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A novel telling the true story of the life and times of Dick Turpin, 18th century highwayman, robber and murderer.
Action, intrigue, and magic collide in this epic fantasy following Sir Konrad Vonvalt, an Emperor's Justice, who is a detective, judge, and executioner all in one—but with rebellion and unrest building, these are dangerous times to be a Justice . . . The Empire of the Wolf simmers with unrest. Rebels, heretics, and powerful patricians all challenge the power of the Imperial throne. Only the Order of Justices stands in the way of chaos. Sir Konrad Vonvalt is the most feared Justice of all, upholding the law by way of his sharp mind, arcane powers, and skill as a swordsman. At his side stands Helena Sedanka, his talented protégé, orphaned by the wars that forged the Empire. When the pair investigates the murder of a provincial aristocrat, they unearth a conspiracy that stretches to the very top of Imperial society. As the stakes rise and become ever more personal, Vonvalt and Helena must make a choice: Will they abandon the laws they’ve sworn to uphold, in order to protect the Empire? "Richard Swan's sophisticated take on the fantasy genre will leave readers hungry for more." – Sebastien de Castell, author of Spellslinger “A fantastic debut.” – Peter McLean, author of Priest of Bones
“... You will see a young donkey tied there that no one has ever ridden.” Bestselling author Anthony DeStefano begins his creative telling of the beloved Bible story of Christ’s triumphant entry by introducing the young donkey who has yet to realize his important mission. The lowly creature believes he can do nothing noble, but that’s before he meets the Master... Then Jesus said to the donkey, “It’s time that you knew About the great thing That you’re destined to do...” He hears the sad donkey cry, “Just leave me alone and cast me aside. I’m just a poor donkey that no one can ride.” Richard Cowdrey’s colorful illustrations pair beautifully with Anthony’s charming rhymes. Together, they bring this timeless story of the donkey who carries Jesus into Jerusalem to a joyful finish. While especially appropriate as an Easter gift, this year-round story is for all time and for young and old alike.
A Richard Selzer Reader: Blood and Ink is a career-spanning collection, including major short stories and essays by the renowned doctor-author. In the 1960s, while practicing as a general surgeon and teaching surgery at the Yale School of Medicine, Richard Selzer began publishing unique creative work in magazines such as Harper’s and Esquire. By 1985, when he retired as a physician to devote himself completely to writing, Selzer was already recognized as a pioneer in the field of medical humanities. When he died in 2016, as the author of 13 books, his influence was acknowledged by a younger generation of doctor-writers like Abraham Verghese and Atul Gawande. Selzer’s unusual style fuses scientific and poetic language. Drawing on favorite readings, from the King James Bible to the tales of Edgar Allen Poe, he used this style to convey a sense of awe at the beauty and complexity of the human body, even in the midst of suffering. While describing himself as an atheist, Selzer always searched for “sacramental” moments of courtesy, courage, and grace in medical encounters. Because he often looked critically at the failure of doctors to regard the full humanity of their patients, Selzer’s work has become required reading in many medical training programs. A Richard Selzer Reader includesseveral of the author’s most famous essays and stories, as well as two dozen selections that have not been collected in his previous books. Chronologically, the material ranges from apprenticeship stories (as far back as a high-school composition) to two odd self-portraits that remained unpublished at the time of Selzer’s death.Topically, the material ranges from meditations on the body, and on human mortality, to reflections on both medicine and writing as serious vocations. Along the way, Selzer celebrates the work of other doctor-writers, like Thomas Browne and Anton Chekhov, and in a series of previously unpublished diary entries he discusses the joys of nature, art, and family as bulwarks against the difficulties of growing old.
Monographs and collections of essays on the history, religion, social life, and literature of northern Mesopotamia during the second millennium B.C., when the Hurrians, a people with their own language and culture dominated much of northern Mesopotamia.
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A new high point for a master novelist, an emotionally charged reckoning with art, marriage, and the past Kevin Pace is working on a painting that he won’t allow anyone to see: not his children; not his best friend, Richard; not even his wife, Linda. The painting is a canvas of twelve feet by twenty-one feet (and three inches) that is covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn’t know or, more accurately, doesn’t care. What Kevin does care about are the events of the past. Ten years ago he had an affair with a young watercolorist in Paris. Kevin relates this event with a dispassionate air, even a bit of puzzlement. It’s not clear to him why he had the affair, but he can’t let it go. In the more distant past of the late seventies, Kevin and Richard traveled to El Salvador on the verge of war to retrieve Richard’s drug-dealing brother, who had gone missing without explanation. As the events of the past intersect with the present, Kevin struggles to justify the sacrifices he’s made for his art and the secrets he’s kept from his wife. So Much Blue features Percival Everett at his best, and his deadpan humor and insightful commentary about the artistic life culminate in a brilliantly readable new novel.