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Who built Avebury and Stonehenge? Why and when were more than 600 stone circles, and thousands of barrows and cairns, erected in prehistoric Britain? What were they used for and what do they tell us about the beliefs and culture of their builders? Riddles in Stone is a history of the extraordinary variety of answers that have been given to these questions, by amateurs and professionals, archaeologists and astronomers, mystics and systems theorists. While modern excavation and radiocarbon dating has undoubtedly advanced our knowledge of the sequence and date of the monuments, their purpose and meaning is still hotly debated. Indeed no previous century has changed its mind so often as the twentieth - or provided such a welter of differing opinions. Each theory has as much to say about its own time as it has about prehistory. The stones have been used to enhance the authority of the Bible, to endorse the civilizing mission of the British Empire - and to argue that the Ancient Britons could work a computer. In a reaction to modern industrial society, they have been credited with spiritual powers and natural energies. Even the views of modern archaeologists often seem to reflect the latest academic fad, rather than a lasting solution. Riddles in Stone is an entertaining and instructive account of a debate on a subject of endless fascination.
A debut novel of epic fantasy featuring an unlikely hero and his life-changing adventure from the author of the Quests of the Kings Trilogy. Long after the last of the great heroes of old has died, the Undead King is stirring again, amassing a goblin horde ready to sweep out of the mountains and destroy all of humanity. The only thing preventing utter annihilation is Edmund, a stuttering librarian who knows a secret—one that every thief, assassin, and king would kill to have. Fleeing from relentless peril, Edmund wages a solitary battle against an ancient evil. But how can one man succeed when so many before him have failed? “This unique plot is oozing creativity. You have to give it a read to properly understand why . . . You will not be disappointed, it is an excellent read!” —Only the Indies “In many ways, Riddle in Stone harkens back to the early days of modern fantasy where the hero is really an everyman confronted with an impossible task and, despite his own innocence, insecurities, and sense of inadequacy, accomplishes that which the great heroes of the time could not. Yet, there are enough differences to give it a fresh feel.” —Maxine McLister
Batman has been kidnapped by the Riddler! The crook has left behind one of his infamous riddles, addressed to Robin. If Robin can solve the puzzle, he will locate the Caped Crusader. But that first riddle leads to another. Then the Riddler turns off all the lights in Gotham City. What, Robin wonders, is the point? When will the riddles end? If the Boy Wonder cannot find his partner by the next sunrise, Batman will be gone forever. Just in time for Batman's 80th Anniversary, this action-packed chapter book also features a brand new Batman's Friends and Foes Roster and historical archives from the Caped Crusader's many years of fighting crime.
This collection of essays is not interested in the unresolved questions about the origin, original use, and authentic meaning of the prehistoric monuments of the British Isles. It is not concerned with their prehistory. Rather it deals with the history of barrows, standing stones, and stone circles: with the ways in which they have been viewed, the meanings that have been attributed to them, and the significant impact that they have had over the centuries on British life and culture – from motivating artists, authors, musicians and film-makers to inspiring ‘New Age’ religions. It is thus as interested in stones commonly believed to be megaliths – like the foundation stones of the chapel in the Dartmoor village of South Zeal – as in ‘real’ remains. In her recent study of Stonehenge, the historian Rosemary Hill asserted: ‘Stonehenge does not belong to archaeology, or not to archaeology alone’. Likewise, this book is not written primarily for archaeologists – or not for the interest of archaeologists alone. It will also be of interest to social and cultural historians, to those interested in fine art, literature or film, and to anyone fascinated by the construction of national, local, or counter-cultural identities. It should also intrigue anybody who lives near one of the thousands of prehistoric remains that add beauty and mystery to Britain’s countryside. The book surveys over eight hundred years of rediscovery, study, superstition, inspiration, fear, restoration, and destruction, investigating how different generations saw their own anxieties, beliefs and concerns reflected in the mysterious lives of the prehistoric builders. By discussing the many different ways in which prehistoric remains have been treated in different periods, the book interrogates any notion of objective approaches to archaeology. Instead, it asserts that what we think of as ‘the past’ is in fact multiple and man-made. Thus, if we are to effectively interpret and fully understand the prehistoric remains of the past, a variety of disciplines and a range of approaches – both traditional and unconventional – will need to work together. For this reason, this book has been produced as a jointly-authored text – a collaboration between archaeologists, folklorists, historians, journalists, and literary critics.
