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Ritual and narrative are pivotal means of human meaning-making and of ordering experience, but the close interrelationship between them has not as yet been given the attention it deserves. How can models and categories from narrative theory benefit the study of ritual, and what can we gain from concepts of ritual studies in analysing narrative? This book brings together a wide range of disciplinary perspectives including literary studies, archaeology, biblical and religious studies, and political science. It presents theoretical explorations as well as in-depth case studies of ritual and narrative in different media and historical contexts.
Ugaritic ritual texts are varied and, by nature, problematic. But another source for ritual understanding is found in the narrative writings of Ugarit--namely, its myths and legends. Ritual texts in myths were not simply textual inserts but an integral part of the narrative. This present study is devoted to the examination of the way that ritual functions within the context of these stories.
The sacrificial instructions and purity laws in Leviticus have often been seen as later or secondary additions to an originally sparse Priestly narrative. In this volume, Liane M. Feldman argues that the ritual and narrative elements of the Pentateuchal Priestly source are mutually dependent, and that the internal logic and structure of the Priestly narrative makes sense only when they are read together. Bringing together insights from the fields of ritual theory and narratology, the author argues that the ritual materials in Leviticus should be understood and analyzed as literature. At the core of her study is the assertion that these sacrificial instructions and purity laws form the backbone of the Priestly story world, and that when these materials are read within their broader narrative context, the Priestly narrative is first and foremost a story about the origins and purpose of sacrifice.
Shaping our journey into the Divine This moving and enlightening book presents us with a compelling vision of what can happen when we take the opportunity to connect stories and rituals--a vision of individuals and communities transformed through a deeper sense of connection to our loved ones, our communities, and God. Herbert Anderson and Edward Foley reveal how when stories and rituals work together, they have the potential to be both mighty and dangerous--mighty in their ability to lift us up and help us make these connections beyond ourselves and dangerous in challenging us to learn to live with complexity and contradiction. They show how much more meaningful a baptism, wedding, or funeral can be when liturgy is made to include and recognize the personal stories of those involved. Suddenly, these familiar life-cycle rituals are infused with new life as participants become connected in a narrative web linking past and present, human and divine. Newly created rituals can also help us connect our stories to the divine story, giving meaning to what we experience and bringing us closer to God. Ministers, worship leaders, and pastoral caregivers can use this approach to storytelling and ritual to find ways to bring together worship and pastoral care.
This book explores the homology between ritual passages and narrative structures. The ways that rites of passage, particularly their liminal stage, correspond with narrative structures and the advantages of these correspondences for literary criticism and analysis are the central arguments of this study. Drawing on a wide range of examples, mainly from 19th and 20th Century English and American literature, it concentrates on the middle stage of liminality, where the identity themes, the implications of choice, and the values in conflict emerge most clearly. Drawing on recent work in anthropology and the other social sciences, it suggests new perspectives for understanding the relationships between rite and story and between «art» and «life».
An analysis of the literary and dramatic function of ritual within the world of Sophocles' plays, for scholars of Greek tragedy, ancient theater, and poetics.
A mad surrealist’s art threatens to rip open the fabric of reality, in this twisted tale of eldritch horror and conspiracy, from the wildly popular world of Arkham Horror. Aspiring painter Alden Oakes is invited to join a mysterious art commune in Arkham: the New Colony. When celebrated Spanish surrealist Juan Hugo Balthazarr visits the colony, Alden and the other artists quickly fall under his charismatic spell. Balthazarr throws a string of decadent parties for Arkham’s social elite, conjuring arcane illusions which blur the boundaries between nightmare and reality. Only slowly does Alden come to suspect that Balthazarr’s mock rituals are intended to break through those walls and free what lies beyond. Alden must act, but it might already be too late to save himself, let alone Arkham.
Narrative Cultures and the Aesthetics of Religion presents the aesthetics of narrativity in religious contexts by approaching narrative acts as situated modes of engaging with reality, equally shaped by the immersive character of the stories told and the sensory qualities of their performances. Introducing narrative cultures as an integrative framework of analysis, the volume builds a bridge between classical content-based approaches to narrative sources and the aesthetic study of religions as constituted by sensory and mediated practices. Studying stories in conjunction with the role that performative acts of storytelling play in the cultivation of the senses, the contributors explore the efficacy of storytelling formats in narrative cultures from ancient times until today, in regions and cultures across the globe. Contributors are: Stefan Binder, Arianna Borrelli, Markus Altena Davidsen, Laura Feldt, Ingvild Sælid Gilhus, Dirk Johannsen, Jens Kreinath, Isabel Laack, Martin Lehnert, Brigitte Luchesi, Bastiaan van Rijn, Caroline Widmer, Annette Wilke, Katharina Wilkens.
This books explores varying conceptions of the Nightmare hag, mara, in Scandinavian folk belief. What began as observations of some startling narratives preserved in folklore archives where sex, violence and curses are recurring themes gradually led to questions as to how rural people envisaged good and evil, illness and health, and cause and effect. At closer reading, narratives about the mara character involve existential themes, as well as comments on gender and social hierarchy. This monograph analyses how this female creature was conceived of in oral literature and everyday ritual practice in pre-industrial Scandinavia, and what role she played in a larger pattern of belief in witchcraft and magic.
'Only valour and steel can stand against the rising dead' Arnar is a land of warriors, its people as stalwart as the stones themselves. In a land of dark forests and ancient hill forts, a forgotten evil is awoken by curious minds. The Great Histories and the Sagas say nothing of this evil, long passed from the memory of even the studious scholars of the College. For centuries, the scholars of Arnar have kept these records and preserved the knowledge and great deeds of a proud people. The story of these peoples forever chronicled in the Sagas of the Great Histories. But now the evil spreads and the dead walk in its wake, terrible creatures roam the night and even the spirits are restless. The Dead Sagas could perhaps be the final chapters of these great records. Many threads entwine to tell this Saga, interweaving the tales of those who played their part in the search for answers and ultimately their fight for survival. Amid plague, invasion and terror, the inexorable rise of the dead sends a kingdom scrabbling to its knees. This dark fantasy epic combines dark malign horror and gritty survival adventure as the Dead Sagas unfold in a world where honour and renown is all, where beasts and savages lurk in the wilderness, and where sword, axe and shield is all that stands between the living and the grasping hands of the dead.