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Is it bad luck to get held at gunpoint on a first date? Sydney Brennan isn’t exactly the outdoors type, but the Tallahassee PI can’t say no when her investigator friend Mike Montgomery asks her on an unconventional first date. A lazy day canoeing down an idyllic Florida Panhandle river, with Mike providing a picnic lunch and most of the paddle power—what could go wrong? A lot, and this time it’s not even Sydney’s fault. Soon Syd and Mike find themselves entangled in someone else’s imploding criminal enterprise, with no easy way out. Because when you’re River Bound, everyone gets swept downstream... River Bound is a novella featuring the Florida private investigator with a knack for getting into trouble who doesn’t know when to quit. If you’re looking for a mystery with believable characters and “just enough humor to offset the dark,” click to download and read River Bound today. The Sydney Brennan Mysteries alternate between novels and novellas. The books stand alone, but each of Sydney’s adventures builds upon previous ones. The reading order is: 1) Back to Lazarus 2) Secrets in Stockbridge 3) The Perils of Panacea 4) No Safe Winterport 5) Braving the Boneyard 6) River Bound 7) Grave Truth; and 8) Memory Lane
The immersive finale of the Heartseeker duology--rich, commercial middle-grade fantasy about a girl who can see lies. Only Fallow can see lies--a cunning so powerful that the King insists on keeping her in the palace, tasked with helping him flush out traitors. When the King's counselor, Lamia, tells Only of her plan to oust the King and put his daughter on the throne, Only is eager to help. Though Only's cunning would be useful to any ruler, the Princess had promised to send Only home when she becomes Queen. But Only soon learns the truth is a complicated matter--especially when the fate of a country hangs in the balance. Now wound tight in a twisted plot, Only must set the record straight to stop the destruction of everything--and everyone--she holds dear. The stunning finale of Melinda Beatty's middle-grade duet is just as rich, imaginative, and full of adventure as the first installment.
A vibrant fantasy-adventure debut about a girl who can see lies. You're a Fallow of the Orchard. You're as tough as a green apple in summer . . . Only Fallow was just six harvests old when she realized that not everyone sees lies. For Only, seeing lies is as beautiful as looking through a kaleidoscope, but telling them is as painful as gnawing on cut glass. Only's family warns her to keep her cunning hidden, but secrets are seldom content to stay secret. When word of Only's ability makes its way to the King, she's plucked from her home at the orchard and brought to the castle at Bellskeep. There she learns that the kingdom is plagued by traitors, and that her task is to help the King distinguish between friend and foe. But being able to see lies doesn't necessarily mean that others aren't able to disguise their dishonesty with cunnings of their own. In the duplicitous, power-hungry court, the truth is Only's greatest weapon . . . and her greatest weakness.
The clanging of a streetcar's bell conjures images of a time when street railways were a normal part of life in the city. Historic Canal Street represents the common ground between old and new with buses driving alongside steel rails and electric wires that once guided streetcars. New Orleans was one of the first cities to embrace street railways, and the city's love affair with streetcars has never ceased. New Orleans: The Canal Streetcar Line showcases photographs, diagrams, and maps that detail the rail line from its origin and golden years, its decline and disappearance for almost 40 years, and its return to operation. From the French Quarter to the cemeteries, the Canal Line ran through the heart of the city and linked the Creole Faubourgs with the new neighborhoods that stretched to Lake Pontchartrain.
Written in the early eighth century, the Kojiki is considered JapanÕs first literary and historical work. A compilation of myths, legends, songs, and genealogies, it recounts the birth of JapanÕs islands, reflecting the origins of Japanese civilization and future Shinto practice. The Kojiki provides insight into the lifestyle, religious beliefs, politics, and history of early Japan, and for centuries has shaped the nationÕs view of its past. This innovative rendition conveys the rich appeal of the Kojiki to a general readership by translating the names of characters to clarify their contribution to the narrative while also translating place names to give a vivid sense of the landscape the characters inhabit, as well as an understanding of where such places are today. Gustav HeldtÕs expert organization reflects the textÕs original sentence structure and repetitive rhythms, enhancing the readerÕs appreciation for its sophisticated style of storytelling.
-These are poems of accrual, of sum and mathematically sung song. No detail is too small for Simoneau's gaze, which takes each nail and board and beam surrounding it into account with a carpenter's knack for shape, structure, precision. Through humor and elegiac storytelling, River Bound chronicles the ups and downs of blue-collar American life in Lowell, Massachusetts, and elsewhere-creating a simultaneously beautiful and apocalyptic vision of the future in which -the moon slides behind the empty mills / as we wait, watching for stars to come down.- -Dorianne Laux, author of The Book of Men -These powerful, diary-like meditations are a sort of psychic conditioning for the speaker-and there is a lot of conditioning to do: death of the father, death of the New England mill town-the only certainty, uncertainty. The lyricism is superb, and subtle, but lyric it is. What better place to discover song than in your own hometown? Brian Simoneau has done just that in River Bound. This is impressive, intense poetry.- -Arthur Smith, author of The Fortunate Era -Brian Simoneau is a rarity in his generation for the way he combines precision of feeling with an idiom that is taut, musical, and full of linguistic subtlety. Flashy verbal poets seem a little overheated, a little foolish, next to his intelligent restraint. His affection for his native ground-the old New England mill towns he grew up in-is dry-eyed, rueful, and hard-earned. His father's gas station, the mill workers of the 19th century, and the often hardscrabble life lived in these towns today inform but don't limit his vision of how -Life passes at the speed of grief.- He has written as fine a first book as you could hope to read.- -Tom Sleigh, author of Army Cats