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The fourteenth century Welsh bard, Dafydd ap Gwilym, left a lasting impression on the poetry of his age: verse which often addressed preoccupations we still share today. This collection includes love poems, a lament for a felled tree, extravagant praises for wealthy patrons - including the Welsh freedom-fighter Owain Glyndŵr - scurrilous satires on friars, newfangled harps and prickly beards, a curse on a violent husband, and Gwerful Mechain's unapologetically explicit song of praise for her own genitals. Giles Watson's lively reinterpretations in modern English give a strong impression of the vivacity and daring of the originals. Some of the poems contain explicit language, reflecting the earthy humour of the fourteenth and fifteenth centuries.
These 99 paraphrases of the works of the fourteenth century Welsh poet, Dafydd ap Gwilym, explore the extraordinary diversity of his work, from poems inspired by love and nature, through scathing self-examinations and bitter satires, to poems in praise of literary patrons. The style, humour and cadences of Dafydd's work can never be satisfactorily translated, but the interpretations in this volume are a tribute to the genius of the master bard. (Please note: although the illustrations are in colour in the preview, they are black and white in the printed copy.)
Editors: May 1749-Sept. 1803, Ralph Griffiths; Oct. 1803-Apr. 1825, G. E. Griffiths.
Medieval Literature and Social Politics brings together seventeen articles by literary historian Stephen Knight. The book primarily focuses on the social and political meaning of medieval literature, in the past and the present. It provides an account of how early heroic texts relate to the issues surrounding leadership and conflict in Wales, France and England, and how the myth of the Grail and the French reworking of Celtic stories relate to contemporary society and its concerns. Further chapters examine Chaucer’s readings of his social world, the medieval reworkings of the Arthur and Merlin myths, and the popular social statements in ballads and other literary forms. The concluding chapters examine the Anglo-nationalist `Arctic Arthur’, and the ways in which Arthur, Merlin and Robin Hood can be treated in terms of modern studies of the history of emotions and the environment. This book will be of interest to scholars and students of medieval Europe, as well as those interested in social and political history, medieval literature and modern medievalism (CS 1099).