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Riddle of Berlin is the story of John C. Jaëgerman. At the plateau of middle age frustration. In Paris, a voice in the water entices his leap from a parapet overlooking the Seine River at Notre Dame. A disfigured body without memory is lifted from the water days later by a gypsy nurse (Carmen) seeking her own path, embodiment of the voice. A campaign of terror engulfs the world. Thousands perish in terrorist incidents in Europe and California. Government is impotent to protect innocent citizens from brutal evisceration. Instigated by a shadowy arms trader, cleverly casting responsibility on others through an Internet site, insurance money laundering and government customers. Riddle of Berlin puts the integrity of NATO on the line, led by popular black American Vice President Lucius Alcorn. A man without fingerprints or history awakens on the Danube. Carmen calls him Del, my deliverer. Orange Girl at the Louvre attracts attention to the declared death of her father on the streets of Paris, becoming engulfed herself in the Riddle. Jaëgerman is deemed the terrorist. Del crafts resolution of the Riddle. Reliving thrills of danger as he tastes new love with Carmen. Denouement brings the choice of everyman. Home is where it was, is or could be? Can we ever return?
The intoxicating history of an extraordinary city and her people—from the medieval kings surrounding Berlin's founding to the world wars, tumult, and reunification of the twentieth century. There has always been a particular fervor about Berlin, a combination of excitement, anticipation, nervousness, and a feeling of the unexpected. Throughout history, it has been a city of tensions: geographical, political, religious, and artistic. In the nineteenth-century, political tension became acute between a city that was increasingly democratic, home to Marx and Hegel, and one of the most autocratic regimes in Europe. Artistic tension, between free thinking and liberal movements started to find themselves in direct contention with the formal official culture. Underlying all of this was the ethnic tension—between multi-racial Berliners and the Prussians. Berlin may have been the capital of Prussia but it was never a Prussian city. Then there is war. Few European cities have suffered from war as Berlin has over the centuries. It was sacked by the Hapsburg armies in the Thirty Years War; by the Austrians and the Russians in the eighteenth century; by the French, with great violence, in the early nineteenth century; by the Russians again in 1945 and subsequently occupied, more benignly, by the Allied Powers from 1945 until 1994. Nor can many cities boast such a diverse and controversial number of international figures: Frederick the Great and Bismarck; Hegel and Marx; Mahler, Dietrich, and Bowie. Authors Christopher Isherwood, Bertolt Brecht, and Thomas Mann gave Berlin a cultural history that is as varied as it was groundbreaking. The story vividly told in Berlin also attempts to answer to one of the greatest enigmas of the twentieth century: How could a people as civilized, ordered, and religious as the Germans support first a Kaiser and then the Nazis in inflicting such misery on Europe? Berlin was never as supportive of the Kaiser in 1914 as the rest of Germany; it was the revolution in Berlin in 1918 that lead to the Kaiser's abdication. Nor was Berlin initially supportive of Hitler, being home to much of the opposition to the Nazis; although paradoxically Berlin suffered more than any other German city from Hitler’s travesties. In revealing the often-untold history of Berlin, Barney White-Spunner addresses this quixotic question that lies at the heart of Germany’s uniquely fascinating capital city.
Winston Breen says the only thing better than discovering a puzzle is stumping someone else with it. But when his sister uncovers mysterious strips of wood with words and letters on them, even Winston himself is stumped. Soon the whole family (and some friends) are caught up in the mystery and off on a scavenger hunt that just may lead to a ring worth thousands of dollars! Chock-full of puzzles to solve, some tied to the mystery and some not, this treasure hunt will keep readers' brains teased right up to the exciting ending! Perfect for fans of The Westing Game, exciting mysteries, and, of course, puzzles!
Max is a German schoolboy, when he first meets Lili, a trapeze artist from a travelling circus that performs every year in Berlin. Lili is a Romani and her life and customs are very different from those of Max and his family. Their friendship turns into love, but love between a German and a Romani is definitely forbidden. As Max is conscripted into the SS and war tears them apart, can their love survive? Set against the backdrop of the Second World War, A Berlin Love Song is a love story of passion, unexpected friendship, despair, loss and hope.
The winner of numerous literary awards including the Anne Frank Prize and Goethe Prize, Cees Nooteboom, novelist, poet and journalist, "is a careful prose stylist of a notably philosophical bent." (J.M. Coetzee, The New York Review of Books) In Roads to Berlin, Nooteboom's reportage, "from a 1963 Khrushchev rally in East Berlin to the tearing down of the Palast der Republik, brilliantly captures the intensity of the capital and its â??associated layers of memory,'" The Economist said. The book maps the changing landscape of post-World-War-II Germany, from the period before the fall of the Berlin Wall to the present. Written and updated over the course of several decades, an eyewitness account of the pivotal events of 1989 gives way to a perceptive appreciation of its difficult passage to reunification. Nooteboom's writings on politics, people, architecture, and culture are as digressive as they are eloquent; his innate curiosity takes him through the landscapes of Heine and Goethe, steeped in Romanticism and mythology, and to Germany's baroque cities. With an outsider's objectivity he has crafted an intimate portrait of the country to its present day. From the Hardcover edition.
Monism is the metaphysical and theological view that all is one, that there are no fundamental divisions, and that a unified set of laws underlie all of nature, which author Ernst Haeckel brilliantly examines.
Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the early medieval riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
Riddles are a journey into a fascinating world rich in delightful metaphors and ambiguity. This book is based on material drawn from all over the world and analyses both traditional true riddles and contemporary joking questions. It introduces the reader to different riddling situations and the many functions of riddles, wich vary from education to teasing, and from defusing a heated situation to entertainment. In addition to providing a survey of international riddle scholarship, the book has a comprehensive bibliography with suggestions for further reading.