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Vols. for 19 include Classified business directory of the entire state.
Since the development of photography in the mid-nineteenth century, the camera has been used as a tool of both discovery and preservation. Photographs bring alive our picture of the past and can open a floodgate of memories and nostalgia or inspire curiosity and a sense of history. Both joined and separated by the Androscoggin River, Brunswick and Topsham were carved from the same land grant in 1715. Despite their proximity, the towns developed separate identities: Brunswick became a manufacturing, commercial, and educational center, while Topsham combined its farms with factories. This fascinating pictorial history illuminates the daily lives of the residents of the two towns, and reveals how life has changed over the past 120 years.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.
Maneskootuk Island lies prominently in the eastern part of Maines ten-square-mile Rangeley Lake, in one of the state's most beautiful vacation regions, the western mountains. The pristine island has had a colorful, lively history that is lovingly-and candidly-recounted by the woman who holds the current deed, Carolyn Garrigues Scofield. The Island Maneskootuk includes accounts of the historic island's flora and fauna, its various boats, old and new structures, gardens, and countless resident and local characters. There are colorful accounts by the author and her family and visitors, as well as the descendants of early Maneskootuk residents, describing life on the island through many decades, llustrated throughout by fifty pages of historic and family photos. Setting the tone for The Island Maneskootuk is the author's heartfelt approach to the island treasure that has meant so much to her, her family and now her grandchildren. "The Dicksons built their big house and lived in splendor, the public rented accommodations on the island when Dr.Clough invited physicians, the Persians turned the island into a mini-principality, and then we, the Scofields stepped ashore. "We stepped foot on our Maneskootuk in late afternoon. The grass was at least a foot high, and the dandelions blazed at their peak. The sun was still hot and everything was still. We marveled at this place, this magical land, and began immediately to bask in the peace and serenity of our island home. "Our Maneskootuk adventure was about to begin."