80 new riddles from Cloud Kingdom games including some hidden riddles. Here is a sample riddle: You reached the mountain top Dame Justice would agree. This riddle, well, from one to ten, It's probably a three. Think you know the answer? Then you're ready for your Quest! In this second printing of Quest for the Riddle Stone, all of the content from the original edition is available and we use our new hints and explanation system, plus larger print, making your Quest that much more enjoyable. Can you solve the Quest? And can you find both of the hidden riddles?
Norbert and Grog's adventures together, begun in Norbert Nipkin, continue! Scolded and scoffed at by their parents who refuse to believe that the pair have become friends, they set off alone to find and solve the final mystery of the Magic Riddle Stone. Humor and suspence combine to hold the reader spellbound until the adventure's dramatic conclusion. This edition includes a separate, new and never before printed illustration by the artist, Steve Pilcher, the art director of Skrek 2. Suitable for framing.
The first and one of the finest Latin poets of Anglo-Saxon England, the seventh-century bishop Saint Aldhelm can justly be called “Britain's first man of letters.” Among his many influential poetic texts were the hundred riddles that made up hisAenigmata. In Saint Aldhelm's Riddles, A.M. Juster offers the first verse translation of this text in almost a century, capturing the wit, warmth, and wonder of the first English riddle collection. One of today's finest formalist poets, A.M. Juster brings the same exquisite care to this volume as to his translations of Horace (“The best edition available of theSatires in English” –Choice), Tibullus (“An excellent new translation” –The Guardian), and Petrarch. Juster's translation is complemented by a newly edited version of the Latin text and by the first scholarly commentary on theAenigmata, the result of exhaustive interdisciplinary research into the text's historical, literary, and philological context.Saint Aldhelm's Riddles will be essential for scholars and a treasure for lovers of Tolkien,Beowulf, and Harry Potter.
Enhance your students' mastery of phonics skills, vocabulary, comprehension, and writing with engaging poetic language activities. The focus of this lesson is Stones!
The tale begins over three-hundred years ago, when the Fair People—the goblins, fairies, dragons, and other fabled and fantastic creatures of a dozen lands—fled the Old World for the New, seeking haven from the ways of Man. With them came their precious jewels: diamonds, rubies, emeralds, pearls... But then the Fair People vanished, taking with them their twelve fabulous treasures. And they remained hidden until now... Across North America, these twelve treasures, over ten-thousand dollars in precious jewels, are buried. The key to finding each can be found within the twelve full color paintings and verses of The Secret. Yet The Secret is much more than that. At long last, you can learn not only the whereabouts of the Fair People's treasure, but also the modern forms and hiding places of their descendants: the Toll Trolls, Maitre D'eamons, Elf Alphas, Tupperwerewolves, Freudian Sylphs, Culture Vultures, West Ghosts and other delightful creatures in the world around us. The Secret is a field guide to them all. Many "armchair treasure hunt" books have been published over the years, most notably Masquerade (1979) by British artist Kit Williams. Masquerade promised a jewel-encrusted golden hare to the first person to unravel the riddle that Williams cleverly hid in his art. In 1982, while everyone in Britain was still madly digging up hedgerows and pastures in search of the golden hare, The Secret: A Treasure Hunt was published in America. The previous year, author and publisher Byron Preiss had traveled to 12 locations in the continental U.S. (and possibly Canada) to secretly bury a dozen ceramic casques. Each casque contained a small key that could be redeemed for one of 12 jewels Preiss kept in a safe deposit box in New York. The key to finding the casques was to match one of 12 paintings to one of 12 poetic verses, solve the resulting riddle, and start digging. Since 1982, only two of the 12 casques have been recovered. The first was located in Grant Park, Chicago, in 1984 by a group of students. The second was unearthed in 2004 in Cleveland by two members of the Quest4Treasure forum. Preiss was killed in an auto accident in the summer of 2005, but the hunt for his casques continues.