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"Recreating the drama of their momentous bout, the author traces the lives of both fighters before and after the fight, including Schmeling's efforts in Nazi Germany to protect Jewish friends and the boxers' surprising friendship in the post-war years. In Ring of Hate he offers the saga of two decent human beings drawn together by their chosen profession and divided by the cruel demands of competing nations."--Jacket.
The definitive book (The Ring) on one of the greatest sports events of the twentieth century, the heavyweight championship bout between Germany's Max Schmeling and America's "Brown Bomber," Joe Louis. More than the world heavyweight championship was at stake when Joe Louis fought Max Schmeling on June 22, 1938. In a world on the brink of war, the fight was depicted as a contest between nations, races, and political ideologies, the symbol of a much vaster struggle. Nazi propaganda minister Joseph Goebbels boasted that the Aryan Schmeling would crush his "inferior" black opponent. President Roosevelt told Louis, his guest at the White House, that "America needs muscles like yours to beat Germany." For Louis, this was also his chance to avenge the only loss in his brilliant career-by a knockout-to the same Max Schmeling two years earlier. Recreating the drama of their momentous bout, the author traces the lives of both fighters before and after the fight, including Schmeling's efforts in Nazi Germany to protect Jewish friends and the two boxers' surprising friendship in the postwar years. In Ring of Hate Myler tells the story of two decent men, drawn together by boxing and divided by the cruel demands of competing nations. Skyhorse Publishing, as well as our Sports Publishing imprint, are proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team. Whether you are a New York Yankees fan or hail from Red Sox nation; whether you are a die-hard Green Bay Packers or Dallas Cowboys fan; whether you root for the Kentucky Wildcats, Louisville Cardinals, UCLA Bruins, or Kansas Jayhawks; whether you route for the Boston Bruins, Toronto Maple Leafs, Montreal Canadiens, or Los Angeles Kings; we have a book for you. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
War in the Ring presents a riveting nonfiction book for kids about a boxing match that represented the growing tensions between the United States and Nazi Germany in the lead up to World War II. Joe Louis was born on an Alabama cotton patch and raised in a Detroit ghetto. Max Schmeling grew up in poverty in Hamburg, Germany. For both boys, boxing was a path out and a ladder up. Little did they know that they would one day face each other in a pair of matches that would capture the world's attention. Joe grew into a symbol of inspiration to a nation of Black Americans hoping to carve a slice of the 'American Dream' in a racially fractured country. Max, on the other hand, became a Nazi symbol for the superiority of the Aryan race. The battles waged between Joe and Max still resonate, and the cultural implications of the international sensation continue to reverberate far past the ring.
A “humbling, inspiring . . . deeply emotional” biography of the boxing legend who held the heavyweight world championship for more than eleven years (Kirkus Reviews, starred review). Known as the Brown Bomber, Joe Louis defended his heavyweight title an astonishing twenty-five times. Through the 1930s, he got more column inches of newspaper coverage than President Roosevelt. At a time when the boxing ring was the only venue where black and white could meet on equal terms, Louis embodied Black America’s hope for dignity and equality. And in 1938, his politically charged defeat of German boxer Max Schmeling made Louis a national hero on the world stage. Through meticulous research and first-hand interviews, acclaimed biographer Randy Roberts presents a complete portrait of Louis and his outsized impact on sport and country. Digging beneath the simplistic narratives of heroism and victimization, Roberts reveals an athlete who carefully managed his public image, and whose relationships with both the black and white communities—including his relationships with mobsters—were deeply complex. “Roberts is a fine match with his subject. He supports with powerful evidence his contention that Louis’s impact was enormous and profound.” —The Boston Globe
The magnificent, inspiring story of an AMERICAN SPORTS HERO, by Newbery Award-winning author Matt de la Pena. On the eve of World War II, African-American boxer Joe Louis fought German Max Schmeling in a bout that had more at stake than just the world heavyweight title. For much of America, their fight came to represent America’s war with Germany. This elegant and powerful picture book biography centers on this historic fight in which the American people came together to celebrate our nation’s founding ideals. New York Times Best Illustrated Children’s Book Award Booklist Editor's Choice Best Books of 2011 School Library Journal Best Books of 2011
