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If the rise of modernism is the story of a struggle between the burden of tradition and a desire to break free of it, then Rilke's poetic development is a key example of this tension at work. Taking a sceptical view of Rilke's own myth of himself as a solitary genius, Judith Ryan reveals how deeply his writing is embedded in the culture of its day. She traces his often desperate attempts to grapple with problems of fashion, influence and originality as he shaped his career during the crucial decades in which modernism was born. This 1999 book was the first systematic study of Rilke's trajectory from aestheticism to modernism as seen through the lens of his engagement with poetic tradition and the visual arts. It is full of surprising discoveries about individual poems. Above all, it shifts the terms of the debate about Rilke's place in modern literary history.
A Journey into the Heart of German Poetry Experience a deep dive into the mesmerizing world of one of the most significant poets of the 20th century with The Poetry of Rilke. Uncover an unparalleled collection of Rilke's finest works, elegantly translated over the course of two decades by acclaimed scholar Edward Snow. This collection brings to light over two hundred and fifty of Rilke's distinguished gems, including the complete versions of his towering masterpieces, the Sonnets to Orpheus and Duino Elegies. From his early poetic explorations in The Book of Hours to his visionary verses written in the twilight of his life, this anthology spans the breadth of Rilke's literary evolution. This landmark bilingual edition not only invites you to a breathtaking trip to the heart of lyrical and existential poetry but also serves as a comprehensive platform to appreciate the magical interplay between German and English verses. Alongside Rilke’s works, Snow's enlightening commentaries yield a richer comprehension of Rilke's illustrious verses. The Poetry of Rilke will stand as the authoritative single-volume translation of Rilke into English for years to come.
This volume of fourteen essays explores Chinese poetic modernism in all its facets, from its origins in the 1920s through 21st century manifestations. Modernisms in the plural reflects the complexity of the ideas and forms which can be associated with this literary-historical term. The volume’s contributors take a variety of focus points, from literary groups such as “9 Leaves” or “Bamboo Hat,” to individuals such as modernist sonneteer Feng Zhi 冯至, or Taiwan experimentalist Xia Yu 夏宇 (Hsia Yü), and Hong Kong modernist Leung Ping-kwan 梁秉钧, to non-biographically oriented chapters concerning modernist language, poetry and visual art, among other issues. Collectively, the volume endeavors to present as complete a picture of modernist practice in Chinese poetry as possible.
The renowned Rilke scholar brings the poet’s work to life for modern readers through 26 essays, each devoted to a single word found in his writings. Ulrich Baer’s The Rilke Alphabet explores the enduring power of one of the world’s greatest poets, a visionary who saw that even the smallest overlooked word could unlock life’s mysteries. With deep insight and love for Rilke’s language, Baer examines twenty-six words that are not merely unexpected in his work, but problematic—even scandalous. Through twenty-six evocative essays, Baer sheds new light on Rilke’s creative process and his deepest thoughts about life, art, politics, sexuality, love, and death. The Rilke Alphabet shows how the poet’s work can be a guide to life even in our contemporary world. Whether it is a love letter to frogs, a troubling—though brief—infatuation with Mussolini, a sustained reflection on the Buddha, or the impassioned assertion that freedom must be lived in order to be known, Rilke’s thoroughly original writings pull us deeply into life. Baer’s decades-long experience as a scholar, translator, and editor of Rilke’s writings allows him to reveal unique aspects of Rilke’s work. The Rilke Alphabet will surprise and delight Rilke fans, and deepen every reader’s sense of the power of poetry to penetrate the mysteries of our world.
Written in three weeks of creative inspiration, Rainer Maria Rilke's Sonnets to Orpheus (1923) is well known for its enigmatic power and lyrical intensity. The essays in this volume forge a new path in illuminating the philosophical significance of this late masterpiece. Contributions illustrate the unique character and importance of the Sonnets, their philosophical import, as well as their significant connections to the Duino Elegies (completed in the same period). The volume features eight essays by philosophers, literary critics, and Rilke scholars, which approach a number of the central themes and motifs of the Sonnets as well as the significance of their formal and technical qualities. An introductory essay (co-authored by the editors) situates the book in the context of philosophical poetics, the reception of Rilke as a philosophical poet, and the place of the Sonnets in Rilke's oeuvre. Above all, this volume's premise is that an interdisciplinary approach to poetry and, more specifically, to Rilke's Sonnets, can facilitate crucial insights with the potential to expand the horizons of philosophy and criticism. Essays elucidate the relevance of the Sonnets to such wide-ranging topics as phenomenology and existentialism, hermeneutics and philosophy of language, philosophy of mythology, metaphysics, Modernist aesthetics, feminism, ecocriticism, animal ethics, and the philosophy of technology.
The life of Rilke’s work is in its words, and this book attends closely to the life unfolding in Rilke’s words over the course of his career. What is a poem, and how does it act upon us as we read? What does reading involve? These are questions of the greatest interest to Rilke, who addresses them in several poems and for whom the experience of reading affords an interaction with the world—a recalibration of our ways of attending to it—which sets it apart from other kinds of experience. Rilke’s work is often approached in periods—he is the author of the New Poems, or of Malte, or of the Duino Elegies, or of the Sonnets to Orpheus—as if its different phases had little to do with one another, but in fact his writing is a concentrated and evolving exploration of the possibilities of poetic language, a working of the life of words into precise and exacting forms in dialogue with the texture of the world. The Life of the Work traces that trajectory in a series of close readings that do not neglect the lesser-known, uncollected verse and the poems in French, as well as Rilke’s activity as a translator of Michelangelo, Shakespeare, Barrett Browning, Mallarmé, and Valéry, among many others. These encounters were part of Rilke’s engagement with the world, his way of extending the reach of his language to get it ever closer to the ungraspable movements, the risk and promise, of life itself. One of his best-known poems ends with the words ‘You must change your life’, an injunction that animates the whole of his work.
This is the first book-length study to examine the interface between literary and theological modernisms. It provides a comprehensive account of literary responses to the modernist crisis in Christian theology from a transnational and interdenominational perspective. It offers a cultural history of the period, considering a wide range of literary and historical sources, including novels, drama, poetry, literary criticism, encyclicals, theological and philosophical treatises, periodical publications, and wartime propaganda. By contextualising literary modernism within the cultural, religious, and political landscape, the book reveals fundamental yet largely forgotten connections between literary and theological modernisms. It shows that early-twentieth-century authors, poets, and critics, including Rainer Maria Rilke, T. S. Eliot, and Czesław Miłosz, actively engaged with the debates between modernist and neo-scholastic theologians raging across Europe. These debates contributed to developing new ways of thinking about the relationship between religion and literature, and informed contemporary critical writings on aesthetics and poetics.
An incisive and intimate account of the life and work of the great poet Rilke, exploring the rich interior world he created in his poetry When Rilke died in 1926, his reputation as a great poet seemed secure. But as the tide of the critical avant-garde turned, he was increasingly dismissed as apolitical, the angels and roses of his poems deemed irrelevant. In Rilke: The Last Inward Man, acclaimed writer Lesley Chamberlain uses this charge as the starting point from which to explore the expansiveness of the inner world Rilke created in his poetry. Weaving together searching insights on Rilke's life, work, and reputation, Chamberlain casts the poet's inwardness as a profound response to a world that seemed to be losing its spirituality. In works of dazzling imagination and rich imagery, Rilke sought to restore value to Western materialism, encouraging not narrow introversion but the cultivation of a new sensibility in a secular world after the death of God.