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Born in Rosetown, Saskatchewan in 1937, CameronPorteous trained at the Wimbledon College of Art inLondon, England. After returning to Canada in 1969he became Head of Design at the Vancouver Playhouse in1972 under Artistic Director Christopher Newton. Thiscreative partnership continued when Newton becameArtistic Director of the Shaw Festival and appointed himas Head of Design from 1980-1997.Porteous has had a prolific career in theatre and operadesign, working in most major theatres across Canadaas well as designing extensively for film and television.His work combines an international perspective witha distinctly personal style of theatrical design whichflourished during a robust period of Canadian theatrehistory. He led the way in expanding our view of designbeyond traditional models, embracing perspectives frombeyond our borders and anticipating our modern multiculturaland multi-media theatre. He continues to workin theatre, film, and television and has influenced manyemerging designers through his teaching, mentoring, andcreative work.
A visceral space thriller—perfect for fans of Arrival and The Martian—following the sole survivor of a catastrophic accident in space that leaves her drifting in the void with only the voice of her estranged husband, a NASA scientist, to guide her back to Earth. Commander Maryam “May” Knox awakes from a medically induced coma alone, adrift in space on a rapidly failing ship, with little to no memory of who she is or why she’s there. Slowly, she pieces together that she’s the captain of the ship, Hawking II; that she was bound for Europa—one of Jupiter’s moons—on a research mission; and that she’s the only survivor of either an accident—or worse, a deliberate massacre—that has decimated her entire crew. With resources running low, and her physical strength severely compromised, May must rely on someone back home to help her. The problem is: everyone thinks she’s dead. Back on Earth, it’s been weeks since Hawking II has communicated with NASA, and Dr. Stephen Knox is on bereavement leave to deal with the apparent death of his estranged wife, whose decision to participate in the Europa mission strained their marriage past the point of no return. But when he gets word that NASA has received a transmission from May, Stephen comes rushing to her aid. What he doesn’t know is that not everyone wants May to make it back alive. Even more terrifying: she might not be alone on that ship. Featuring a twisting and suspenseful plot and compelling characters, Across the Void is a moving and evocative thriller that you won’t be able to put down.
The 25th Anniversary ebook, now with more than 50 images. 'Touching the Void' is the tale of two mountaineer’s harrowing ordeal in the Peruvian Andes. In the summer of 1985, two young, headstrong mountaineers set off to conquer an unclimbed route. They had triumphantly reached the summit, when a horrific accident mid-descent forced one friend to leave another for dead. Ambition, morality, fear and camaraderie are explored in this electronic edition of the mountaineering classic, with never before seen colour photographs taken during the trip itself.
The “formidably brilliant” Žižek considers sexuality, ontology, subjectivity, and Marxian critiques of political economy by way of Lacanian psychoanalysis. If the most interesting theoretical interventions emerge today from the interspaces between fields, then the foremost interspaceman is Slavoj Žižek. In Incontinence of the Void (the title is inspired by a sentence in Samuel Beckett's late masterpiece Ill Seen Ill Said), Žižek explores the empty spaces between philosophy, psychoanalysis, and the critique of political economy. He proceeds from the universal dimension of philosophy to the particular dimension of sexuality to the singular dimension of the critique of political economy. The passage from one dimension to another is immanent: the ontological void is accessible only through the impasses of sexuation and the ongoing prospect of the abolition of sexuality, which is itself opened up by the technoscientific progress of global capitalism, in turn leading to the critique of political economy. Responding to his colleague and fellow Short Circuits author Alenka Zupančič's What Is Sex?, Žižek examines the notion of an excessive element in ontology that gives body to radical negativity, which becomes the antagonism of sexual difference. From the economico-philosophical perspective, Žižek extrapolates from ontological excess to Marxian surplus value to Lacan's surplus enjoyment. In true Žižekian fashion, Incontinence of the Void focuses on eternal topics while detouring freely into contemporary issuesfrom the Internet of Things to Danish TV series.
The coauthors of the bestselling Peak Performance dive into the fascinating science behind passion, showing how it can lead to a rich and meaningful life while also illuminating the ways in which it is a double-edged sword. Here’s how to cultivate a passion that will take you to great heights—while minimizing the risk of an equally great fall. Common advice is to find and follow your passion. A life of passion is a good life, or so we are told. But it's not that simple. Rarely is passion something that you just stumble upon, and the same drive that fuels breakthroughs—whether they're athletic, scientific, entrepreneurial, or artistic—can be every bit as destructive as it is productive. Yes, passion can be a wonderful gift, but only if you know how to channel it. If you're not careful, passion can become an awful curse, leading to endless seeking, suffering, and burnout. Brad Stulberg and Steve Magness once again team up, this time to demystify passion, showing readers how they can find and cultivate their passion, sustainably harness its power, and avoid its dangers. They ultimately argue that passion and balance--that other virtue touted by our culture--are incompatible, and that to find your passion, you must lose balance. And that's not always a bad thing. They show readers how to develop the right kind of passion, the kind that lets you achieve great things without ruining your life. Swift, compact, and powerful, this thought-provoking book combines captivating stories of extraordinarily passionate individuals with the latest science on the biological and psychological factors that give rise to—and every bit as important, sustain—passion.
Although federal and state regulations require employers to provide toilets, government agencies, incredibly, do not require employers to permit workers to use them. Marc Linder, a labor lawyer and political economist, and Ingrid Nygaard, a physician specializing in urogynecology, place this regulatory breakdown in the wider context of the history of labor-management struggles over rest periods. They emphasize the physiological consequences that workers suffer when they are not allowed to interrupt work to rest or urinate. Linder and Nygaard explain how protective rest period legislation has shrunk over time. Ironically, because most statutes singled out women for rest breaks, they were invalidated by Title VII's ban on sex discrimination. The authors explain other countries' regulations and conclude with a recommendation for legislation to mandate rest and bathroom breaks for all workers.
Long ago, the astrophysicist Inigo began dreaming scenes from the life of the remarkable Edeard, who lived within the Void, a self-contained microuniverse at the heart of the galaxy. Inigo’s inspirational dreams, shared by hundreds of millions throughout the galaxy, gave birth to a religion: Living Dream. But when the appearance of a Second Dreamer seems to trigger the expansion of the Void—which is devouring everything in its path—the Intersolar Commonwealth is thrown into turmoil. With time running out, the fate of humanity hinges on a handful of people: Araminta, now awakening to the unwelcome fact that she is the mysterious Second Dreamer; Inigo, whose private dreams hint at a darker truth; and Justine, whose desperate gamble places her within the Void, where the godlike Skylords hold the power to save the universe . . . or destroy it.
Mercy and Peter are happily expecting their first child, when perfectly preserved body parts start turning up all over Savannah and Mercy fears for her unborn child.