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Riyadh has set its sights on becoming a world city befitting the twenty-first century. To that end it has embarked on a massive construction drive evidenced in the proliferation of proposals for high-end districts, giga-developments and elaborate infrastructures. An urban vision seemingly dedicated to attracting global capital. Yet such a narrative can be misleading. A ‘humanization programme’, initiated during the tenure of its former mayor Abdulaziz bin Ayyaf, has complemented the city’s rapid rise by providing spaces catering for the everyday needs of its inhabitants. Yasser Elsheshtawy, in this richly illustrated book, targets these people-centred settings. It is a compelling counter-narrative interweaving critical theoretical insights, personal observations, and serendipitous encounters. He deftly demonstrates how Riyadh thrives through the actions of its people. As the world moves towards an urban model that is resilient and humane, the humanizing efforts of an Arab city are worthy of our attention. Riyadh’s premise is perhaps best captured in the cover image depicting the desert riverbed of Wadi Sulai, filled with rainwater, making its way towards the Saudi capital. Along its banks there will be dedicated public pathways and urban parks. It is a vision of an urbanity where both the spectacular and the everyday coexist. A city that is not just dedicated to the few, but one that serves the many.
How has Saudi Arabia managed to maintain its Arab and Islamic values while at the same time adopting Western technology and a market economy? How have its hereditary leaders, who govern with a mixture of political pragmatism and religious zeal, managed to maintain their power? This comprehensive history of Saudi Arabia from 1745 to the present provides insight into its culture and politics, its powerful oil industry, its relations with its neighbours, and the ongoing influence of the Wahhabi movement. Based on a wealth of Arab, American, British, Western and Eastern European sources, this book will stand as the definitive account of the largest state on the Arabian peninsula.
The Kingdom of Saudi Arabia now has been under the spotlight of Western curiosity for more than 80 years. More than 15% of the world’s total oil reserves lie underneath Saudi Arabia and, in the early 1990s, the kingdom became the world’s largest crude oil producer. Not surprisingly, a world highly dependent on oil regards the desert kingdom as an area of intense strategic concern, as reflected in the coalition of forces assembled on Saudi soil to oust Iraq from Kuwait in 1991. Also, it played a major role in the invasion of Saddam Husayn’s Iraq in 2003 and shares concern with the West over Iran’s nuclear intentions throughout the 21st century. This third edition of Historical Dictionary of Saudi Arabia contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,000 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Saudi Arabia.
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Despite speculation about Saudi interests and loyalties that have been directed at the country since 9/11, Arabia remains the key US ally in the Arab Middle East. Menoret debunks the facile notions about Saudi society, and focuses our attention on present political and economic realities that cannot be reduced to essentialist "tribalist" ideas. Menoret illustrates the emerging autonomous--and Islamic--manifestations of Saudi national identity, fiercely reformist rather than medieval, complex and varied rather than merely a justification or support for the rule of the al-Saud royal family. Underlying this account is a sophisticated economic history of the Saudi state, from the eighteenth century to the present day, which details all the alliances and manoeuvres that have brought the country and its rulers to their current precarious position.
A study of the Saudi Arabian monarchy’s efforts to construct and disseminate a historical narrative to legitimize its rule. The production of history is premised on the selective erasure of certain pasts and the artifacts that stand witness to them. From the elision of archival documents to the demolition of sacred and secular spaces, each act of destruction is also an act of state building. Following the 1991 Gulf War, political elites in Saudi Arabia pursued these dual projects of historical commemoration and state formation with greater fervor to enforce their postwar vision for state, nation, and economy. Seeing Islamist movements as the leading threat to state power, they sought to de-center religion from educational, cultural, and spatial policies. With this book, Rosie Bsheer explores the increasing secularization of the postwar Saudi state and how it manifested in assembling a national archive and reordering urban space in Riyadh and Mecca. The elites’ project was rife with ironies: in Riyadh, they employed world-renowned experts to fashion an imagined history, while at the same time in Mecca they were overseeing the obliteration of a thousand-year-old topography and its replacement with commercial megaprojects. Archive Wars shows how the Saudi state’s response to the challenges of the Gulf War served to historicize a national space, territorialize a national history, and ultimately refract both through new modes of capital accumulation. Praise for Archive Wars “An instant classic. With incredible insight, creativity, and courage, Rosie Bsheer peels away the political and institutional barriers that have so long mystified others seeking to understand Saudi Arabia. Bsheer tells us remarkable new things about the exercise and meaning of power in today’s Saudi Arabia.” —Toby Jones, Rutgers University, author of Desert Kingdom: How Oil and Water Forged Modern Saudi Arabia “There are now two distinct eras in the writing of Saudi Arabian history: before Rosie Bsheer’s Archive Wars and after.” —Robert Vitalis, University of Pennsylvania, author of Oilcraft “Archive Wars explores with conceptual brilliance and historical aplomb the various forms of historical erasure central not just to the Kingdom of Saudi Arabia but to all modern states. In a finely-grained analysis, Rosie Bsheer rethinks the significance of archives, historicism, capital accumulation, and the remaking of the built environment. A must-read for all historians concerned with the materiality of modern state formation.” —Omnia El Shakry, University of California, Davis, author of The Great Social Laboratory: Subjects of Knowledge in Colonial and Postcolonial Egypt
This new collection€reveals the contrasts and similarities between older, traditional Arab cities and the newer oil-stimulated cities of the Gulf in their search for development and a place in the world order.