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"'Give me Liberty, or give me Death'!" is a famous quotation attributed to Patrick Henry from a speech he made to the Virginia Convention. It was given March 23, 1775, at St. John's Church in Richmond, Virginia, ..
The poems in this collection reflect Gregg Valenzuela's passion for the history, rural culture, land and the people of Virginia's Tidewater and Northern Neck. Like his poetry, this singular place reveals a multitude of layers, textures, moods, as well as a rare and unforgettable beauty.
On the day after Christmas in 1811, the state of Virginia lost its governor and almost one hundred citizens in a devastating nighttime fire that consumed a Richmond playhouse. During the second act of a melodramatic tale of bandits, ghosts, and murder, a small fire kindled behind the backdrop. Within minutes, it raced to the ceiling timbers and enveloped the audience in flames. The tragic Richmond Theater fire would inspire a national commemoration and become its generation's defining disaster. A vibrant and bustling city, Richmond was synonymous with horse races, gambling, and frivolity. The gruesome fire amplified the capital's reputation for vice and led to an upsurge in antitheater criticism that spread throughout the country and across the Atlantic. Clerics in both America and abroad urged national repentance and denounced the stage, a sentiment that nearly destroyed theatrical entertainment in Richmond for decades. Local churches, by contrast, experienced a rise in attendance and became increasingly evangelical. In The Richmond Theater Fire, the first book about the event and its aftermath, Meredith Henne Baker explores a forgotten catastrophe and its wide societal impact. The story of transformation comes alive through survivor accounts of slaves, actresses, ministers, and statesmen. Investigating private letters, diaries, and sermons, among other rare or unpublished documents, Baker views the event and its outcomes through the fascinating lenses of early nineteenth-century theater, architecture, and faith, and reveals a rich and vital untold story from America's past.
Explores the ways in which white Christian leaders in Richmond, Virginia navigated the shifting legal and political battles around desegregation even as members of their congregations struggled with their own understanding of a segregated society Douglas E. Thompson’s Richmond’s Priests and Prophets: Race, Religion, and Social Change in the Civil Rights Era presents a compelling study of religious leaders’ impact on the political progression of Richmond, Virginia, during the time of desegregation. Scrutinizing this city as an entry point into white Christians’ struggles with segregation during the 1950s, Thompson analyzes the internal tensions between ministers, the members of their churches, and an evolving world. In the mid-twentieth-century American South, white Christians were challenged repeatedly by new ideas and social criteria. Neighborhood demographics were shifting, public schools were beginning to integrate, and ministers’ influence was expanding. Although many pastors supported the transition into desegregated society, the social pressure to keep life divided along racial lines placed Richmond’s ministers on a collision course with forces inside their own congregations. Thompson reveals that, to navigate the ideals of Christianity within a complex historical setting, white religious leaders adopted priestly and prophetic roles. Moreover, the author argues that, until now, the historiography has not viewed white Christian churches with the nuance necessary to understand their diverse reactions to desegregation. His approach reveals the ways in which desegregationists attempted to change their communities’ minds, while also demonstrating why change came so slowly—highlighting the deeply emotional and intellectual dilemma of many southerners whose worldview was fundamentally structured by race and class hierarchies.
RICHMOND WAS NOT only the capital of Virginia and of the Confederacy; it was also one of the most industrialized cities south of the Mason-Dixon Line. Boasting ironworks, tobacco processing plants, and flour mills, the city by 1860 drew half of its male workforce from the local slave population. Rearing Wolves to Our Own Destruction examines this unusual urban labor system from 1782 until the end of the Civil War. Many urban bondsmen and women were hired to businesses rather than working directly for their owners. As a result, they frequently had the opportunity to negotiate their own contracts, to live alone, and to keep a portion of their wages in cash. Working conditions in industrial Richmond enabled African-American men and women to build a community organized around family networks, black churches, segregated neighborhoods, secret societies, and aid organizations. Through these institutions, Takagi demonstrates, slaves were able to educate themselves and to develop their political awareness. They also came to expect a degree of control over their labor and lives. Richmond's urban slave system offered blacks a level of economic and emotional support not usually available to plantation slaves. Rearing Wolves to Our Own Destruction offers a valuable portrait of urban slavery in an individual city that raises questions about the adaptability of slavery as an institution to an urban setting and, more importantly, the ways in which slaves were able to turn urban working conditions to their own advantage.
This biography of Reverend Bob Childress of the Blue Ridge Mountains has been compared to the tales of Mark Twain and the Mississippi. Shows Childress' transforming effects on rough and wild mountain communities.
In the spring of 1861, Richmond, Virginia, suddenly became the capital city, military headquarters, and industrial engine of a new nation fighting for its existence. A remarkable drama unfolded in the months that followed. The city's population exploded, its economy was deranged, and its government and citizenry clashed desperately over resources to meet daily needs while a mighty enemy army laid siege. Journalists, officials, and everyday residents recorded these events in great detail, and the Confederacy's foes and friends watched closely from across the continent and around the world. In Rebel Richmond, Stephen V. Ash vividly evokes life in Richmond as war consumed the Confederate capital. He guides readers from the city's alleys, homes, and shops to its churches, factories, and halls of power, uncovering the intimate daily drama of a city transformed and ultimately destroyed by war. Drawing on the stories and experiences of civilians and soldiers, slaves and masters, refugees and prisoners, merchants and laborers, preachers and prostitutes, the sick and the wounded, Ash delivers a captivating new narrative of the Civil War's impact on a city and its people.