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From the bestselling author of Time’s Legacy and Lady of Hay comes a thrilling new novel, River of Destiny, an epic story that spans Anglo Saxon Britain, Victorian Suffolk and the present day. Perfect for fans of Kate Mosse’s Labyrinth.
In a custom-built boat, Jeffrey Tayler traveled some 2,400 miles down the Lena River, from near Lake Baikal to high above the Arctic Circle, re-creating a journey first made by Cossack forces more than three hundred years ago. He was searching for primeval beauty and a respite from the corruption, violence, and self-destructive urges that typify modern Russian culture. His only companion on this hellish journey detests all humanity, including Tayler. Vadim, Tayler's guide, is a burly Soviet army veteran whose superb skills Tayler needs to survive. As the two navigate roiling white water in howling storms, they eschew lifejackets because the frigid water would kill them before they could swim to shore. Though Tayler has trekked by camel through the Sahara and canoed down the Congo during the revolt against Mobutu, he has never felt as threatened as he does on this trip.
NEW YORK TIMES BESTSELLER • The harrowing story of one of the great feats of exploration of all time and its complicated legacy—from the New York Times bestselling author of The River of Doubt and Destiny of the Republic A BEST BOOK OF THE YEAR: THE WASHINGTON POST • GOODREADS "A lean, fast-paced account of the almost absurdly dangerous quest by [Richard Burton and John Speke] to solve the geographic riddle of their era." —The New York Times Book Review For millennia the location of the Nile River’s headwaters was shrouded in mystery. In the 19th century, there was a frenzy of interest in ancient Egypt. At the same time, European powers sent off waves of explorations intended to map the unknown corners of the globe – and extend their colonial empires. Richard Burton and John Hanning Speke were sent by the Royal Geographical Society to claim the prize for England. Burton spoke twenty-nine languages, and was a decorated soldier. He was also mercurial, subtle, and an iconoclastic atheist. Speke was a young aristocrat and Army officer determined to make his mark, passionate about hunting, Burton’s opposite in temperament and beliefs. From the start the two men clashed. They would endure tremendous hardships, illness, and constant setbacks. Two years in, deep in the African interior, Burton became too sick to press on, but Speke did, and claimed he found the source in a great lake that he christened Lake Victoria. When they returned to England, Speke rushed to take credit, disparaging Burton. Burton disputed his claim, and Speke launched another expedition to Africa to prove it. The two became venomous enemies, with the public siding with the more charismatic Burton, to Speke’s great envy. The day before they were to publicly debate,Speke shot himself. Yet there was a third man on both expeditions, his name obscured by imperial annals, whose exploits were even more extraordinary. This was Sidi Mubarak Bombay, who was enslaved and shipped from his home village in East Africa to India. When the man who purchased him died, he made his way into the local Sultan’s army, and eventually traveled back to Africa, where he used his resourcefulness, linguistic prowess and raw courage to forge a living as a guide. Without Bombay and men like him, who led, carried, and protected the expedition, neither Englishman would have come close to the headwaters of the Nile, or perhaps even survived. In River of the Gods Candice Millard has written another peerless story of courage and adventure, set against the backdrop of the race to exploit Africa by the colonial powers.
Growing up in the small town of Destinybay, Sara, Alex and Diana were as tight as the Three Musketeers, bound by a friendship forged in childhood and made complete by their vow to escape their hometown someday to find love, adventure and their own true destiny. Never once in those young dreams did Sara believe shed end up back here in the middle of her life, a divorced mother of her own rebellious teenager, with no job, no home and no future in sight. With Alex stuck in the same sinking boat and Diana ready to weigh in, Sara resigns herself to living with her mother. But time is not always kind and Sara discovers her hometown has been dying in her absence with many of those historic buildings now abandoned and whispering regrets around every corner. Faster than she can rewrite her own life, Sara is opening a coffee shop downtown while navigating the stormy waters of rebooting her childhood friendships and fending off her childhood beau Sam, who is running a charter fishing business on the bay. Just as she and her friends begin to find their safe harbor, will secrets and jealousy create waves that threaten to destroy the future they are working so hard to build? Sara, Alex and Diana will discover the power of childhood promises and regrets amidst the waves of change and loss that life holds. Can they recapture the strength of their bond in time to turn those regrets into grace and unlock the knowledge that its never too late to define your destiny and discover where your True North lies?
