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Sicilian puppet theater was the predominant form of cultural expression for working-class southern Italians and Sicilians from the early 1800s until the proliferation of television in the 1950s. This form of dramatic prose theater also flourished in diasporic Italian urban communities, bringing immigrants together for nightly performances of the same deeply cherished chivalric stories. Agrippino Manteo’s scripts, examined for the first time in this study, are testimony to the rich substance of the Paladins of France narratives dramatized on the traditional opera dei pupi stage. Even beyond their historical and aesthetic value, the alternating episodes of love, enchantment, adventure, and warfare invite us to relive the passion, heartbreak, excitement, and magic of knights and damsels from around the globe – from Europe to North Africa to East Asia – who share the stage with a host of wizards, fairies, giants, and monsters. This study reconstructs the history of the Manteo family marionette theater in New York City across seven decades and three generations, provides translations of eight selected plays and 270 extant summaries, and offers comparative analyses uncovering the creative process of adaptation from Italian Renaissance masterpieces of chivalric poetry to nineteenth-century prose compilations to Agrippino Manteo’s opera dei pupi dramatizations.
"Investigates how different approaches to religious interpretation influence Indonesian women's engagement with global Islam and feminism. It also explores the consequences of a more public Islam for women's participation in the public sphere. The book is based on extensive ethnographic fieldwork between 2002 and 2010 with four different groups of women activists in Jakarta, the Indonesian capital. The groups include a secular feminist NGO (Solidaritas Perempuan), a Muslim women's rights NGO (Rahima), the women's group of one of the country's largest Muslim organizations (Fatayat N.U.), and women in a conservative Muslim political party (the Prosperous Justice Party). The women in these have all been deeply influenced by the ongoing Islamic revival. In addition, they are part of the urban middle class. The women of Rahima and Fatayat N.U. are influenced by global feminism and Islamic discourses. They use Islam to express feminist and liberal ideals of equality and rights, and they strive to integrate these frameworks in their own lives. In contrast, women in the Prosperous Justice Party (PKS) reject feminism as Western and secular and are more influenced by global Islamic discourses. Although some scholars argue that pious Islam and liberal ideals are incompatible, these activists embrace modernity and sometimes speak in terms of individual agency, empowerment, and rights. The women of Solidaritas Perempuan maintain a balance between their secular activism and personal religiosity. The overall conclusion of Mobilizing Piety is that the Islamic revival has not stymied but has in fact helped to empower many Indonesian women, especially by allowing them to participate in national debates about moral and religious issues"--