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Now with an introduction from celebrated poet James Tate, Riding the Earthboy 40 is the only volume of poetry written by acclaimed Native American novelist James Welch. The title of the book refers to the forty acres of Montana land Welch's father once leased from a Blackfeet family called Earthboy. This land and its surroundings shaped the writer's worldview as a youth, its rawness resonates in the vitality of his elegant poetry, and his verse shows a great awareness of a moment in time, of a place in nature, and of the human being in context. Deeply evoking the specific Native American experience in Montana, Welch's poems nonetheless speak profoundly to all readers. With its new introduction, this vital work that has influenced so many American writers is certain to capture a new generation of readers.
In the Two Medicine territory of Montana, the Pikuni Indians are forced to choose between fighting a futile war or accepting a humiliating surrender, as the encroaching numbers of whites threaten their very existence
In Understanding James Welch, Ron McFarland offers analysis and critical commentary on the works of the renowned Blackfoot-Gros Ventre writer whose first novel, Winter in the Blood has become a classic in Native American fiction and who book of poems, Riding the Earthboy 40, has remained in print since its initial publication in 1971. McFarland offers close readings of Welch's poems, four novels and recent book, Killing Custer, which tells the story of the Battle of the Little Bighorn from a Native American perspective.
From the award-winning author of the Native American classic Fools Crow, James Welch gives us a richly crafted novel of cultural crossing that is a triumph of storytelling and the historical imagination. Charging Elk, an Oglala Sioux, joins Buffalo Bill's Wild West Show and journeys from the Black Hills of South Dakota to the back streets of nineteenth-century Marseille. Left behind in a Marseille hospital after a serious injury while the show travels on, he is forced to remake his life alone in a strange land. He struggles to adapt as well as he can, while holding on to the memories and traditions of life on the Plains and eventually falling in love. But none of the worlds the Indian has known can prepare him for the betrayal that follows. This is a story of the American Indian that we have seldom seen: a stranger in a strange land, often an invisible man, loving, violent, trusting, wary, protective, and defenseless against a society that excludes him but judges him by its rules. At once epic and intimate, The Heartsong of Charging Elk echoes across time, geography, and cultures.
James Welch never shied away from depicting the lives of Native Americans damned by destiny and temperament to the margins of society. The Death of Jim Loney is no exception. Jim Loney is a mixed-blood, of white and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement and self-destruction. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The classic account of Custer\'s Last Stand that shattered themyth of the Little Bighorn and rewrote history books. This historic and personal work tells the Native American sideof Custer\'s fabled attack, poignantly revealing how disastrous theencounter was for the "victors," the last great gathering of PlainsIndians under the leadership of Sitting Bull.
Finalist for the 2022 Minnesota Book Award in Poetry “Sometimes,” Michael Kleber-Diggs writes in this winner of the Max Ritvo Poetry Prize, “everything reduces to circles and lines.” In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor. But Worldly Things refuses to “offer allegiance” to this centuries-old status quo. With uncompromising candor, Kleber-Diggs documents the many ways America systemically fails those who call it home while also calling upon our collective potential for something better. “Let’s create folklore side-by-side,” he urges, asking us to aspire to a form of nurturing defined by tenderness, to a kind of community devoted to mutual prosperity. “All of us want,” after all, “our share of light, and just enough rainfall.” Sonorous and measured, the poems of Worldly Things offer needed guidance on ways forward—toward radical kindness and a socially responsible poetics. Additional Recognition: A New York Times Book Review "New & Noteworthy Poetry" Selection A Library Journal "Poetry Title to Watch 2021" A Chicago Review of Books "Poetry Collection to Read in 2021" A Reader's Digest "14 Amazing Black Poets to Know About Now" Selection A Books Are Magic "Recommended Reading" Selection An Indie Gift Guide 2021 Indie Next Selection