Even in the decades before Mark Twain enthralled the world with his evocative representations of the Mississippi, the river played an essential role in American culture and consciousness. Throughout the antebellum era, the Mississippi acted as a powerful symbol of America's conception of itself -- and the world's conception of America. As Twain understood, "The Mississippi is well worth reading about." Thomas Ruys Smith's River of Dreams is an examination of the Mississippi's role in the antebellum imagination, exploring its cultural position in literature, art, thought, and national life. Presidents, politicians, authors, poets, painters, and international celebrities of every variety experienced the Mississippi in its Golden Age. They left an extraordinary collection of representations of the river in their wake, images that evolved as America itself changed. From Thomas Jefferson's vision for the Mississippi to Andrew Jackson and the rowdy river culture of the early nineteenth century, Smith charts the Mississippi's shifting importance in the making of the nation. He examines the accounts of European travelers, including Frances Trollope, Charles Dickens, and William Makepeace Thackeray, whose views of the river were heavily influenced by the world of the steamboat and plantation slavery. Smith discusses the growing importance of visual representations of the Mississippi as the antebellum period progressed, exploring the ways in which views of the river, particularly giant moving panoramas that toured the world, echoed notions of manifest destiny and the westward movement. He evokes the river in the late antebellum years as a place of crime and mystery, especially in popular writing, and most notably in Herman Melville's The Confidence-Man. An epilogue discusses the Mississippi during the Civil War, when possession of the river became vital, symbolically as well as militarily. The epilogue also provides an introduction to Mark Twain, a product of the antebellum river world who was to resurrect its imaginative potential for a post-war nation and produce an iconic Mississippi that still flows through a wide and fertile floodplain in American literature. From empire building in the Louisiana Purchase to the trauma of the Civil War, the Mississippi's dominant symbolic meanings tracked the essential forces operating within the nation. As Smith shows in this groundbreaking work, the story of the imagined Mississippi River is the story of antebellum America itself.
New York homicide detective, John Webb, is having a bad week. Mind you, family reunions are bad enough, but since the focus is the brutal and sudden murder of his favorite uncle, Reverend Carl Rivers, it's even worse. And, it doesn't help John one little bit that his investigation is hampered by a local sheriff's deputy with a chip on his shoulder, the local homegrown psychic, an amorous librarian who just won't shut up and a flock of wild peacocks. John soldiers on through it all, even when more bodies start cropping up all over the place. Not to mention when the details of his own family's misdeeds become entangled in his investigation, and when the prime suspect winds up being entirely too close for comfort. Surrounded by bizarre personalities and a social scheme that is completely foreign to him, John Webb must attempt to resolve his own issues while unraveling a mystery that began before he was even born. Set amongst the picturesque backdrop of a small Georgia town in 1942, The Rivers Webb tells a tale of unspoken crimes, hidden sins, and unrevealed guilt. Above all, it reminds us that nothing is ever really forgotten.
Children and younger adolescents in todays world are bombarded with information from the electronic media and, in particular, the internet. Much of what they see and read has little redeeming social value. Computer games are particularly violent and teach the lesson that, in order to have your way, it is okay to resort to strength and violence. Robert Ruiz, Jr., in writing Destinys Journey, sought to provide children and youth with an imaginative adventure story rooted in the values of family and friendship that stand the test of time: love, joy, peace, kindness, gentleness, faith and patience. Inculcated in the story are the concepts of a Creator and a plan of life that is greater than any individual or group of individuals on earth. There is, indeed, a divine plan for all living things. The author, in developing the Chiles family, was particularly interested in engaging Mexican and Hispanic American children and youth, many of whom have been raised in the produce fields of Mexico and the United States. Thus, Chiles family characters serve as the vehicle to share values that make any society strong. The interdependence of the characters in this story clearly demonstrates that no man is an island, entire of it self. All of us need each other, regardless of race, age or background in order to not only survive but thrive in todays world. And above all, we must recognize that there is a higher power at work in each of our lives.