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As owner of the 57th Illinois Watch Company, Mollie Knox's future looks bright until the night the legendary Great Chicago Fire destroys her beloved city. With her world crumbling around her, Mollie will do whatever it takes to rebuild in the aftermath of the devastating fire. Zack Kazmarek, an influential attorney for one of Chicago's finest department stores, is a force to be reckoned with among the city's most powerful citizens. Bold and shrewd, he's accustomed to getting exactly what he wants--until he meets Mollie Knox, the beguiling businesswoman just beyond his reach. In the tumult as the people of Chicago race to rebuild a bigger and better city, Mollie comes face-to-face with the full force of Zack's character and influence. Zack believes this may finally be his chance to win her, but can Mollie ever accept this man and his whirlwind effect on her life, especially with her treasured company on the line? " A sweet, emotion-filled romance to warm the heart and touch the soul... The cast of characters is varied and lovingly detailed, colorful and bursting with life." --Publishers Weekly "Into the Whirlwind is a delight. Elizabeth Camden shows remarkable ability to breathe life into nineteenth-century Chicago and its people. If you are a fan of historical romantic suspense, I cannot recommend this book or this author too highly."-Davis Bunn, bestselling author of Rare Earth "Camden takes readers on a breathless ride with smart, serious Mollie in the midst of tragedy and rui" -- RT Book Reviews
"I just did it, and I probably made more mistakes than the average person who makes a first film. I didn't really have any help, and I wouldn't take any help. I had to do it on my own. Once I made my first film I considered myself a film-maker. I lost all interest in the theater and never went back"--Monte Hellman In 1970, an LA Times headline described Monte Hellman as "Hollywood's best kept secret". More than thirty years later, Hellman and his work are still secrets, his genius recognized only by a small but passionate group of admirers. This book is both a biography of Hellman and a critical study of his films, which include The Shooting, Two-Lane Blacktop and Ride in the Whirlwind. It also covers films to which Hellman has contributed as an editor, actor and producer, as well as those on which he has worked, in various capacities, without onscreen credit, such as Shatter and Robocop. Attention is focused on the hallmarks of Hellman's work, including his dominant themes and obsessive characters, and all the films are subjected to close stylistic analysis.
Steward is a Beta¿ a clone. In his memories, he¿s an elite commando for an orbital policorp¿ but because his Alpha never did a brain-scan update, Steward¿s memories are fifteen years out of date . . . and in those fifteen years, everything has changed.An interstellar war destroyed the company that held his allegiance. His wife has divorced him, along with the second wife that he can¿t even remember. Most of his comrades died in a useless battle on a world called Sheol, and those who survived are irrevocably scarred. An alien race has arrived and become the center of a complex and deadly intrigue. And someone has murdered him.
In the distant future a man must decide if he wants to marry a crime lords daughter and become an enforcer in galactic organized crime, or should he allow a royal woman to install him in a pleasure palace so he can lead the life of a caged galactic prince while he services humanity's most powerful and most beautiful women, or should he just go back to his old life of hard partying, excessive drinking, and occasionally fighting dangerous animals in places where modern weapons cannot be used.. Bob Nesslun, the man who can successfully fight anyone or anything as long as it is trying to kill him, feels he is being pulled in every direction. He is humiliated by a female vampire who wants revenge after he made her promise to never harm him. He is pursued by a crime lord's daughter who wants him as a husband because he is unbeatable in areas where modern weapons cannot be used. He is seduced by an incredibly beautiful royal woman who wants to keep him in a palace that is really a very nice cage. Add to the mix that he must deal with the supreme mercenaries of the galaxy that hate humans and the only species of gloride monster that is so dangerous that ghoul hunters are forbidden to hunt them and you have THE WHIRLWIND'S RIDE.
Whirlwind is one woman’s frank, witty, mordant, sexy look at the breakup of a marriage and its emotional aftermath. With her characteristic linguistic play and mixture of poetic registers and styles, Sharon Dolin takes her readers on an off-the-tracks emotional ride through the whirlwind that goes by the name of divorce. Hang on tight. Here poems are never merely confessional, but use formal aplomb to ride the white-heat rage, hurt, denial, reflection, regret, wistfulness, desire, and sexual passion as they go hurtling through the many stages of grief after the death of a relationship and the rebirth of a more vital self. Dolin tackles difficult subjects unflinchingly in her poems: such as betrayal and the shame of the one being betrayed, being a parent within a volatile breakup, as well as some startling poems on the reawakening of sexuality and an attention to the natural world and politics. In her poem that won a Pushcart Prize, she dons the mask of the Furies to confront her ex-husband and his lover. A journalist of her own heart, Sharon Dolin has written a brazen collection that seethes with the pressure of a story to tell: cathartic and thrilling in equal measure.
The Liezi is the forgotten classic of Daoism. Along with the Laozi (Daodejing) and the Zhuangzi, it's been considered a Daoist masterwork since the mid-eighth century, yet unlike those well-read works, the Liezi is little known and receives scant scholarly attention. Nevertheless, the Liezi is an important text that sheds valuable light on the early history of Daoism, particularly the formative period of sectarian Daoism. We do not know exactly what shape the original text took, but what remains is replete with fantastic characters, whimsical tales, paradoxical aphorisms, and philosophically sophisticated reflection on the nature of the world and humanity's place within it. Ultimately, the Liezi sees the world as one of change and indeterminacy. Arguing for the Liezi's historical, philosophical, and literary significance, the contributors to this volume offer a fresh look at this text, using contemporary approaches and providing novel insights. The volume is unique in its attention to both philosophical and religious perspectives.
PAY UP OR DIE The town of Labyrinth is like home to Clint Adams when he's not on the trail. So, when the Castiglione gang grabs the property rights to most of the town and starts strong-arming its citizens, Clint decides it's time to clean house. Castiglione wants every mortgage-holder in Labyrinth to pay him all they owe right now, or there'll be hell to pay. Although his methods are from the "hired gun" school of business, legally he's within his rights. But having a contract is one thing—enforcing it is another. And the Gunsmith is going to settle this one out of court—with iron and lead.
For nearly a hundred years, the state of Utah has played host to scores of Hollywood films, from potboilers on lean budgets to some of the most memorable films ever made, including The Searchers, Butch Cassidy and the Sundance Kid, Footloose, and Thelma &telling how these films were made, what happened on and off set, and more. As one Utah rancher memorably said, Hollywood moviemakers "don't take anything but pictures and don't leave anything but money." James V. D'Arc, Ph.D., is Curator of the BYU Motion Picture Archive, the BYU Film Music Archive and the Arts and Communications Archive of the L. Tom Perry Special Collections at Brigham Young University. He directs the BYU Motion Picture Archive Film Series, produces a CD series of original motion picture soundtrack, and appears on DVD documentaries dealing with classic films. For over 30 years, Dr. D'Arc has lectured internationally on motion picture history and has taught film courses at BYU. He lives in Orem, Utah.