara. She is taken in by Yemaya, a beautiful and enigmatic woman who becomes her protector and confidante. They are trying to reach Addis Abba, Ethiopia, a metropolis swirling with radical politics and rich culture. But Mariama will find a city far different than she ever expected—romantic, turbulent, and dangerous. As one heads east and the other west, Meena and Mariama’s fates are linked in ways that are mysterious and shocking to the core. Written with stunning clarity, deep emotion, and a futuristic flair, The Girl in the Road is an artistic feat of the first order: vividly imagined, artfully told, and profoundly moving.
David Rabe’s award-winning Vietnam plays have come to embody our collective fears, doubts, and tenuous grasp of a war that continues to haunt. Partially written upon his return from the war, Girl by the Road at Night is Rabe’s first work of fiction set in Vietnam—a spare and poetic narrative about a young soldier embarking on a tour of duty and the Vietnamese prostitute he meets in country. Private Joseph Whitaker, with Vietnam deployment papers in hand, spends his last free weekend in Washington, DC, drinking, attending a peace rally, and visiting an old girlfriend, now married. He observes his surroundings closely, attempting to find reason in an atmosphere of hysteria and protest, heightened by his own anger. When he arrives in Vietnam, he happens upon Lan, a local girl who submits nightly to the American GIs with a heartbreaking combination of decency and guile. Her family dispersed and her father dead, she longs for a time when life meant riding in water buffalo carts through rice fields with her brother. Whitaker’s chance encounter with Lan sparks an unexpected, almost unrecognized, visceral longing between two people searching for companionship and tenderness amid the chaos around them. In transformative prose, Rabe has created an atmosphere charged with exquisite poignancy and recreated the surreal netherworld of Vietnam in wartime with unforgettable urgency and grace. Girl by the Road at Night is a brilliant meditation on disillusionment, sexuality, and masculinity, and one of Rabe’s finest works to date.
Kalifornien 1962. Juni Shimata ist neun Jahre alt. Marilyn Monroe ist gerade gestorben, die Kubaner und die Russen kommen. Eine schräge Welt von schönem Schein. „Benimm dich! Sei artig!" Aber Junis Albträume kommen viel eher von zu Hause: Scheidung, Rassismus, Missbrauch ... Das aufgeweckte Mädchen beginnt erst, das Leben kennenzulernen, und es kämpft mit aller Kraft, sich darauf einen Reim zu machen. In einer Reihe von Bildern – wie alte, zufällig auf dem Speicher gefundene Filmrollen – zeigt „Road Girl“, wie die Dreikäsehoch-Hauptfigur ihre Phantasie benutzt, um mit einer Welt fertig zu werden, die sie nicht gerade mit offenen Armen empfängt – ihr Vater aber schon. California, 1962. Juni Shimata is nine years old. Marilyn Monroe just died, the Cubans and the Russians are coming. A topsy-turvy world of glamor, hypocrisy, and rules. But the bogies threatening little Juni are much closer to home. Divorce, racial discrimination, abuse. Bright-minded Juni is just becoming aware of life and struggling to fit two and two together. In a series of tableaux, like random reels of old home movies found in the attic, "Road Girl" shows how the pintsized protagonist uses her fantasy to cope with a world that isn't ready to make room for her, and a father who is. Californie, 1962. Juni Shimata a neuf ans. Marilyn Monroe vient de mourir, les Cubains et le Russes arrivent. Un monde sens dessus-dessous, plein de glamour, d’hypocrisie et de règles. Mais, les cauchemars qui menacent Juni sont plus proches de la maison : divorce, discrimination raciale, maltraitance. Avec toute sa petite tête, Juni s’éveille à la vie et se bat pour en comprendre le sens. Dans une série de tableaux, comme des bobines de vieux films trouvés au hasard dans le grenier, « Road Girl » montre comment la protagoniste, haute comme trois pommes, utilise sa fantaisie pour affronter un monde qui ne veut pas vraiment lui accorder une place – même si son père lui en accorde trop.
AN INSTANT NEW YORK TIMES BESTSELLER “Pitch-perfect... Dean tells this story with such nuance and humanity, you’re desperate to step into its pages." —The New York Times “Heart-stopping psychological drama… A modern-day classic." —Jeffery Deaver, New York Times bestselling author “A gripping story about family dynamics and the nature of human psychology.” —Good Housekeeping She thought she had escaped her past. But there are some things you can’t outrun. Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the home into a force for good. But first she must come to terms with her siblings--and with the childhood they shared. What begins as a propulsive tale of escape and survival becomes a gripping psychological family story about the shifting alliances and betrayals of sibling relationships--about the secrets our siblings keep, from themselves and each other. Who have each of these siblings become? How do their memories defy or galvanize Lex's own? As Lex pins each sibling down to agree to her family's final act, she discovers how potent the spell of their shared family mythology is, and who among them remains in its thrall and who has truly broken free. For readers of Room and Sharp Objects, an absorbing and psychologically immersive novel about a young girl who escapes captivity–but not the secrets that shadow the rest of her life.