Fistic combat represents the greatest human drama in all of sport. Roman gladiators thrilled citizens and emperors alike when they entered the octagon to face an intense, life-threatening experience. Boxing, the sport of kings, also has its roots in the ancient civilizations of Greece and Rome. Banned in 500 A.D. by the Emperor Theodoric, it resurfaced twelve centuries later in England. John Milton praised it as a noble art for building character in young men, and sports writer A.J. Leibling dubbed it the Sweet Science. Many of its major protagonists - men such as Joe Louis, Rocky Marciano and Muhammad Ali - have become transcendent, near-mythic heroes. But boxing is not the only combat sport, and mixed martial arts, in all their ferocious beauty, represent the fastest growing sports genre in the world. Ultimate Fighting Championships (UFC) has joined boxing in paying seven figures to some of its champions, and draws millions in its pay-per-view events. This book details leading figures in boxing, sumo wrestling, kickboxing, Greco-Roman wrestling, and mixed martial arts (including organizations such as Ultimate Fighting, PRIDE, K-1, Total Combat, and SportFighting). Over 150 entries cover champions, contenders, and other famous combatants from all over the world, as well as legendary promoters, managers, trainers, and events. Also included in this encyclopedia are sidebars on controversies, highlights, brief bios, and other noteworthy events, along with a general timeline. .
This book presents the first in-depth study of the German boxer Max Schmeling (1905-2005) as a national hero and representative figure in Germany between the 1920s and the present day. It explores the complex relationship between sport, culture, politics and national identity and draws on a century of journalism, film, visual art, life writing and fiction. Detailed chapters analyse Schmeling’s emergence as an icon in the Weimar Republic, his association with America, his celebrity status in the Third Reich, and his rivalry with Joe Louis as a focus for an extraordinary propaganda and ideological contest. The book also examines how Schmeling’s post-war success in business associated him with the culture of the ‘zero hour’ nation in the era of ‘economic miracle’, and how he was later claimed as ‘good German’ and moral example for a post-war generation of Germans determined to ‘come to terms’ with the past. This book will appeal to readers with an interest in the history and representation of sport and boxing, in sports discourse and political culture, and in questions of national identity in modern German history.
This stunning collection of essays illuminates the lives and legacies of the most famous and powerful individuals, groups, and institutions in African American history. The three-volume Icons of Black America: Breaking Barriers and Crossing Boundaries is an exhaustive treatment of 100 African American people, groups, and organizations, viewed from a variety of perspectives. The alphabetically arranged entries illuminate the history of highly successful and influential individuals who have transcended mere celebrity to become representatives of their time. It offers analysis and perspective on some of the most influential black people, organizations, and institutions in American history, from the late 19th century to the present. Each chapter is a detailed exploration of the life and legacy of an individual icon. Through these portraits, readers will discover how these icons have shaped, and been shaped by, the dynamism of American culture, as well as the extent to which modern mass media and popular culture have contributed to the rise, and sometimes fall, of these powerful symbols of individual and group excellence.
This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
Essays analyzing postwar literary, cultural, and historical representations of "good Germans" during the Second World War and the Nazi period. In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans asevil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting behavior, moral truth, or at the very least civil disobedience. The "good German's" counterhegemonic practice cannot negate or contradict the barbaric reality of Hitler's Germany, but reflects a value system based on humanity and an "other" ideal community. This volume of new essays explores postwar and recent representations of "good Germans" during the Third Reich, analyzing the logic of moral behavior, cultural and moral relativism, and social conformity found in them. It thus draws together discussions of the function and reception of "Good Germans" in Germany and abroad. Contributors: Eoin Bourke, Manuel Bragança, Maeve Cooke, Kevin De Ornellas, Sabine Egger, Joachim Fischer, Coman Hamilton, Jon Hughes, Karina von Lindeiner-Strásky, Alexandra Ludewig, Pól O Dochartaigh, Christiane Schönfeld, Matthias Uecker. Pól O Dochartaigh is Professor of German and Dean of the Faculty of Arts at the University of Ulster, Northern Ireland. Christiane Schönfeld is Senior Lecturer in German and Head of the Department of German Studies at Mary Immaculate College, University of Limerick.