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The book examines Sarasvati’s origin, the course of her flow and the place of her disappearance in a holistic manner. Based on a close analysis of texts from the early Rig-Veda to the Brahmanas and the Puranas, it discusses different view-points in a balanced perspective and attempts to drive the discussions towards the emergence of a consensus view. The author delineates the various phases of Sarasvati’s evolution to establish her unique status and emphasise her continued relevance in the Hindu tradition. The book argues that the practice of pilgrimage further evolved after its association with the river Sarasvati who was perceived as divinity personified in Hindu tradition.
Sarasvati assumes different roles, a physical river and a river goddess, then as a goddess of speech and finally that of a goddess of learning, knowledge, arts and music. References to Sarasvati in the Vedas and the Brahmanas, the Mahabharata and the Puranas and her marked presence in other religious orders, such as Buddhism, Jainism and the Japanese religion, form the basis of discussion as regards her various attributes and manifestations. In Jainism, her counter-part is Sutra-devi, in Buddhism it is Manjusri and Prajnaparamita and in the Japanese religion, Benten is the representative goddess. The physical presence of Sarasvati in various iconic forms is seen in Nepal, Tibet and Japan. Tantrism associated with Sarasvati also finds reflection in these religious traditions. Sculptors and art historians take delight in interpreting various symbols her iconic forms represent. The book examines Sarasvati’s origin, the course of her flow and the place of her disappearance in a holistic manner. Based on a close analysis of texts from the early Rig-Veda to the Brahmanas and the Puranas, it discusses different view-points in a balanced perspective and attempts to drive the discussions towards the emergence of a consensus view. The author delineates the various phases of Sarasvati’s evolution to establish her unique status and emphasise her continued relevance in the Hindu tradition. The book argues that the practice of pilgrimage further evolved after its association with the river Sarasvati who was perceived as divinity personified in Hindu tradition. This, in turn, led to the emergence of numerous pilgrimage sites on or near her banks which attracted a large number of pilgrims. A multifaceted and interdisciplinary analysis of a Hindu goddess, this book will be of interest to academics researching South Asian Religion, Hinduism and Indian Philosophy as also the general readers.
Hindu theology views rivers as goddesses who confer blessings and spiritual purification and their release from the grip of the demon of drought is a recurring theme in the mythology. India is a country blessed with many rivers, but of these, seven are considered to be particularly important. Known collectively as Saptaganga, Sapta Sindhu or Saptapunyanadi, the Ganges, Yamuna, Sindhu, Sarasvati, Godavari, Narmada and Kaveri rivers are invoked at the start of every ritual. They weave through sacred narratives about gods, sages and heroes and define the physical, spiritual and cultural landscape of Bharatavarsha.
"Very few scholars in religious studies have achieved Haberman's combination of textual and ethnographic authority. The book is groundbreaking, building on his achievements in the study of the religious traditions of Braj; he is widely regarded as a major authority on this area of Hinduism's complex regional matrix. The superior scholarship, combined with the author's personal voice, gives the book additional resonance, bringing to light an urgent environmental and moral challenge."—Paul B. Courtright, co-editor, From the Margins of Hindu Marriage: Essays in Gender, Religion, and Culture
Ganga’s cleansing waters were urgently needed on earth. But, the spirited daughter of the mountain god was not to be easily subdued as her waters darted about uncontrollably. Only Shiva could tame her by entangling her in the coils of his hair. When her waters could finally wend their way out, they were calmer and purer. They turned arid wastes into fertile land and filled up the oceans. Since those ancient times when King Bhagiratha sought her help, Ganga, whether roaring or placid, dancing or sombre, continues to enchant one and all with her life-giving beauty.
Hindu Goddesses is a valuable sourcebook and reference work for students and scholars of Hindu goddesses and of Hinduism in general. Each goddess is dealt with as an independent deity with a coherent mythology, theology and, in some cases, cult of her own. Within the complex, diverse, and rich goddess traditions of Hinduism, one can find suggestions of nearly every important theme in the Hindu religion. In many ways, this book is as much a study of the Hindu tradition itself as it is a study of one aspect of that tradition. No other living religious tradition has displayed such an ancient, continuous, and diverse history of goddess worship.
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