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On the Sunset Strip in Los Angeles in 1965 and 1966 an electrifying scene appeared out of nowhere, exploded into creativity, and then, just as suddenly, vanished. So much remarkable music, art, and social revolution came from one place at one time, it's difficult now to grasp how it all happened. This book tells the story of the astonishing time when rock 'n' roll displaced movies as the centre of action in Hollywood. From the moment The Byrds debuted at Ciro's on March 26th 1965--with Bob Dylan joining them onstage--right up to the demonstrations of November 1966, Sunset Strip nightclubs nurtured and broke The Doors, Love, Buffalo Springfield (featuring Neil Young and Stephen Stills), Frank Zappa's Mothers Of Invention, Captain Beefheart & His Magic Band, The Turtles, The Mamas & The Papas, and many others. The Strip was a hotbed for garage punk bands such as The Standells, The Electric Prunes, and The Leaves. Folk-rock and psychedelia were born there, while it was also a favourite hangout and inspiration for The Beatles, The Rolling Stones, and The Velvet Underground. Republished to coincide with the 50th anniversary of these incredible times, Riot On Sunset Strip: Rock 'n' Roll's Last Stand In Hollywood captures the excitement of this great artistic awakening, telling how the scene came together and then fell apart at the Monterey Pop festival, the tragic grand finale of the Summer of Love. It serves as a startling evocation of the social and artistic revolution that was the 60s.
On the Sunset Strip in Los Angeles in 1965 and 1966 an electrifying scene appeared out of nowhere, exploded into creativity, and then, just as suddenly, vanished. So much remarkable music, art, and social revolution came from one place at one time, it's difficult now to grasp how it all happened. In that moment, rock 'n' roll displaced movies as the centre of action in Hollywood. This book tells the story of that astonishing time. The nightlife was a heady mix of modernist design, pop art, and beat aesthetics. From the moment The Byrds debuted at Ciro's on March 26th 1965 - with Bob Dylan joining them on stage - right up to the demonstrations of November 1966, Sunset Strip nightclubs nurtured and broke The Doors, Love, Buffalo Springfield, Frank Zappa's Mothers Of Invention, Captain Beefheart & His Magic Band, The Turtles, The Mamas & The Papas, and many others. The Strip was a hotbed for garage punk bands such as The Standells, The Seeds, The Music Machine and The Electric Prunes. Folk-rock and psychedelia were born there, and it was a favourite hangout and inspiration for The Beatles, The Rolling Stones, Them, The Velvet Underground, and The Yardbirds. Pop art and rock 'n' roll combined, and the new fusion quickly permeated television, animation, and New Hollywood's indie cinema.
"An oral history and timeline of the popular 1980s heavy metal subgenre, including its prehistory and decline, profusely illustrated with relevant photographs and memorabilia"--
Salem Scott had one goal for his summer vacation. Instead, he's volunteering in a private mental institution, confronting demons he's not ready to face. But when his band kicks him out for missing rehearsals, he might just find the greatest summer of all time.
From original beachcomber personalities like the Waikiki Beachboys to the rise of Venice Beach as a creative center for music, art, and film, Pop Surf Culture traces the roots of the surf boom and explores its connection to the Beat Generation and 1960s pop culture. Through accounts of key figures both obscure and popular, the book illustrates why surf culture is a vital art movement of the 20th century. Pop Surf Culture includes essays about the popular "beach” movies of the fifties and sixties, which featured such stars as Annette Funicello and Frankie Avalon and the music of Dick Dale & His Del-Tones, Brian Wilson, the Pyramids, Gary Usher, James Brown, and Little Stevie Wonder. Sixties art figures Michael Dormer and Rick Griffin--as well as the surf magazines which promoted their art--are featured alongside the progenitors of "surf music,” from the little known (the Centurians) to the wildly popular (the Beach Boys). Duke Kahanamoku, the Gas House, Gidget, surfing on television, the bohemian surf aesthetic, surf music hot spots, Mickey "Da Cat” Dora . . . the entire spectrum of pop surf culture is covered within these colorfully illustrated pages.
Brian Wilson was on top of the creative world, laying down music that surpassed anything before, during or since this cultural zenith in our history.
Histories of the US sixties invariably focus on New York City, but Los Angeles was an epicenter of that decade's political and social earthquake. L.A. was a launchpad for Black Power-where Malcolm X and Angela Davis first came to prominence and the Watts uprising shook the nation-and home to the Chicano walkouts and Moratorium, as well as birthplace of 'Asian America' as a political identity, base of the antiwar movement, and of course, centre of California counterculture. Mike Davis and Jon Wiener provide the first comprehensive movement history of L.A. in the sixties, drawing on extensive archival research, scores of interviews with principal figures of the 1960s movements, and personal histories (both Davis and Wiener are native Los Angelenos). Following on from Davis's award-winning L.A. history, City of Quartz, Set the Night on Fire is a fascinating historical corrective, delivered in scintillating and fiercely elegant prose.
What does it mean to be Californian? To find out, Mina Yang delves into multicultural nature of musics in the state that has launched musical and cultural trends for decades. In the early twentieth century, an orientalist fascination with Asian music and culture dominated the popular imagination of white Californians and influenced their interactions with the Asian Other. Several decades later, tensions between the Los Angeles Police Department and the African American community made the thriving jazz and blues nightclub scene of 1940s Central Avenue a target for the LAPD's anti-vice crusade. The musical scores for Hollywood's noir films confirmed reactionary notions of the threat to white female sexuality in the face of black culture and urban corruption while Mexican Americans faced a conflicted assimilation into the white American mainstream. Finally, Korean Americans in the twenty-first century turned to hip-hop to express their cultural and national identities. A compelling journey into the origins of musical identity, California Polyphony explores the intersection of musicology, cultural history, and politics to define Californian.
Second Edition A Real insight on the years of friendship leading to the formation of legendary hard rock / heavy metal band Quiet Riot and the early evolution of the greatest guitarist of all time... Randy Rhoads. The story of My life, My Friends, told My way ... my friendship with Randy and what came along with it. The trials & tribulations, struggles & battles both personal & professional of growing up in the Hollywood Music Scene of the 70's, trying to make a dream come true...to be Rock Stars .. the laughter & tears, the trouble we got into & out of, the bands we formed together. Before, during & after Quiet Riot The climb from bottom to top & Beyond. This book holds back little. I talk like a street kid and from what I'm told, still act like one. As much as I'd like to say, every kid with a dream should read this book, I'd almost caution against it. Because, I pretty much say whatever the f*^k I want, in my own way. But I'll tell you this, in your hands you hold my life, the way I remember it. I hope it teaches you something about life, and death. With a page dedicated for all the Honorary 'Angels'. A 'Fan & Rock Star Quote' section...AND a Heartfelt Foreword by friend Frankie Banali of Quiet Riot Thank You All Kelly Garni