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The Sagebrush Trail is a history of Western movies but also a history of twentieth-century America. Richard Aquila’s fast-paced narrative covers both the silent and sound eras, and includes classic westerns such as Stagecoach, A Fistful of Dollars, and Unforgiven, as well as B-Westerns that starred film cowboys like Tom Mix, Gene Autry, and Hopalong Cassidy. The book is divided into three parts. Part 1 traces the birth and growth of Westerns from 1900 through the end of World War II. Part 2 focuses on a transitional period in Western movie history during the two decades following World War II. Finally, part 3 shows how Western movies reflected the rapid political, social, and cultural changes that transformed America in the 1960s and the last decades of the twentieth century. The Sagebrush Trail explains how Westerns evolved throughout the twentieth century in response to changing times, and it provides new evidence and fresh interpretations about both Westerns and American history. These films offer perspectives on the past that historians might otherwise miss. They reveal how Americans reacted to political and social movements, war, and cultural change. The result is the definitive story of Western movies, which contributes to our understanding of not just movie history but also the mythic West and American history. Because of its subject matter and unique approach that blends movies and history, The Sagebrush Trail should appeal to anyone interested in Western movies, pop culture, the American West, and recent American history and culture. The mythic West beckons but eludes. Yet glimpses of its utopian potential can always be found, even if just for a few hours in the realm of Western movies. There on the silver screen, the mythic West continues to ride tall in the saddle along a “sagebrush trail” that reveals valuable clues about American life and thought.
Exploring the early westerns of John Wayne--from his first starring role in the The Big Trail (1930) to his breakthrough as the Ringo Kid in John Ford's Stagecoach (1939)--the authors trace his transformation from Marion Mitchell Morrison, movie studio prop man, into John Wayne, a carefully crafted film persona of his own invention that made him world famous. Wayne's years of training went well beyond honing his acting skill, as he developed the ability to do his own stunts, perfected his technique as a gun handler and became an expert horseman.
By the time Stagecoach made John Wayne a silver-screen star in 1939, the thirty-one-year-old was already a veteran of more than sixty films, having twirled six-guns and foiled cattle rustlers in B Westerns for five studios. By the 1950s he was Hollywood’s most popular actor—an Academy Award nominee destined to become an American icon. This biography reveals the story of his early life, illustrated with rare archival images.
John Wayne Treasures chronicles the life of this legendary actor, from his earliest movies and years out in the wilderness to his final films and eventual passing. Four pieces of memorabilia included in the book's pocket add vivid detail to this story of John Wayne's life. "Damn, I'm the stuff men are made of!" —John Wayne While people around the globe adore and cherish John Wayne, he remains the quintessential American icon. He embodied the definition of the American cowboy, soldier, and rugged individualist. Duke's extraordinary rise to fame—from hauling furniture around studio lots to becoming one of the most famous actors in the world—is chronicled in this handsome volume, complete with on-set and behind-the-scenes photographs, vintage movie posters, and cigarette cards from his most well-known movies. Clips of interviews, quotes from movies, and the testimony of the people he surrounded himself with tell the story of America's favorite western star. John Wayne Treasures contains a pocket in the back with four pieces of memorabilia spanning John Wayne's life and career. Included are a small movie poster for Stagecoach, excerpts from Duke's Glendale High School senior yearbook circa 1925, and proof sheets from Big Jake and The Shootist. Since John Wayne's death in 1979, he has been the subject of the public's fascination and has become a folk legend, of sorts. John Wayne's character, with biting wit and grit, has grown far bigger than the man himself. While alive, he embodied the persona he created with pride, patriotism, determination, and integrity. Written by true and loyal fans, every aspect of the Duke's life is covered in this book.
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
Both brawls and elaborate martial arts have kept movie audiences on the edges of their seats since cinema began. But the filming of fight scenes has changed significantly through the years--mainly for the safety of the combatants--from improvised scuffles in the Silent Era to exquisitely choreographed and edited sequences involving actors, stuntmen and technical experts. Camera angles prevented many a broken nose. Examining more than 300 films--from The Spoilers (1914) to Road House (1989)--the author provides behind-the-scenes details on memorable melees starring such iconic tough-guys as John Wayne, Randolph Scott, Robert Mitchum, Lee Marvin, Charles Bronson, Clint Eastwood, Bruce Lee, Chuck Norris and Jackie Chan.
From the Alamo Burger to Donovan's Beef, from the Quiet Man Corned Beef and Cabbage to the Crumb Buns of Katie Elder, "True Grits" features 100 recipes inspired by the Duke's greatest films. Each movie from which a recipe comes is examined in a brief essay and in many classic photos.
"Reflections Of A 'B' Movie Junkie" is a tribute to the old "B" Movies of the Saturday Matinees of yesteryear. Actually, it is more of a homage to them, or at least (6) genres of those film types, that were so prevalent back in primarily the '40's and '50's. Their research and discussion, however, in some instances, dates all the way back to the beginning of the "talkies" of motion picture content, and can extend in the other direction, into the early '70s. These (6) genres include the popular "B"-Western, The Comedy Teams, The Jungle Adventures, Sci-Fi & Fantasy, Horror and the Serial, or Chapter Plays, so popular with the week-end Matinee crowds back then. These film-types filled up our Saturday afternoons (and evenings) with exciting adventure, curious wonder, spine-tingling horror, and non-stop action. Often filmed on a shoe-string budget, and in a limited time-frame, many of these "classics" came to be looked upon by many fans as being so truly bad, that they were good, (in a bad sort of way) ! They are thus categorized, reviewed and discussed, for the most part, in a lovingly personal style, especially when compared to the film types we are subjected to in today's market. They had their place in film history, and that time is long since gone. But, for some of us, they have never been equaled, which, for others, may indeed be a good thing.
1966. The year of change. The year of division. The middle of the 1960s, the great dividing line between what America had been, and what it became. All of it, in all its color, glory, and ugliness, came symbolically together on a hot, humid weekend in Austin, Texas. The protagonist? None other John “Duke” Wayne, the larger-than-life movie hero of countless Westerns and war dramas; a swashbuckling, ruggedly macho idol of America; the very embodiment of what the United States had become—the new Rome: the most powerful military, political, and cultural empire in the annals of mankind. Wayne, like the nation itself, stood astride the world in Colossus style, talking tough. Taking no prisoners. In September 1966, John Wayne was in Texas filming War Wagon while the integrated Trojans of the University of Southern California arrived in Austin to do battle with a powerhouse of equal stature, the all-white Texas Longhorns. The Duke, a one-time pulling guard for coach Howard Jones at USC, was there, accompanied by sycophants, and according to rumor, with spurs on. Wayne arrived in Austin the night before the game. Dressed to the nines, he immediately repaired to the hotel bar. He had a full entourage who hung on his every word as if uttered from the Burning Bush. So it was when the Duke ordered his first whiskey. Thus surrounded by sycophants, John Wayne bellowed opinions, bromides, and pronouncements. What happened next is subject to interpretation, for this weekend and many other details of the Duke’s “Trojan wars” are revealed and expounded upon by longtime USC historian Steven Travers. This book is a fly-on-the-wall exploration of this wild weekend and an immersion into the John Wayne mythology: his politics, his inspirations, the plots to assassinate him, his connections to Stalin, Khrushchev, and Chairman Mao, and the death of the Western.