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An acclaimed local author recounts the evolution of Richmond’s alternative newspapers, comics, and small presses beginning in the Civil Rights Era. As the political and social upheaval of the 1960s took hold across the United States, even the sleepy town of Richmond, Virginia, experienced a countercultural shift. New attitudes about the value of journalism spurred an underground movement in the press. “The Sunflower,” Richmond’s first underground newspaper, appeared in 1967 and set the stage for a host of alternative local media lasting into the 1990s and beyond. Publications such as the “Richmond Chronicle,” “Richmond Mercury,” and “Commonwealth Times,” as well as numerous minority-focused presses such as “Richmond Afro-American,” served the progressive-minded citizens of the River City. In Richmond Independent Press, the historian, activist and former “ThroTTle” editor Dale Brumfield reveals the untold story of this cultural revolution in the River City.
During the political and cultural upheaval of the 1960s, even the sleepy southern town of Richmond was not immune to the emergence of radical counterculturalism. A change in the traditional ideas of objective journalism spurred an underground movement in the press. The" "Sunflower," Richmond's first underground newspaper, appeared in 1967 and set the stage for a host of alternative Richmond media lasting into the 1990s and beyond. Publications such as the" Richmond Chronicle," the "Richmond Mercury" and the "Commonwealth Times," as well as those covering the African American community, such as "Afro," have served the citizens of Richmond searching for a change in the status quo. Join author and former "ThroTTle" editor Dale Brumfield as he explores a forgotten history of a cultural revolution in the River City."
The nation's capital and the state of Virginia were a hotbed of political and social turmoil that marked the 1960s and 1970s. The area saw anti-Vietnam War protests, civil rights marches and students clamoring for a cultural revolution. Underground publications in D.C. and Virginia sprang up to document the radical change and question the "straight media." Off Our Backs led the charge for women's equality. The Gay Blade fought for the rights of homosexuals. Even the FBI began infiltrating the underground press movement by planting informants and creating fake magazines to attract suspicious "radicals". Join author and former underground editor Dale Brumfield as he traces the history of alternative press in the Commonwealth and the District. Book jacket.
Thomas Jefferson developed the idea for the Virginia State Penitentiary and set the standard for the future of the American prison system. Designed by U.S. Capitol and White House architect Benjamin Latrobe, the "Pen" opened its doors in 1800. Vice President Aaron Burr was incarcerated there in 1807 as he awaited trial for treason. The prison endured severe overcrowding, three fires, an earthquake and numerous riots. More than 240 prisoners were executed there by electric chair. At one time, the ACLU called it the "most shameful prison in America." The institution was plagued by racial injustice, eugenics experiments and the presence of children imprisoned among adults. Join author Dale Brumfield as he charts the 190-year history of the iconic prison.
In the spring of 1861, Richmond, Virginia, suddenly became the capital city, military headquarters, and industrial engine of a new nation fighting for its existence. A remarkable drama unfolded in the months that followed. The city's population exploded, its economy was deranged, and its government and citizenry clashed desperately over resources to meet daily needs while a mighty enemy army laid siege. Journalists, officials, and everyday residents recorded these events in great detail, and the Confederacy's foes and friends watched closely from across the continent and around the world. In Rebel Richmond, Stephen V. Ash vividly evokes life in Richmond as war consumed the Confederate capital. He guides readers from the city's alleys, homes, and shops to its churches, factories, and halls of power, uncovering the intimate daily drama of a city transformed and ultimately destroyed by war. Drawing on the stories and experiences of civilians and soldiers, slaves and masters, refugees and prisoners, merchants and laborers, preachers and prostitutes, the sick and the wounded, Ash delivers a captivating new narrative of the Civil War's impact on a city and its people.
Whiting's Confederate division in the battle of Gaines's Mill, the role of artillery in the battle of Malvern Hill, and the efforts of Radical Republicans in the North to use the Richmond campaign to rally support for emancipation."--BOOK JACKET.
The simple yet striking lines of Shaker design grace much of the furniture we see in high-end department stores, and beautiful examples of it adorn the pages of Architectural Digest and House Beautiful. How did this style evolve from its origins in a humble, small religious community to the international design phenomenon it is today? This illustrated study explores the emergence of the Shaker style and how it was vigorously promoted by scholars and artists into the prominence it now enjoys. The heart of the Shaker style lies in the religious movement founded in the eighteenth century, where Stephen Bowe and Peter Richmond begin their chronicle. From there, the authors chart the evolution of the style into the twentieth century—particularly in the hands of design media, scholars, and art institutions. These Shaker “agents” repositioned Shaker style continuously—from local vernacular to high culture and then popular culture. Drawing on a rich array of sources, including museum catalogs, contemporary design magazines, and scholarly writings, Selling Shaker illustrates in detail how the Shaker style entered the general design consciousness and how the original aesthetic was gradually diluted into a generic style for a mass audience. A wholly original and fascinating study of American design and consumption, Selling Shaker is a unique resource for collectors, scholars, and anyone interested in the cultural history of a design aesthetic.
An illustrated history of Richmond, Virginia's Monument Avenue, showing the most prestigious homes and distinguished architecture, as well as the statues that have often been a source of controversy.
After the ratification of the Nineteenth Amendment in 1920, hundreds of thousands of southern women went to the polls for the first time. In The Weight of Their Votes Lorraine Gates Schuyler examines the consequences this had in states across the South. She shows that from polling places to the halls of state legislatures, women altered the political landscape in ways both symbolic and substantive. Schuyler challenges popular scholarly opinion that women failed to wield their ballots effectively in the 1920s, arguing instead that in state and local politics, women made the most of their votes. Schuyler explores get-out-the-vote campaigns staged by black and white women in the region and the response of white politicians to the sudden expansion of the electorate. Despite the cultural expectations of southern womanhood and the obstacles of poll taxes, literacy tests, and other suffrage restrictions, southern women took advantage of their voting power, Schuyler shows. Black women mobilized to challenge disfranchisement and seize their right to vote. White women lobbied state legislators for policy changes and threatened their representatives with political defeat if they failed to heed women's policy demands. Thus, even as southern Democrats remained in power, the social welfare policies and public spending priorities of southern states changed in the 1920s as a consequence of woman suffrage.