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A room in a pub. Some musicians facing each other. They play well-known traditional Irish tunes on flutes, tin whistles, and fiddles. Every musician plays the melodic line adding her own variations and grace notes. Some musicians are just listening; others are cracking jokes. The crowd nearby is composed of friends, occasional patrons, a regular audience, and curious tourists. Some seem not to care; some come closer to listen or perhaps even participate. This is called a “session”. From an anthropological point of view, sessions are not just a musical environment. They are a combination of social interactions, suggesting specific dynamics between community, subjects and cultural items. A scene like that can be found the world over, from Dublin to Boston and Rome. During the last forty years the practices and the appreciation of this particular music, and of this particular setting, have moved decisively from local arenas into the global marketplace. A transnational perspective is, therefore, necessary. As such, this book will appeal to a very wide range of readers, from musicians and aficionados to scholars and students.
Winner of the Book of the Year Award for the Conference on Christianity and Literature.--Thomas H. Luxon, Dartmouth College "CHOICE"
The psychoanalytic process is characterized by a complex weave of interrelated polarities: transference and countertransference, repetition and new experience, enactment and interpretation, discipline and personal responsiveness, the intrapsychic and the interpersonal, construction and discovery. In Ritual and Spontaneity in the Psychoanalytic Process, Irwin Z. Hoffman, through compelling clinical accounts, demonstrates the great therapeutic potential that resides in the analyst's struggle to achieve a balance within each of these dialectics. According to Hoffman, the psychoanalytic modality implicates a dialectic tension between interpersonal influence and interpretive exploration, a tension in which noninterpretive and interpretive interactions continuously elicit one another. It follows that Hoffman's "dialectical constructivism" highlights the intrinsic ambiguity of experience, an ambiguity that coexists with the irrefutable facts of a person's life, including the fact of mortality. The analytic situation promotes awareness of the freedom to shape one's life story within the constraints of given realities. Hoffman deems it a special kind of crucible for the affirmation of worth and the construction of meaning in a highly uncertain world. The analyst, in turn, emerges as a moral influence with an ironic kind of authority, one that is enhanced by the ritualized aspects of the analytic process even as it is subjected to critical scrutiny. An intensely clinical work, Ritual and Spontaneity in the Psychoanalytic Process forges a new understanding of the curative possibilities that grow out of the tensions, the choices, and the constraints inhering in the intimate encounter of a psychoanalyst and a patient. Compelling reading for all analysts and analytic therapists, it will also be powerfully informative for scholars in the social sciences and the humanities.
Although considerable attention has been paid to those cultural revolutions which result in fundamental social upheavals, the less spectacular silent cultural revolutions which leave the existing social structure intact, focusing instead on the behavioural dimension of ideology, have been neglected. In this book, which was originally published in 1981, Christel Lane examines such a silent revolution, exploring the ways in which it was achieved in the Soviet society of the time through the instrument of ritual. Dr Lane argues that ritual in the Soviet Union serves as a means of rendering sacred the existing social and political order; and her comparison of Soviet ritual with the rituals of other societies highlights the way in which ritual mirrors both the problematic social relations of society and political leaders' major concerns. This book will interest sociologists of religion, anthropologists, political sociologists, and Soviet studies.
A manual of ideas and experiences emphasizing the fact that a good presider must be aware of what will happen at every planned moment of a liturgical celebration.
Volume two of Theorizing Rituals mainly consists of an annotated bibliography of more than 400 items covering those books, edited volumes and essays that are considered most relevant for the field of ritual theory. Instead of proposing yet another theory of ritual, the bibliography is a comprehensive monument documenting four decades of theorizing rituals.
About the Contributor(s): Israel Scheffler is Victor S. Thomas Professor of Education and Philosophy Emeritus at Harvard University. He taught philosophy at Harvard from 1952 to 1992 and, from 1983 to 2003, was codirector, then director of the Philosophy of Education Research Center there. He is a Fellow of the American Academy of Arts and Sciences, a founding member of the National Academy of Education, and a past president of both the Philosophy of Science Association and the Charles S. Peirce Society. Among his previous books are ""The Anatomy of Inquiry""( 1963), ""Four Pragmatists""(1974), ""Of Human Potential""(1985), ""In Praise of the Cognitive Emotions""(1991), and ""Worlds of Truth""(2009). His main interests lie in the philosophical interpretation of language, symbolism, science, and education.
2021 Catholic Media Association Award honorable mention award in liturgy Authenticity is a value difficult to define but impossible to ignore in contemporary life. The desire for authentic experience pervades art, music, food, dating, marketing, and politics. Worship is no exception: Vatican documents, megachurch websites, pastors, and liturgy planners all make competing claims to offer the genuine article. But what makes liturgy authentic? What distinguishes real celebration from artificial spectacle, heartfelt prayer from empty ritualism, a living tradition from both stagnation and gimmickry? Can today’s Christians perform the liturgy so that it is not a mere performance but a sincere offering of their whole selves? In this book, Nathaniel Marx argues that the defining characteristic of authentic liturgy is harmony. Authentic liturgy happens when the minds of participants are in tune with their voices. The call for worshipers to harmonize their inward and outward offerings of prayer is discernible in the Bible, in the history of Christian prayer, and in diverse efforts to invigorate communal worship today. Marx’s argument unfolds the meaning of this call to authentic worship through a provocative and wide-ranging study incorporating scriptural exegesis, liturgical history, anthropology of ritual, and philosophy of action. He argues that authenticity is not a modern buzzword but an ancient virtue essential to worshiping in a spirit of communion.
In The Ritual Process: Structure and Anti-Structure, Victor Turner examines rituals of the Ndembu in Zambia and develops his now-famous concept of "Communitas." He characterizes it as an absolute inter-human relation beyond any form of structure.The Ritual Process has acquired the status of a small classic since these lectures were first published in 1969. Turner demonstrates how the analysis of ritual behavior and symbolism may be used as a key to understanding social structure and processes. He extends Van Gennep's notion of the "liminal phase" of rites of passage to a more general level, and applies it to gain understanding of a wide range of social phenomena. Once thought to be the "vestigial" organs of social conservatism, rituals are now seen as arenas in which social change may emerge and be absorbed into social practice.As Roger Abrahams writes in his foreword to the revised edition: "Turner argued from specific field data. His special eloquence resided in his ability to lay open a sub-Saharan African system of belief and practice in terms that took the reader beyond the exotic features of the group among whom he carried out his fieldwork, translating his experience into the terms of contemporary Western perceptions. Reflecting Turner's range of intellectual interests, the book emerged as exceptional and eccentric in many ways: yet it achieved its place within the intellectual world because it so successfully synthesized continental theory with the practices of ethnographic reports."
This is an edited volume of approximately 17 essays that deal with various types of spontaneous shrines and other, related public memorializations of death. The articles address events such as New York after 9/11; roadside crosses, and the use of 'Day of the Dead' altars to bring attention to deceased undocumented immigrants.