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Contains the following short stories: Rivers of Damascus Fosterage The Colleen Rue Sea Change Graft And Did Those Feet - The Thing Called Gratitude The Sound of Millstones The Bride's Play A Woman in the House A Wife of No Importance Donn Byrne (Brian Oswald Donn-Byrne) was born in New York City. Shortly after his birth, however, his parents took him back to the land of his forefathers. There he was educated and came to know the people of whom he wrote so magically. At Dublin University his love for the Irish language and for a good fight won him many prizes, first as a writer in Gaelic and second as the University's lightweight boxing champion. After continuing his studies at the Sorbonne and the University of Leipzig, he returned to the United States, where, in 1911, he married and established a home in Brooklyn Heights. He earned his living, while trying to write short stories, as an editor of dictionaries. Soon his tales began to attract attention and he added to his collection of boxing prizes many others won in short-story contests. When Messer Marco Polo appeared in 1921 his reputation in the literary world was firmly established. Thereafter, whatever he wrote was hailed enthusiastically by his ever-growing public, until 1928, when his tragic death in an automobile accident cut short the career of one of America's best-loved story-tellers.
Quinquennial supplements,1950/1954-1979/1983, compiled by Estelle A. Fidell, and others, published 1956-1984.
Afterwards, and Other Stories by Ian Maclaren is a collection of engaging short stories that delve into themes of love, loss, and human connection. The stories are set against the backdrop of rural Scotland, and Maclaren's evocative storytelling brings to life the traditions, customs, and landscapes of the region.
The stanzas beginning, 'And did those feet' are among the most famous works written by the Romantic poet and artist, William Blake. Set to music by Hubert Parry in 1916 and renamed, 'Jerusalem', this hymn has become an emblem of Englishness in the past century, and is regularly invoked at sporting events, public and private ceremonies, and, of course, as part of Last Night of the Proms. Yet when Blake first engraved his lines in his epic work, Milton a Poem, he had been tried for sedition. Likewise, although Parry was commissioned to compose his music as part of the war effort by the organization Fight for Right, he soon removed permission for that group to perform his hymn and instead gave the copyright to the women's suffrage movement. 'Jerusalem', then, is a much more contested vision of England's green and pleasant land than is often assumed. This book traces the history of the poem and the music from Blake's original verses, written in Felpham, via the turmoil of the First and Second World Wars, its recording history in the late twentieth century, and its use in political controversies such as the 2016 Brexit vote. An anthem for both the left and the right, Blake's own vision of what it meant to build Jerusalem in England is both strange and familiar to many who invoke it. As such, this book explores the deep complexities of what Englishness means into the twenty-first century.