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Julian Romane examines the military events behind the emergence of the Sui and Tang dynasties in the period 581-626 AD. Narrating the campaigns and battles, he analyses in detail the strategy and tactics employed, a central theme being the collision of the steppe cavalry with Chinese infantry armies.By the fourth century AD, horse nomads had seized northern China. Conflict with these Turkic interlopers continued throughout the 5th and most of the 6th century. The emergence of the Sui dynasty (581-618) brought some progress but internal weakness led to their rapid collapse. The succeeding House of Tang, however, provided the necessary stability and leadership to underpin military success. This was largely the achievement of Li Shimin, who later became the second Tang Emperor. By the start of Li Shimins reign as Emperor Tang Taizong, effective military organizations had been developed and China reunified. His military campaigns are examples of tactical and strategic virtuosity that demonstrate the application of the distinctive Chinese way of war expounded in Chinese military manuals, including Li Shimins own writings.
The Tang dynasty is often called China’s “golden age,” a period of commercial, religious, and cultural connections from Korea and Japan to the Persian Gulf, and a time of unsurpassed literary creativity. Mark Lewis captures a dynamic era in which the empire reached its greatest geographical extent under Chinese rule, painting and ceramic arts flourished, women played a major role both as rulers and in the economy, and China produced its finest lyric poets in Wang Wei, Li Bo, and Du Fu. The Chinese engaged in extensive trade on sea and land. Merchants from Inner Asia settled in the capital, while Chinese entrepreneurs set off for the wider world, the beginning of a global diaspora. The emergence of an economically and culturally dominant south that was controlled from a northern capital set a pattern for the rest of Chinese imperial history. Poems celebrated the glories of the capital, meditated on individual loneliness in its midst, and described heroic young men and beautiful women who filled city streets and bars. Despite the romantic aura attached to the Tang, it was not a time of unending peace. In 756, General An Lushan led a revolt that shook the country to its core, weakening the government to such a degree that by the early tenth century, regional warlordism gripped many areas, heralding the decline of the Great Tang.
In this fascinating and detailed profile, Benn paints a vivid picture of life in the Tang Dynasty (618-907), traditionally regarded as the golden age of China. 40 line illustrations.
The Southern Tang was one of China’s minor dynasties and one of the great states in China in the tenth century. Although often regarded as one of several states preceding the much better known Song dynasty (960-1279), the Southern Tang dynasty was in fact the key state in this period, preserving cultural values and artefacts from the former great Tang dynasty (618-907) which were to form the basis of Song rule, and thereby presenting the Song with a direct link to the Tang and it traditions. Drawing mainly on primary Chinese sources, this is the first book in English to provide a comprehensive overview of the Southern Tang, and full coverage of military, cultural and political history in the period. It focuses on a successful, albeit short-lived, attempt to set up an independent regional state in the modern provinces of Jiangxi and Jiangsu, and establishes the Southern Tang dynasty in its own right. It follows the rise of the Southern Tang state to become the predominant claimant of the Tang heritage and the expansionist policies of the second ruler culminating in the occupation and annexation of the two of the Southern Tang’s neighbours, Min (Fujian) and Chu (Hunan). Finally the narrative describes the decline of the dynasty under its last ruler, the famous poet Li Yu, and its ultimate surrender to the Song dynasty.
Contributors to this insightful volume on topics in Chinese history from the past 1,400 years highlight the complexity at hand inside and outside modern China, while exploring issues related to political and social dynamics, economic structures, modernization, identity building, and Chinese interaction with the outside world. The articles presented here provide new insight on events as broad-ranging as the interreligious court debates of the Tang, the Jiaqing reform of the Qing, the Chinese display at the 1893 World’s Fair in Chicago, China’s rise, and its current Internet regulation, making this highly interdisciplinary collection an important contribution to current scholarship on the nation of China.
The Tang dynasty is often called China’s “golden age,” a period of commercial, religious, and cultural connections from Korea and Japan to the Persian Gulf, and a time of unsurpassed literary creativity. Mark Lewis captures a dynamic era in which the empire reached its greatest geographical extent under Chinese rule, painting and ceramic arts flourished, women played a major role both as rulers and in the economy, and China produced its finest lyric poets in Wang Wei, Li Bo, and Du Fu. The Chinese engaged in extensive trade on sea and land. Merchants from Inner Asia settled in the capital, while Chinese entrepreneurs set off for the wider world, the beginning of a global diaspora. The emergence of an economically and culturally dominant south that was controlled from a northern capital set a pattern for the rest of Chinese imperial history. Poems celebrated the glories of the capital, meditated on individual loneliness in its midst, and described heroic young men and beautiful women who filled city streets and bars. Despite the romantic aura attached to the Tang, it was not a time of unending peace. In 756, General An Lushan led a revolt that shook the country to its core, weakening the government to such a degree that by the early tenth century, regional warlordism gripped many areas, heralding the decline of the Great Tang.
Looking at the life and legacy of Emperor Yang (569–618) of the brief Sui dynasty in a new light, this book presents a compelling case for his importance to Chinese history. Author Victor Cunrui Xiong utilizes traditional scholarship and secondary literature from China, Japan, and the West to go beyond the common perception of Emperor Yang as merely a profligate tyrant. Xiong accepts neither the traditional verdict against Emperor Yang nor the apologist effort to revise it, and instead offers a reassessment of Emperor Yang by exploring the larger political, economic, military, religious, and diplomatic contexts of Sui society. This reconstruction of the life of Emperor Yang reveals an astute visionary with literary, administrative, and reformist accomplishments. While a series of strategic blunders resulting from the darker side of his personality led to the collapse of the socioeconomic order and to his own death, the Sui legacy that Emperor Yang left behind lived on to provide the foundation for the rise of the Tang dynasty, the pinnacle of medieval Chinese civilization.
Tang dynasty (618–907) China hummed with cosmopolitan trends. Its capital at Chang’an was the most populous city in the world and was connected via the Silk Road with the critical markets and thriving cultures of Central Asia and the Middle East. In Empire of Style, BuYun Chen reveals a vibrant fashion system that emerged through the efforts of Tang artisans, wearers, and critics of clothing. Across the empire, elite men and women subverted regulations on dress to acquire majestic silks and au courant designs, as shifts in economic and social structures gave rise to what we now recognize as precursors of a modern fashion system: a new consciousness of time, a game of imitation and emulation, and a shift in modes of production. This first book on fashion in premodern China is informed by archaeological sources—paintings, figurines, and silk artifacts—and textual records such as dynastic annals, poetry, tax documents, economic treatises, and sumptuary laws. Tang fashion is shown to have flourished in response to a confluence of social, economic, and political changes that brought innovative weavers and chic court elites to the forefront of history. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/empire-of-style
This book presents a picture focused on the T'ang period, one of China's acknowledged golden ages. Within a looser web of globalization, the T'ang period and its dynamics offers a distant mirror of our own time. An argument in world history may thus cast light on issues in contemporary politics.