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This masterful collection of seventeen classic mystery stories, dating from 1837 to 1914, traces the earliest history of popular detective fiction. Today, the figure of Sherlock Holmes towers over detective fiction like a colossus—but it was not always so. Edgar Allan Poe’s Dupin, the hero of “The Murders in the Rue Morgue,” anticipated Holmes’ deductive reasoning by more than forty years. In A Study in Scarlet, the first of Holmes’ adventures, Doyle acknowledged his debt to Poe—and to Émile Gaboriau, whose thief-turned-detective Monsieur Lecoq debuted in France twenty years earlier. If Rue Morgue was the first true detective story in English, the title of the first full-length detective novel is more hotly contested. Among the possibilities are two books by Wilkie Collins—The Woman in White (1859) and The Moonstone (1868)—Mary Elizabeth Braddon’s The Trail of the Serpent (1861) or Aurora Floyd (1862), and The Notting Hill Mystery (1862-3) by the pseudonymous “Charles Felix.” As the early years of detective fiction gave way to two separate golden ages—hard-boiled tales in America and intricately-plotted “cozy” murders in Britain—and these new sub-genres went their own ways, their detectives still required the intelligence and clear-sightedness that characterized the earliest works of detective fiction: the trademarks of Sherlock Holmes, and of all the detectives featured in these pages.
Kriminalnoveller.
Sherlock Holmes is the most famous fictional detective ever created. He and Dr Watson will forever be associated with the smog-filled streets of late 19th and early 20th century London. Yet the years between 1890 and 1914 were a godlen age for English magazines, most of which published detective fiction. The Holmes stories spawned countless imitators. Shelock Holmes did have his rivals and, as this collection of short stories shows, many of their adventures were as exciting and entertaining as those of the master himself.
The best and wisest of men or a heartless machine? Crusader for justice or cynical egoist? Mr. Holmes, the brain of Baker Street, continues to fascinate, to baffle, and to be interpreted very differently—by, among others, Basil Rathbone, Jeremy Brett, Robert Downey Jr., and Benedict Cumberbatch, without losing his unmistakable identity. Sherlock Holmes and Philosophy applies observation and deduction to the ultimate “three pipe problem,” the meaning of Sherlock Holmes. -- Cover p. [4] and publisher's website.
This volume collects more than forty detective tales published in the same years that Sherlock Holmes earned his formidable reputation as the Great Detective. It includes stories by Edgar Allan Poe, Charles Dickens, Robert Louis Stevenson, and others that broke ground for the detective story, as well as featuring lady sleuths in stories by Wilkie Collins, Richard Marsh, Anna Katherine Green, and others. Also included are Sherlockian Satires and Homages, in the form of respectful and comic riffs on Sherlock Holmes and his methods by Henry, Bret Harte, Mark Twain, and others.
A collection of stories featuring detectives, criminal agents and debonair crooks from the golden age of crime fiction: a time when Sherlock Holmes was esconsced in his rooms at 221B Baker Street and London was permanently wreathed in a sinister fog.
After Arthur Conan Doyle created the detective, Sherlock Holmes, many writers borrowed him to be the hero of their stories. The anthology offers a selection, old and new.
This irascible genius, this diminutive egghead scientist, known to the world as “The Thinking Machine,” is no less than the newly rediscovered literary link between Sherlock Holmes and Nero Wolfe: Professor Augustus S. F. X. Van Dusen, who—with only the power of ratiocination—unravels problems of outrageous criminous activity in dazzlingly impossible settings. He can escape from the inescapable death-row “Cell 13.” He can fathom why the young woman chopped off her own finger. He can solve the anomaly of the phone that could not speak. These twenty-three Edwardian-era adventures prove (as The Thinking Machine reiterates) that “two and two make four, not sometimes, but all the time.”