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Ritual Brotherhood in Renaissance Florence investigates the meaning of fraternity in terms of the ritual relations created in religious brotherhoods or confraternities during that period. The book focuses on the sociability of the confraternity as revealed in the patterns of membership and in forms of ceremony. Florence's confraternities serve as a vehicle for examining the relationship between ritual behavior and social organization. The text discusses the ways in which Florentines use forms of ritual to define, protect, and alter their relations with one another. The book reviews the social relations in Renaissance Florence through the structure of social relations, the politics of amity or enmity, and social relations in relation to economic exchange. Social organization and ritual actions include confraternal organization, membership, symbolic fraternity, and the rites of community. The book explores the company of San Paolo in the fifteenth century where the confraternity offers an introduction to the nature of citywide community, its republican institutions, and its civic values. The book also examines traditional confraternities in crisis, the nature of the disruptions that leads to the emergence of new confraternal organizations and values. In the sixteenth-century, confraternities reveal major departures in ideology, ritual, and social organization. They have also introduced the principles of hierarchy into confraternal membership, as well as a new ethic of obedience. The book will prove delightful reading for sociologists, historians studying Florentine society, and researchers interested in the history of religious brotherhood and confraternities.
Social relations in Renaissance - Florence - Florentine confraternities - Ritual republic - Rites of community - Company of San Paolo - Late Renaissance Confraternities - Ritual brotherhood - Festivals and holy days.
In what ways did the rituals associated with death in Renaissance Florence serve as an indicator of how Florentine society saw itself? In Death and Ritual in Renaissance Florence, Sharon Strocchia shows how these death rites - especially civic funerals - reflected Florence's quick rise to commercial wealth in the fourteenth century and steady progression toward displays of princely power in the fifteenth and sixteenth centuries. Strocchia begins by examining the basic components of civic funerary rites and their symbolic meaning. Taking an interdisciplinary approach, she then traces the changes and continuities of these rites throughout the Renaissance. She shows how the rise of funeral pomp in the late fourteenth century as linked to social mobility, the redistribution of wealth, corporate politics, and the psychology of the post-plague decades. She analyses the impact of "elitism, statism, and civism" on civic and family rites after 1400 and charts the social effects of rising assumption trends. And she focuses on the complex cycles of change stemming from the establishment and rejection Medici control, which by entrenching patrician domination helped pave the way for the Medici principate. "Rather than simply recasting the traditional history of the city," Strocchia writes, "the history of death rites shows us the sheer intricacy of how ritual and society defined each other. These episodes point us toward culture in action: the tangled, dense, and decidedly unstable relations binding family and state, gender and politics, word and image."
For more than a century the artisans and labourers of Renaissance Florence turned the city into their own 'empire' during times of public festivity. From the republic of the late 1400s through to the grand duchy of the early seventeenth century, up to forty brigades of men called the potenze, or powers, elected kings, carved out territories, and entered into a dialogue with citizens and with their Medici patrons. This study traces the rise and fall of this carnivalesque subculture for the first time. It describes how workers represented themselves, their neighbourhoods, and their trades on the public stage through rituals such as stone-fighting and jousting, and reveals how the politics of this festive world were closely linked to everyday patterns of social bargaining around the person of the prince. In the early 1600s the micro-states of the potenze were partially suppressed and they gradually disappeared from the Florentine urban stage. The account of this transformation presented here shows how Tridentine reform and economic crisis combined to undermine hypermasculine carnival ritual as a language of civic contract, confining the potenze to making pilgrimages to shrines and convents in the Florentine countryside. At the same time it is shown how economic and religious change empowered groups of artisan women to take up the model of the potenze in order to make their own collective pilgrimages outside the city walls. Through the story of the potenze, this book provides fresh insights into the dynamics of class and gender relations, and the nature of agency, in early modern Italy.
Covering the history of Renaissance Florence from the fourteenth century to the beginnings of the Medici duchy, Richard C. Trexler traces collective ritual behavior in all its forms, from a simple greeting to the most elaborate community festival. He examines three kinds of social relationships: those between individual Florentines, those between Florentines and foreigners, and those between Florentines and God and His saints. He maintains that ritual brought life to the public world and, when necessary, reformed public life.
The Renaissance paradigm in crisis - Politics, language and power - Individualism, identity and gender - Art, science and humanism - Religion: tradition and innovation.
Long obfuscated by modern definitions of historical evidence and art patronage, Lucrezia Tornabuoni de? Medici?s impact on the visual world of her time comes to light in this book, the first full-length scholarly argument for a lay woman?s contributions to the visual arts of fifteenth-century Florence. This focused investigation of the Medici family?s domestic altarpiece, Filippo Lippi?s Adoration of the Christ Child, is broad in its ramifications. Mapping out the cultural network of gender, piety, and power in which Lippi?s painting was originally embedded, author Stefanie Solum challenges the received wisdom that women played little part in actively shaping visual culture during the Florentine Quattrocento. She uses visual evidence never before brought to bear on the topic to reveal that Lucrezia Tornabuoni - shrewd power-broker, pious poetess, and mother of the 'Magnificent' Lorenzo de? Medici - also had a profound impact on the visual arts. Lucrezia emerges as a fascinating key to understanding the ways in which female lay religiosity created the visual world of Renaissance Florence. The Medici case study establishes, at long last, a robust historical basis for the assertion of women?s agency and patronage in the deeply patriarchal and artistically dynamic society of Quattrocento Florence. As such, it offers a new paradigm for the understanding, and future study, of female patronage during this period.
Presents readers with scholarship on public celebrations and popular culture throughout Mexican history. This book discusses aspects of Mexico's popular culture from the seventeenth century onwards. It examines a range of Mexican expression, including Corpus Christi celebrations, New Spain, stone murals, and folk theater.