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RILEY COLORS THROUGH THE YEAR is a delightful coloring book for young children. It shows her participating in a variety of fun activities from January to December. Riley also recognizes holidays such as New Year's Day, Valentine's Day, St. Patrick's Day, Easter, Mother's Day, Memorial Day, Father's Day, 4th of July, Halloween, Veteran's Day, Thanksgiving, and Christmas. It makes a great gift for any child, but especially for a "Riley" because her name is featured throughout the coloring book. Note that this book is available with other featured names of girls and boys!
A multidisciplinary look at the role of color in contemporary aesthetics.
A straightforward introduction to the key science subjects, this series explains the main scientific principles and shows how they work from our everyday world to outer space. Copyright © Libri GmbH. All rights reserved.
Text and activities demonstrate that materials are solids, liquids, or gases, and while they have special distinguishing features called properties, they can be changed in ways known as processes.
Published on the occasion of her exhibition of the same name at Kettle's Yard, Cambridge (24 September - 20 November 2011), this catalogue traces Bridget Riley's progress through the agency of stripes, planes and curves through her paintings and studies from the past 30 years. Riley's early colour paintings were strongly influenced by the discoveries of Seurat and the Impressionists. Study of Cezanne, in particular his practice of drawing with colour and a desire to dig deeper into pictorial space, led to the introduction of planes in grids formed by the junction of intersecting verticals and diagonals - and of colours and contrasts. Accompanying 13 works from the exhibition is an interview with the artist conducted by the Director of Kettle's Yard, Michael Harrison, which focusses on Riley's continuous movement through colour and the influence of other artists in her work."
Caleb White has been a lot of places and made a lot of decisions he isn't proud of. He's ready to settle down and figure out who he really is. Where better to do that than Last Chance, the home he was ripped away from at sixteen? A fresh start is in order, but he has no idea who to do that when he's not even sure what he wants in the first place. Ryan Daily is a pro at hiding his insecurities. He's never fit in and has spent most of his life knowing there's something missing. Just when he thought he'd found it, his whole world fell apart and he lost everything. Then comes a sleepless night in a twenty-four-hour café, where Caleb and Ryan forge a connection full of laughs, junk food, and whispered secrets. In the middle of their budding friendship, desire blooms unexpectedly. Ryan has kept his heart protected after having it shattered, and Caleb - no stranger to attraction - finds that what he has with Ryan is on a whole new level from anything he's experienced before. In a world of black and white, they bring each other color. But life is never simple. When the past comes knocking, Ryan and Caleb will have to reach through the darkness to find the light they see in each other ... or risk slipping into the shadows for good.
A broad and deep anthology of critic and art historian Richard Shiff’s most influential writings, which have shaped our understanding of twentieth- and twenty-first-century art. In his engaging and often strikingly deep observations of major modern and contemporary visual art, Shiff has written about an impressive range of artists, including Willem de Kooning, Marlene Dumas, Jasper Johns, Donald Judd, Barnett Newman, Pablo Picasso, and Bridget Riley. A leading scholar and powerful voice, Shiff’s insight into some of the most prominent artistic practices spans generation, place, and approach as seen in this considered selection of essays on twenty-six artists. These writings first appeared in exhibition catalogues for retrospectives at galleries and institutions including the Centre Georges Pompidou, the Solomon R. Guggenheim Museum, The Museum of Modern Art, and Tate Modern. Shiff supplements his unquestionable fluency in art history with insights cultivated from his readings in philosophy, phenomenology, literary theory, and psychoanalysis, among other fields. Shiff’s writing—conceptually rich, meditative, and enjoyable to read—is attuned to the nuances of artistic style and technique, drawing out art’s social implications not merely from broad histories but also directly from artists’ mark making and technical gestures. Actively engaged as a viewer and a writer, Shiff has transformed the act of looking at art into contemplative and captivating writing. Includes essays on Georg Baselitz, Mark Bradford, Georges Braque, Jim Campbell, Chuck Close, Willem de Kooning, Peter Doig, Marlene Dumas, Dan Flavin, Suzan Frecon, Lucian Freud, Ellen Gallagher, Jasper Johns, Donald Judd, Ellsworth Kelly, Brice Marden, Julie Mehretu, Barnett Newman, Pablo Picasso, Bridget Riley, Richard Serra, Joel Shapiro, Richard Tuttle, Cy Twombly, Jack Whitten, and Zeng Fanzhi.