Get out! Run! We must leave this place! They are going to destroy this whole place! Go, children, run first! Go now! These were the final shouts nine year-old Kim Phuc heard before her world dissolved into flames—before napalm bombs fell from the sky, burning away her clothing and searing deep into her skin. It’s a moment forever captured, an iconic image that has come to define the horror and violence of the Vietnam War. Kim was left for dead in a morgue; no one expected her to survive the attack. Napalm meant fire, and fire meant death. Against all odds, Kim lived—but her journey toward healing was only beginning. When the napalm bombs dropped, everything Kim knew and relied on exploded along with them: her home, her country’s freedom, her childhood innocence and happiness. The coming years would be marked by excruciating treatments for her burns and unrelenting physical pain throughout her body, which were constant reminders of that terrible day. Kim survived the pain of her body ablaze, but how could she possibly survive the pain of her devastated soul? Fire Road is the true story of how she found the answer in a God who suffered Himself; a Savior who truly understood and cared about the depths of her pain. Fire Road is a story of horror and hope, a harrowing tale of a life changed in an instant—and the power and resilience that can only be found in the power of God’s mercy and love.
ROMANCE. High-flyer Vincent Stevens has lost everything in the economic crash and is forced to return to the village of his birth. He wants his extravagant City life back at any cost. But then he meets Sarah, and a surprising discovery forces him into the biggest decision of his life. Will he return to a world defined by winners and losers, or choose love?
In the tradition of such trendsetting wanderers as Jack Kerouac and Thelma and Louise comes the tale of a one-of-a-kind heroine on a sea-to-shining-sea, all-girl adventure. Line drawings.
The beloved author of Across Five Aprils and No Promises in the Wind presents one of her most cherished novels, the Newbery Award-winning story of a young girl’s coming of age… Julie would remember her happy days at Aunt Cordelia’s forever. Running through the spacious rooms, singing on rainy nights in front of the fireplace. There were the rides in the woods on Peter the Great, and the races with Danny Trevort. There were the precious moments alone in her room at night, gazing at the sea of stars. But there were sad times too—the painful jealousy Julie felt after her sister married, the tragic death of a schoolmate and the bitter disappointment of her first love. Julie was having a hard time believing life was fair. But Julie would have to be fair to herself before she could even think about new beginnings... “Hunt demonstrates that she is a writer of the first rank...Those who follow Julie's growth—from a tantrum-throwing seven-year-old to a gracious young woman of seventeen—will find this book has added a new dimension to their lives.”—The New York Times Book Review
A powerful collection of personal essays on displacement, being different and living between two worlds, told with humour and self-reflection. 'A book for our times, written with wit, lyricism, cynicism and tenderness.' Rachel House Based on Ghazaleh Golbakhsh's experience as an Iranian immigrant growing up in New Zealand, these essays range from a childhood in war-torn Iran, including the trauma of a night spent in prison as a six-year-old, to learning English so she could make friends, to dating in the days of Corona. This is about growing up as a young woman torn between her immigrant roots and her desire to be like everyone else. The humour is sometimes offset with the more sombre reminder of the racism that has always existed in this country, from misguided quips to more serious stories of harassment. The impact of recent world events shows that, more than ever, marginalised voices are needed in our cultural discourse.
The Story Girl and The Golden Road brings together two beloved novels by Lucy Maud Montgomery, offering readers a delightful journey through the enchanting world of Sara Stanley and her cousins on Prince Edward Island. In The Story Girl, readers are introduced to Sara Stanley, a young girl with an extraordinary gift for storytelling. Set against the picturesque backdrop of rural Canada, Sara's captivating tales bring magic and wonder to the lives of her cousins, including Beverley, Felix, and Cecily. The Golden Road continues the adventures of Sara Stanley and her cousins, as narrated by Beverley. This sequel sees the close-knit group of children embarking on various escapades and creating lasting memories. Through Beverly's nostalgic recollections, readers are transported to a time of simple pleasures and boundless imagination. This collection, The Story Girl and The Golden Road, is a treasure trove of Montgomery's best storytelling, filled with adventure, imagination, and the charm of rural Canada.